Khaled (album)

Infobox Album | Name = Khaled
Type = Album
Artist = Khaled


Released = 1992
Recorded = MicroPLANT, Los Angeles, USA
ICP Studios, Brussels, Belgium
Genre = Raï
Length = 49:25
Label = Barclay Records
Producer = Don Was and Michael Brook
Reviews = *Allmusic Rating|4|5 [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:yxdjyl4jxpnb link]
Last album = "Kutché"
(1988)
This album = "Khaled"
(1992)
Next album = "N'ssi N'ssi"
(1993)

"Khaled", released in 1992, is Khaled's self titled album, which established his reputation as a superstar in France and around the world. The album was produced by Michael Brook and Don Was.

The album was primarily sung in Khaled's native Algerian Arabic dialect with the exception of "Ne m'en voulez pas", which was sung in French.

With its fast tempo and catchy tune, the song "Didi" was not only a huge hit but also a breakthrough. "Didi" rocketed to the top of the French Top 50 making it the first song recorded in Arabic to chart in France.

The album was re-released by Cohiba Music and Wrasse Records .

Mixed Opinions on "Khaled"'s Westernness

To make the album "Khaled", Khaled signed with the French record label Barclay Records and sought out American record producer Don Was. Upon meeting with Was, Khaled "asked (him) to incorporate American R&B -- to Americanise the music," a request which Was obliged by combining Khaled's live musicians with loops and beats from his computer (a Macintosh) and a keyboard. [ Paul Tingen. "Khaled Algerian Rai Music." Originally Published in SOS Magazine, October 1997. [http://www.soundonsound.com/sos/1997_articles/oct97/khaled.html?print=yes] ] The result of these sessions in the studio that combined Khaled's rai with Was' R&B, was, according to Was, "pretty wild music." [ Paul Tingen. "Khaled Algerian Rai Music." Originally Published in SOS Magazine, October 1997. [http://www.soundonsound.com/sos/1997_articles/oct97/khaled.html?print=yes] ]

The response from his Arab fans was mixed. Many of the more conservative Arabs stopped buying his records and going to his concerts after Khaled offended them with his liberal Western-influenced words and actions in interviews and on television, not to mention with his deliberate "(selling) out to Western commercialism" through the changes in his music. [Gross, Joan, David McMurray, and Ted Swedenburg. "Arab Noise and Ramadan Nights: Rai, Rap, and Franco-Maghrebi Identities." Diaspora 3:1 (1994): 21. [Reprinted in The Anthropology of Globalization: A Reader, ed. by Jonathan Xavier and Renato Rosaldo, 1 ] However, Khaled's decision to mix his traditional style of Algerian raï with the slick production and Western beat patterns of American R&B stood out to some of his other fans as new, cool, and revolutionary and also made him plenty of new fans. The music from the album, especially "Didi," began to garner play in important places like French nightclubs and on Hip Hip Hourah, and the album began to sell well throughout France. The French rapper Malek Sultan of IAM even goes so far as to call Khaled the "Public Enemy Arabe," which demonstrates the respect that the French hip-hop scene has for the first raï artist to successfully cross over into the French pop market. [ Gross, Joan, David McMurray, and Ted Swedenburg. "Arab Noise and Ramadan Nights: Rai, Rap, and Franco-Maghrebi Identities." Diaspora 3:1 (1994): 22. [Reprinted in The Anthropology of Globalization: A Reader, ed. by Jonathan Xavier and Renato Rosaldo, 1]

Track listing

# "Didi" – 5:02
# "El Arbi" – 3:35
# "Wahrane" – 4:27
# "Ragda" – 3:51
# "El Ghatli" – 4:07
# "Liah Liah" – 4:21
# "Mauvais Sang" – 6:13
# "Braya" – 4:46
# "Ne m'en voulez pas" – 4:57
# "Sbabi" – 4:05
# "Harai" – 3:57

References