- Music of Epirus
The music of Epirus in the northwest of
Greece (present to varying degree in the rest of Greece and the islands [World Music: The Rough Guide by Simon Broughton, Mark Ellingham - 1999 - ISBN 1858286352,page 127,"The repertoire tends to fall into three categories which are also found further south mirologya or laments (the instrumental counterpart is called skaros); drinking songs or tis tavlas ;and various dancable melodies as noted above common to the entire mainland and the islands also"] ) contains folk songs that are mostly pentatonic and polyphonic, sung by both male and female singers. Distinctive songs [World Music: The Rough Guide by Simon Broughton, Mark Ellingham - 1999 - ISBN 1858286352,page 127,"The repertoire tends to fall into three categories which are also found further south mirologya or laments (the instrumental counterpart is called skaros); drinking songs or tis tavlas ;and various dancable melodies as noted above common to the entire mainland and the islands also"] include lament songs (mirolóyia ), shepherd's songs (skáros ) and drinking songs (tis távlas ). Theclarinet is the most prominent folk instrument in Epirus, used to accompany dances, mostly slow and heavy, like themenousis ,fisouni ,podhia , sta dio, statria ,zagorisios ,kentimeni ,koftos ,yiatros andtsamikos .The polyphonic song of Epirus constitutes one of the most interesting musical forms, not only for the eastMediterranean and theBalkans [Engendering Song: Singing and Subjectivity at Prespa by Jane C. Sugarman,1997,ISBN 0226779726,page 356,"Neither of the polyphonic textures characteristic of south Albanian singing is unique to Albanians.The style is shared with Greeks in the Northwestern district of Epirus (see Fakiou and Romanos 1984) while the Tosk style is common among Aromanian communities from the Kolonje region of Albania the so called Faserotii (see Lortat-Jacob and Bouet 1983) and among Slavs of the Kastoria region of Northern Greece (see N.Kaufamann 1959 ).Macedonians in the lower villages of the Prespa district also formerly sang this style "] , but also for the worldwide repertoire of thefolk polyphony like theyodeling [Engendering Song: Singing and Subjectivity at Prespa by Jane C. Sugarman,1997,ISBN 0226779726,page 356,A striking counterpart from outside the Balkans is the polyphonic Yodeling of juuzli from the Muotatal region of Switzerland] ofSwitzerland . The origin of this polyphonic form, in spite of the fact that the research has not reached certain conclusions yet, is considered to be very old (possibly, even pre-HellenicFact|date=July 2008). The melodies of polyphonic songs, including some more songs of Epirus andThessaly , are the only ones in Greece that have preserved thepentatonic scale without semitones (a scale consisted of five tones without semitones). According to some musicologistsFact|date=August 2008, this scale is identified with the Doric way of ancient Greeks, the par excellence Hellenic harmonyFact|date=August 2008. Except from its scale, what pleads for the very old origin of the kind is its vocal, collective, rhetorical and modal character.References
reflist
ee also
*
Polyphonic song of Epirus
*Music of Greece
*Music of Albania Further reading
* World Music: The Rough Guide by Simon Broughton, Mark Ellingham - 1999 - ISBN 1858286352
* Greek Folk Dances by Rickey Holden, Mary Vouras – 1965
* Engendering Song: Singing and Subjectivity at Prespa by Jane C. Sugarman,1997,ISBN 0226779726External links
* [http://www.epcon.gr/EpconMusic/Default.asp?Locality=&Name=&Page=54 Greek traditional music from Epirus]
* [http://www.politsani.com/music.asp Songs from Politsani]
* [http://www.epirusmusic.gr/ Epirus Music]
* [http://www.epiruschef.gr/ Epirus singing]
* [http://www.youtube.com/watch?v=4GqQ4JFWn_Y "Deropolitissa", Greek traditional song from Epirus]
* [http://www.youtube.com/watch?v=l86md5cBPtQ&feature=related Skaros, Greek traditional shepherd's song from Epirus]
* [http://www.youtube.com/watch?v=MvamIZbmOEk&feature=related Moiroloi, Greek traditional lament song from Epirus]
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