- Kirkman (harpsichord makers)
Members of the Kirkman family
Jacob Kirkman (
4 March 1710- 9 June 1792) was born in Bischweilerand moved to England in the early 1730s. He worked for Hermann Tabel, and married his widow in 1738. He became a British subject in 1755. He died in Greenwich.
Abraham Kirkman (
1737- 16 April 1794), also born in Bischweiler, was Jacob Kirkman's nephew. In 1772 they formed a partnership. He died in Hammersmith.
Joseph Kirkman I was the son of Abraham Kirkman, and followed his father in his craft, eventually going into partnership with him.
Joseph Kirkman II (c.1790 – 1877) was the son of Joseph Kirkman I and like him became an instrument maker, helping his father with the last harpsichord they made in 1809 (though the latest surviving today is dated 1800).
Charles Burneywrote a good deal about Jacob Kirkman, and Fanny Burneydescribed him as 'the first harpsichordmaker of the times; he and Burkat Shudidominated the production of English harpsichords in the second half of the 18th century, and many of their instruments survive today, though more than twice as many Kirkmans remain, leading Frank Hubbardto describe them as being 'almost mass produced'.
Like Shudi, Kirkman built three models of harpsichord: single manual instruments with disposition 8' 8' or 8' 8' 4' and double manual instruments with disposition 8' 8' 4' and lute stop. The inner construction of Kirkman harpsichords was based on the
Ruckers-type 17th-century Flemish harpsichord, though a distinctive outward appearance had been developed by English makers by the 1720s, featuring veneering inside and outside, detailed inlayand marquetryin the keywell. Key dip was stopped at the by a rail at the far end, which has led to English harpsichords having a reputation for the worst touch of any school of harpsichord building.
Further innovations were made in later years; the buff stop was introduced c.1760, and was sometimes activated by a pedal on single manual instruments. The machine stop, dating from after 1765, was a mechanism worked by a hand stop and a foot pedal which caused various changes in registration, rather like the arrangements on an organ. The 'nag's head swell' was a segment of the top lid shaped like an elongated
horse's head, which opened along the bentside when a foot pedal was pressed; this was later superseded by Schudi's Venetian swell, which worked similarly but was more like a modern organ swell mechanism (and named after its similarity in appearance to a Venetian blind). Extensions in range were also made, as high as c', with reversed colour sharps and naturals from gupwards; this was perhaps due to musical demands or rivalry with Shudi, who had extended his harpsichords down to CC. Jacob Kirkman made an experimental enharmonicharpsichord for Robert Smith of Trinity College, Cambridge, around 1757.
Frank Hubbard's opinion that English harpsichords such as Kirkman and Burkat Shudi's 'are too good. The tone [...] almost interferes with the music', though he didn't think the native repertoire was significant enough to warrant making copies. Others have pointed out that an English harpsichord player of around 1770 might well have had an exceptionally wide musical taste incorporating Scarlatti, Rameau, Handel, C. P. E. Bach, J. C. Bach, Mozart, Arne, Purcell, and Sammartini.
The Kirkmans began building
fortepianos as they became more popular in the 2nd half of the 18th century; apparently Jacob Kirkman had encountered a piano as early as 1770 but the earliest he is known to have made is a square pianodated 1775. The Kirkman firm continued to make grand and square pianos throughout the 19th century and were taken over by Collardin 1896.
*Donald Howard Boalch: "Makers of the Harpsichord and Clavichord, 1440–1840" (London, 1956)
*Raymond Russell: "The Harpsichord and Clavichord" (London, 1959)
Frank Hubbard: "Three Centuries of Harpsichord Making" (Cambridge, Massachusetts, 1965)
*Charles Mould: "The Development of the English Harpsichord, with Particular Reference to the Work of Kirkman" (
dissertation, Oxford University, 1976)
Finchcocks, who own many surviving Kirkman instruments.
*Donald Howard Boalch, Peter Williams, Charles Mould: 'Kirkman [Kirckman, Kirchmann] ', Grove Music Online ed. L. Macy (Accessed
* [http://www.usd.edu/smm/Keyboards/KirckmanHarpsichord/3328Kirckman.html Harpsichord by Joseph Kirckman, London, 1798] - in the collection of the
National Music Museum
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