- Association of Art Museum Curators
The Association of Art Museum Curators (AAMC) was founded in 2001 to support the role of
curator s in shaping the mission of artmuseum s inNorth America . The goals of the AAMC are to:* Serve as an advocacy group for the curatorial profession
* Articulate the standards for the profession
* Promote research and scholarship through an annual meeting and educational programs on selected themes held at venues throughout North America
* Exchange information through a website and monthly newsletter
* Facilitate online discussions addressing a wide variety of relevant topics
* Recognize distinguished achievement in the field through annual awards
* Facilitate the exchange of information about traveling exhibitions
* Provide a collegial forum for discussion about museum issues in North America
* Accomplish these goals in cooperation with museum directors,trustee s and other staffHistory
The
Peabody Essex Institute inSalem was founded in 1799, theWadsworth Athenaeum in 1842, theMetropolitan Museum of Art in 1870. After nearly two centuries of curatorial practice in North America, the AAMC has been established as North America's first professional organization for art museum curators active in all fields of scholarly pursuit.The AAMC, a 501(c)(6) membership organization, grew out of the Forum of Curators and Conservators at the Metropolitan Museum of Art, a recognized, non-union body of more than 100 members. In response to news of staff reorganizations at several major US museums, members of the Forum created an
ad hoc committee to explore the feasibility of a national organization of museum curators in 1999. Over the course of two and a half years, curators at the Metropolitan Museum - includingKatharine Baetjer ,Stefano Carboni ,Colta Ives ,Peter Kenny andGary Tinterow - drafted themission statement andby-laws of the proposed organization. In April 2001, they held a meeting inNew York , attended by representatives from a dozen American art museums, during which they voted the organization into existence.At the same time, members of the Forum's ad hoc committee worked closely with prominent members of the
Association of Art Museum Directors (AAMD), includingPhilippe de Montebello ,Anne d'Harnoncourt ,Katharine Lee Reid , andJames Wood (disambiguation) . Earlier, in autumn 2000, the Presidents Council held a formal discussion with senior curators regarding the establishment of the AAMC, the first time that curators were invited to speak to this committee. In Spring 2001, Mr. de Montebello announced the formation of the AAMC in his keynote address at a colloquium sponsored by theAmerican Federation of Arts , and in July of that year,James Cuno , then president of the AAMD, wrote an official letter of endorsement. In June 2002, more than 300 curators from across the United States attended the first AAMC convention held at the Metropolitan Museum of Art.The AAMC has held an annual meeting in each subsequent year and continues to build membership and programs. In 2006, the AAMC has a board of 18 trustees from 14 museums who comprise some of the most distinguished figures in the field; more than 500 members in the United States and
Canada ; and a paid administrator working in offices inNew York City(NYC) generously provided by theSamuel H. Kress Foundation .In early 2004, the AAMC board of trustees voted to incorporate the AAMC Foundation, a 501(c)(3) tax-exempt organization. The Foundation's mission is twofold. First, it seeks to heighten public understanding of the curator's role through lectures, symposia, published materials, and the like. Second, it awards grants to curators in order improve their ability to serve the publi
Programs
The AAMC and AAMC Foundation sponsor several programs each year:
* the members' annual meeting, held each May
* regional professional development conferences and/or receptions
* mentoring initiatives for junior curators
* grants for travel and professional development (and, when warranted, emergency grants)
* annual prizes for outstanding book, article, and exhibitionBoard of Directors
*George T. M. Shackelford, President, The
Museum of Fine Arts, Boston
*Alison de Lima Greene, Vice President, TheMuseum of Fine Arts, Houston
*Colin Bailey, Secretary, TheFrick Collection
*Peter Barnet, Treasurer, TheMetropolitan Museum of Art
*Susan Bergh, TheCleveland Museum of Art
*Elliot Bostwick Davis, TheMuseum of Fine Arts, Boston
*Leah Dickerman, TheNational Gallery of Art ,Washington, DC
*Douglas Druick, TheArt Institute of Chicago
*Elizabeth Easton, TheBrooklyn Museum
*Carol Eliel, Chair, TheLos Angeles County Museum of Art
*Vivien Greene, TheSolomon R. Guggenheim Museum
*Peter Kenny, TheMetropolitan Museum of Art
*Lawrence Nichols, TheToledo Museum of Art
*Ann Temkin, TheMuseum of Modern Art
*Gary Tinterow, TheMetropolitan Museum of Art
*Ian Wardropper, TheMetropolitan Museum of Art
*Stephan Wolohojian, TheFogg Art Museum
*Sally Block, Director, AAMC, ex-officioCommittee Chairs who serve as Ex-officio Trustees
*Christine Giviskos,
J. Paul Getty Museum , Co-Chair, Professional Development & Convention Committee
*Sarah Kelly,Art Institute of Chicago , Chair, Website Committee
*Rochelle Kessler,Los Angeles County Museum of Art , Co-Chair, Membership CommitteeReferences
[http://www.artcurators.org ArtCurators.org]
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