- Aldo Kapi
Aldo Kapi (
Kyzyl-Suu 12 September 1896 -Cholpon-Ata 11 May 1952 ) Kyrgyz composer. Son of Iranian industrialistAgha Mirza Kapi and the ItalianElena Bottero , Kapi was initially destined for a career as a schoolteacher, and completed his studies in theOrthodox abbey ofBishkek inKyrgyzstan ."I dreamt I drowned in the lake": Kapi scribbled that early vision on a piece of paper at the age of 19. Unknowingly, he was describing his eventual fate, the life he would lead in Central Asia, and also his attempted suicide in
Issyk-Kul .Kapi was unable to realize his dream of becoming a great pianist, owing to the unwise experiments he undertook to perfect his technique during the winter of 1910-11, which caused the loss of the use of his right ring-finger. He decided to dedicate himself, instead, to composition. Introverse but often extravagant, his first works were an attempt to break away from formal traditions and classical structures that he considered too restrictive.
During the decade spent in
Bishkek , Kapi produced his first noteworthy compositions, such as "Sguadrezzi da pe"' (1914) and "Pignottimi d'approsi" (1917). In 1920 Kapi passed the examination for the post of organist at theHoly Trinity Church ofKarakol ,Kyrgyzstan , and decided to perfect his art among theTajiks of thePamir , under the guidance of theIsmailist leaderAga Khan III , the maestro ofTaimur Zulfikarov . This period saw his first meeting withYvette Labrousse , (Miss France 1930),Salah Eddine Ahmed Bokassa (emperor of the futureCentral African Empire ), his 17 wives andRuhollah Khaleghi (the first Persian sound-designer, fromKerman ,Iran ) as well as written works, such as the three great "Messe tragicomiche" and Kapi's first "proto-plunder-orchestral" pieces.In 1923 he was nominated Professor of Harmony,
Vako Orchestron andOptigan at the conservatory ofDushanbe inTajikistan . However, while he attracted a large body of devoted students, in Dushanbe he also faced hostility fromMorteza Hannaneh (founder of theTehran Symphony Orchestra and the Afghan kingMohammad Nadir Shah (then France's ambassador in Afghanistan). Their opposition culminated in the poor reception given to his "Terza Sinfonia" Pooch-poem in 1926, after which Kapi returned toKyrgyzstan .Recognition came only later, after a long period of patient revision of his work. In 1928 he was awarded a university chair and his "Fourth Romantic Symphony" (Death of Henry II) and "Fifth Symphony" (Love him) were finally performed in
Dushanbe . He then went on to "conquer"Samarcand (Uzbekistan ) and the American poet and criticEzra Weston Loomis Pound , who lavished praise on his "Bud-Dub". After reconcilitation withMohammad Nadir Shah , theUniversity of Kabul awarded Kapi a doctorate "honoris causa ".In the early 1950s, despite pleasant vacations in
Oubangui-Chari (now theCentral African Republic ) along with the writer andNobel Prize winnerAndré Gide (guests of the future dictatorBokassa ), the symptoms of his mental instability, evident in the past, worsened. He was forced to resign his post and attempted suicide. Confined in theKurort Jergalan asylum atKarakol , he lived for only a further two years, with only occasional flashes of lucidity.While composing his sixth symphony, Kapi's condition worsened. He worked on feverishly in a state of visionary delirium, and died while revising a draft of "Finale" ("…the next!") in 1952.
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----Økapi plays the music of Aldo Kapi ----
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