- Rod Smith (poet)
Rod Smith, who was born in
Gallipolis, Ohio in 1962, is anAmerican poet , editor andpublisher . He grew up in Northern Virginia and moved toWashington, DC in 1987. Smith has authored several collections of poetry, includingIn Memory of My Theories ,Protective Immediacy , andMusic or Honesty . He has taught creative writing atGeorge Mason University where he is finishing his MFA. Smith currently teaches Cultural Studies atTowson University .Publishing and the DC poetry community
In 1984, along with Wayne Kline, Rod Smith began the journal Aerial Magazine, a poetry magazine devoted to
avant-garde and experimental writing. Soon after, Smith began publishing books under the name EDGE Books; EDGE takes its name from the first book of poems by American poetBruce Andrews . Smith published the first Edge Book in 1989.After Rod Smith moved to
Washington, DC in 1987, he became part of the DC poetry community which included the writersTina Darragh , Lynne Dreyer,P. Inman , Doug Lang, Joan Retallack, Phyllis Rosenzweig, and others. This group expanded over the years to include such writers as Leslie Bumstead, Jean Donnelly, Buck Downs, Cathy Eisenhower, Heather Fuller, Mark McMorris, Carol Mirakove, Mel Nichols, Tom Orange, and Mark Wallace.During the 1980s Smith began intense self-study in poetry and poetics, particularly
Ezra Pound ,Gertrude Stein ,William Carlos Williams ,John Ashbery ,Frank O'Hara , andGeorge Oppen . He metJohn Cage in Rockville, Maryland in 1987 and saw him regularly, playing chess (usually losing), in Washington and New York until Cage's death in 1992.Smith’s own poetry is a testament to this intense self-study, for it is written, as
Lisa Jarnot writes, “With the sweeping vision ofWhitman , the noun-play ofGertrude Stein , and the slant political commentary of theNew York School ”. In fact, it demonstrates a lineage spanning through most of the American 'experimental' poetic explorations of 20th Century, from that of the Objectivists (such asOppen ,Reznikoff orZukofsky ) to the NY School (Frank O’Hara ,John Ashbery ,Koch ,Schuyler ) toBlack Mountain orBeat Generation poets (such asFerlinghetti —who inspired one of Smith’s first published poems in the Baltimore Sun in 1982) to his more recent associations and friendships with many of the originalL=A=N=G=U=A=G=E school poets (Charles Bernstein ,Lyn Hejinian ,Carla Harryman , orBarrett Watten ). Smith’s work also emerges from visual artistic works, theory, politics, and the writings, musical and other works ofJohn Cage .Given his interests and engagements with other writers, it is not unsurprising that Smith managed Bick's Books from 1989 to 1992 and since 1993 has managed Bridge Street Books in Washington. While at Bick's and as a founding curator with Buck Downs, Joe Ross, and Sylvana Straw of the DCAC "In Your Ear" series he organized readings for
Charles Bernstein , Cage, Kevin Davies,Carolyn Forche ,Bob Perelman ,Tom Raworth ,Leslie Scalapino , Diane Ward, and others.The many readers at Bridge Street since 1993 have included
Bruce Andrews ,Rae Armantrout ,Anselm Berrigan ,Lee Ann Brown ,Norma Cole , Tim Davis,Peter Gizzi ,Carla Harryman ,Lyn Hejinian ,Lisa Jarnot , Melanie Neilson,Alice Notley , Lisa Robertson,Jennifer K Dick , David Shapiro,Juliana Spahr ,Edwin Torres , andRosmarie Waldrop .Books
Poetry
*"Deed", (Iowa City, IA: University of Iowa Press, 2007)
*"Fear the Sky", (narrow house , 2005)
*"Music or Honesty", (New York: Roof Books, 2003).
*"Poèmes de l'araignée", (Bordeaux, France: Un bureau sur l'atlantique, 2003).
*"The Good House" (New York: Spectacular Books, 2001)
*"The New Mannerist Tricycle" - with Lisa Jarnot & Bill Luoma (Philadelphia: Beautiful Swimmer, 2000)
*"Protective Immediacy" (New York: Roof, 1999)
*"The Lack" (love poems, targets, flags...) (Elmwood, CT.: Abacus, 1997).
*"In Memory of My Theories" (Oakland: O Books, 1996)
*"A Grammar Manikan", Object 5: featuring Rod Smith, (New York, New York: Object,1995).
*"The Boy Poems", (Washington, DC: Buck Downs Books, 1994).in Anthologies
* "A Tract," in "Telling It Slant: Avant-Garde Poetics of the 1990s", ed Mark Wallace and Steven Marks, (Tuscaloosa: University of Alabame Press, 2002).
* Four poems from "In Memory of My Theories" and "Protective Immediacy", in "Antologija novije americke poezije", ed. Dubravka Djuric et al. (Serbia: Oktoih, 2001).
* "Ted's Head," in "100 Days", ed. Andrea Brady and Keston Sutherland, (Cambridge, UK: Barque Press, 2001).
*“4 poems from In Memory of My Theories,” in "New (American) Poetry", ed. Lisa Jarnot, Leonard Schwartz, and Chris Stroffolino, (Hoboken, NJ: Talisman House, 1997).
* "from CIA Sentences," in "A Poetics of Criticism", ed. Juliana Spahr, Mark Wallace, Kristen Prevallet, and Pam Rehm, (Buffalo: Leave Books, 1994).
* “XCII (cinder-sifter)” and "poetics statement", in "o blek 12: Writing from the New Coast", ed. Peter Gizzi, Connell McGrath, and Juliana Spahr, (Stockbridge: The Garlic Press,1993).External links
* [http://epc.buffalo.edu/authors/smithr/ Rod Smith Author Homepage] located at the Electronic Poetry Center
* [http://ghostbrain.blogspot.com/ GHOSTBRAIN] Smith's Blog which he began in February 2006
* [http://www.aerialedge.com/ "Aerial/Edge" Publisher's Page]::
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