Rebeca Mendez

Rebeca Méndez is an artist and designer living in Los Angeles, California, USA. She is professor at [http://dma.ucla.edu/ UCLA Design Media Arts] Department in Los Angeles, California. She was born and raised in Mexico City and received her BFA (1984) in Communication Design and her MFA (1996) in media art and design from Art Center College of Design in Pasadena, California.

Her art and design work has been exhibited and collected by institutions such as the SFMOMA (San Francisco Museum of Modern Art] ), The Stedelijk Museum in Amsterdam, Museo Jose Luis Cuevas in Mexico City, and the Cooper-Hewitt, National Design Museum in New York. She has her own studio [http://www.rebecamendez.com/ RMCD: Rebeca Méndez Communication Design] in partnership with writer and strategist [http://rebecamendez.com/Adam/ Adam Eeuwens] , who is also her husband. Through her studio, she has collaborated with video artist Bill Viola, architect Thom Mayne of Morphosis, architect Greg Lynn, GLFORM, artist Ruben Ortiz Torres, and with film director Mike Figgis.

Rebeca Méndez Communication Design’s clients include, The Whitney Museum of American Art, NY, The Guggenheim Berlin, The Getty Museum and MOCA (Museum of Contemporary Art) in Los Angeles. As creative director of Brand Integration Group, Ogilvy & Mather, NY and Los Angeles (1999–2003), Rebeca lead global brand identity projects for clients such as IBM, Motorola, BP (British Petroleum), AT&T Wireless, and Mattel. In 2004, Méndez was invited to, and won, a competition to design the user interface to the Microsoft Home — the premier venue for communicating what Microsoft sees as possible for technology in the home of the future. In collaboration with architect and 2005 Pritzker Prize Laureate Thom Mayne of Morphosis, Méndez created two permanent installations for Mayne's new building: The Recreation Center at The University of Cincinnati. Her work was exhibited at the Centre Pompidou as part of Thom Mayne and Morphosis retrospective: [http://www.centrepompidou.fr/Pompidou/Manifs.nsf/AllExpositions/48D3CE960F9B16EBC1257073002D253B?OpenDocument&sessionM=2.10&L=2/ Morphosis: Continuities of the Incomplete] in 2006. In addition, Méndez recently designed a wayfinding masterplan for Caltech, with architect Richard Weinstein and Cooper-Robertson Architects.

Rebeca Méndez lectures nationally and internationally—from Tijuana to Taipei—and her work has been subject of numerous publications and exhibitions such as ‘Clean New World: Culture, Politics and Graphic Design] , 2002’ curated by Maud Lavin, ‘Women Designers in The USA, 1900–2000: Diversity and Difference, 2001’, [http://ndm.si.edu/EXHIBITIONS/triennial/design_culture_now.asp/ ‘The National Design Triennial: Design Culture Now, 2000’] , curated by [http://www.elupton.com/index.php?id=28/ Ellen Lupton] , a solo exhibition at the San Francisco Museum of Modern Art, curated by Aaron Betsky, 1998, and ‘ [http://www.elupton.com/index.php?id=32/ Mixing Messages: Graphic Design in Contemporary Culture’] , 1996.

Among numerous awards, she was nominated as a candidate for a Communications Design Award of the Cooper-Hewitt, National Design Museum’s National Design Award program, 2005. Méndez has served as jury member in numerous graduate academic reviews, among them for architects Zaha Hadid and Greg Lynn at Harvard University School of Design, and Hani Rashid at UCLA, Architecture Department. She also served as chair of the Design Jury for the [http://adcglobal.org/ Art Director Club of New York] Annual Awards, 2007.

Rebeca Méndez is in the advisory board of the [http://www.aigalosangeles.org/chapter/advisoryboard.php/ AIGA] (American Institute of Graphic Arts), Los Angeles Chapter, [http://peaceoverviolence.org/ Peace Over Violence] , Los Angeles, and in the [http://www.futureofthebook.org/ Institute for the Future of the Book] .