Imants Tillers

Imants Tillers is an Australian visual artist, curator and writer. Born in Sydney in 1950, TIllers currently lives and works in Cooma, New South Wales. In 1973 he graduated from the University of Sydney with a Bachelor of Science in Architecture (Hons), and the University Medal. Tillers has exhibited widely since the late 1960s, and has represented Australia at important international exhibitions such as the "São Paulo Bienal" in 1975, "Documenta 7" in 1982, and the "42nd Venice Biennale" in 1986.

Major solo surveys of Tillers’ work include "Imants Tillers: works 1978 – 1988" at the Institute of Contemporary Arts, London (1988); "Imants Tillers: 19301", at the National Art Gallery, Wellington (1989); "Diaspora", National Art Museum, Riga, Latvia (1993); "Diaspora in Context at the Pori Art Museum", Pori (1995); "Towards Infinity: Works by Imants Tillers", Museum of Contemporary Art (MARCO) in Monterrey, Mexico (1999); and in 2006 a major retrospective of his work, [http://www.nga.gov.au/Exhibition/Tillers/DEFAULT.cfm "Imants Tillers: one world many visions"] , was held at the National Gallery of Australia, Canberra. Tillers has also exhibited in numerous group exhibitions around the world, including "An Australian Accent" at PS1, New York (1984); "Antipodean Currents" at the Guggenheim Museum, Soho (1995); "Australian Perspecta" (1981,1987-89); "The World Over/Under Capricorn: Art in the Age of Globalisation" at the City Gallery, Wellington and Stedelijk Museum, Amsterdam (1996); the" Biennale of Sydney" (1979, 1986, 1988, and 2006); "Kunst Nach Kunst (Art After Art)", at the Neues Museum Weserburg, Germany (2003); and "Prism", at the Bridgestone Museum of Art, Tokyo (2006).

As one of Australia’s most significant artists, Tillers has been at the forefront of contemporary art for over three decades. Since 1981 Tillers has used his signature canvasboards to explore themes relevant to contemporary culture, from the centre/periphery debates of the 1980s, to the effects of migration, displacement and diaspora. Most recently, his paintings have been concerned with place, locality and evocations of the landscape. Tillers has been the recipient of numerous awards and commissions, such as the Osaka Triennale Prize (Gold in 1993, Bronze in 1996, and Silver in 2001), and the inaugural Beijing International Art Biennale Prize for Excellence (2003). Major commissions include the Federation Pavilion, Centennial Park (1985 – 87); the Founding Donors Painting, Museum of Contemporary Art, Sydney (1991), and two key sculptures for Sydney Olympic Park (2002). Tillers has been a trustee of the Art Gallery of New South Wales since 2001. In 2005 he was awarded a Doctor of Letters honoris causa for ‘his long and distinguished contribution to the field of arts’, by the University of New South Wales. Imants Tillers is represented by Roslyn Oxley9 Gallery, Sydney.

External links

* [http://www.arts.monash.edu.au/visual_culture/projects/diva/itillers.html Arts Monash Tillers]
* [http://www.shermangalleries.com.au/artists_exhib/artists/tillers/nature.html IMANTS TILLERS: inventing postmodern appropriation]
* [http://www.roslynoxley9.com.au/artists/220/Imants_Tillers/ Imants Tillers at Roslyn Oxley9 Gallery]