Sir Uvedale Price, 1st Baronet

Sir Uvedale Price (baptized 14 April 1747 – 14 September 1829), author of the "Essay on the Picturesque, As Compared With The Sublime and The Beautiful" (1794), was a Herefordshire landowner who was at the heart of the 'Picturesque debate' of the 1790s. Apart from the landscape and garden design debates described below, Price's theory resurfaced in architectural and urban design concepts of the mid-twentieth century, being a source of inspiration for the Townscape Movement conceived by Hugh de Cronin Hastings (aka Ivor de Wolfe), editor of the "Architectural Review" (UK), and his colleagues in 1949. As much as The Picturesque was meant to be a middle ground or synthesis of the Beautiful and the Sublime for Price, for Townscape theorists, the Townscape movement was meant to be a middle ground or alternative approach to what were perceived by Hastings as two branches of Functionalism, the Rational (i.e. Le Corbusier) and the Organic (i.e. Frank Lloyd Wright) approaches to architecture and urban design.

His life

Uvedale Price was the eldest son of Robert Price, an amateur artist, by his wife the Hon. Sarah Barrington, daughter of John Shute Barrington, 1st Viscount Barrington. Educated at Eton and at Christ Church, Oxford, Price inherited the family estate of Foxley (in Yazor) when he came of age in 1768, a few years after the death of his father in 1761 and of his grandfather (Uvedale Tomkins Price) in 1764. As a young man Price was a figure on London's social scene, and was once described as the "macaroni of his age," but with his inheritance and his marriage to Lady Caroline Carpenter, daughter of George Carpenter, 1st Earl of Tyrconnel, he settled down at Foxley to tend to the estate and develop his theories on landscape, as well as equally controversial work on the pronunciation of the Classical languages.

During his life, Price was befriended by Sir George Beaumont and his wife Margaret Beaumont, with whom he corresponded extensively. He was also a lifetime friend of Charles James Fox, an associate of William Wordsworth, and in later life, a correspondent of Elizabeth Barrett Browning. He died in 1829 having been created a baronet the previous year, and having finally printed his work on Greek and Latin pronunciation. His only son Robert succeeded as 2nd (and last) baronet.

The Picturesque and Landscape Theory

Price developed his ideas with his close neighbour Richard Payne Knight, whose poem 'The Landscape' was published the same year as Price's "Essay" delineating his theories on "The Picturesque" as a mode of landscape.

Well before Price's "Essay" or Knight's poem, however, the term 'pictoresque' was used in early 18th century France to refer to a property of being 'in the style of a painter.' Pope, in his "Letter to Caryll", brought the word into English as 'picturesque' in 1712. The term was used by various English authors throughout the 18th century (cf. "Oxford English Dictionary" 'picturesque') before being described by Bagehot in "Literary Studies" (1879) as "a quality distinct from that of beauty, or sublimity, or grandeur."

For Price, the Picturesque was more specifically defined as being located between the Beautiful and the Sublime. In practical application this meant that his preferred mode of landscaping was to retain old trees, rutted paths, and textured slopes, rather than to sweep all these away in the style that had been practised by Capability Brown. Price contested, for example, the obsession of "The Beautiful" with Classical and natural symmetry, arguing instead for a less formal and more asymmetrical interpretation of nature.

Price's ideas caught fire and led to much debate in artistic and literary circles: they were parodied, for example, by Jane Austen in "Northanger Abbey". Price republished the "Essay" several times, with additional material, and entered into a public debate with Humphry Repton over the latter's approach to landscape design. He similarly fell out with Payne Knight, whose theories of landscape betrayed a more esoteric attitude.

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