Alexey Gornostaev

Infobox Architect


caption=
name=Alexey Maksimovich Gornostaev
nationality=Russia
birth_date=1808
birth_place=Vytkinsky Zavod, Nizhny Novgorod region
death_date=1862
death_place=Saint Petersburg
practice_name=State-employed
significant_buildings=Valaam Monastery hermitages
Uspenski Cathedral in Helsinki
significant_projects=
awards=|

Alexey Maksimovich Gornostaev ( _ru. Алексей Максимович Горностаев, 1808 - 1862) was a Russian architect, notable as a pioneer in Russian Revival, the builder of Valaam Monastery hermitages, Trinity-Sergius Convent in Saint Petersburg and Uspenski Cathedral in Helsinki. He is credited with the rebirth of traditional tented roof architecture of Russian North.

He should not be confused with two other Gornostaev architects (not related), also Russian Revival practitioners and preservationists:
*Ivan Ivanovich Gornostaev (1821-1874), chief architect of Saint Petersburg Public Library and University
*Fyodor Fyodorovich Gornostaev (1867-1915), notable for Rogozhskoye Cemetery belltower (1908-1913) and restoration of landmark buildings in Suzdal, Kursk and Moscow.

Biography

"This section is based on Gornostaev's biography in Brockhaus and Efron Encyclopedic Dictionary"

Education

Alexey Maksimovich Gornostaev was a son of foundry manager in Nizhny Novgorod region. He joined state service as a junior clerk in 1823 in his home town of Ardatov, relocated to Saint Petersburg in 1826, retired in 1827 and lived by drawing advertising boards and later illustrations for Svinyin publishing house. Svinyin financed his study tour of Russia; in 1829, Gornostaev applied into the class of Alessandro Brullo at the Imperial Academy of Arts and served as his apprentice on construction of Mikhailovsky Theater (1831). In 1834-1838, he travelled on his own account in Europe, earning highest credits for his artwork of Pompeii. He returned back in 1838, the year when Nicholas I announced to the Academy that "To retain the spirit of ancient Byzantine architecture in church designs, architects should follow the drafts of Konstantin Thon" ("Государь император повелеть соизволил, дабы при составлении проектов церквей сохранить вкус древневизантийского зодчества, руководствоваться чертежами К. Тона"). [Левиаш, Т.Л., "Валаам. Путеводитель", Петрозаводск, Карелия, 1989] Gornostaev received a state architect's license, Academy membership, and was employed as a Ministry of Interior architect since 1843 until his death. His practical career is clearly divided into two periods.

Neoclassicist period (1838-1848)

Gornostaev's work prior to 1848 followed the tradition of this time, combining the declinining neoclassicism of Alexandrine era with the Pompeii taste of upper classes. One of his clients, M.V.Shishmaryov, would later finance Gornostaev's reconstruction of Trinity-Sergius Convent.

Russian Revival (1848-1862)

Gornostaev's life changed when he received an invitation from Damaskin (1795-1881, born Demyan Kononov), Hegumen of Valaam Monastery to rebuilt the monastery and it's numerous hermitages. As critic Vladimir Stasov put it, "He was already 45, a professor, well established among unanimous copying and mimicking of classical European, Greek and Roman styles, when suddenly, influenced by educated or independently-speaking clergy, took a sharp turn... Gornostaev despised official, fake Russian, Thon's style" ("Он уже был профессор,человек 45 лет, давно подвизавшийся на поприще всеобщего копирования ипереобезьяничанья классических европейских стилей, греческих и римских,когда вдруг, под влиянием знакомства с образованным или самостоятельнымнашим духовенством, круто поворотил на другую дорогу... Горностаеву был тошен официальный, лже-русский, тоновский стиль"). Стасов, В.В., "Двадцать пять лет нашего искусства. Наша архитектура", p.513 [http://www.hrionline.ac.uk/rva/texts/stasov/stas13/stas13rus.html www.hrionline.ac.uk] ]

Instead of following Thon's Byzantine five-dome canon, Gornostaev chose to reincarnate the tented roofs of traditional northern Russia. At the same time, feeling limitations of this narrow approach, he augmented Russian tents with Romanesque vaults and arches. His input to Valaam reconstruction include:

* Vsekhsvyatsky (All Saints) hermitage, church and living quarters (Всехсвятский скит и церковь во имя всех святых, 1850 [http://sobory.ru/photo/index.html?photo=22116 photo] )
* Monastery Inn (Монастырская гостиница, 1851-1856)
* Mechanical Building (Машинный дом, 1860-1863) and water supply system
* Nikolsky (St.Nicholas) hermitage, church, memorial cross and living quarters (Никольский скит и церковь, 1853 [http://sobory.ru/article/index.html?object=05453 photos] )
* Predtechensky (St.John the Baptist hermitage, church and living quarters (Предтеченский скит и церковь Св. Иоанна Крестителя, 1858-1861, [http://www.karvin.ru/files/Predtechensky%20skit%20(Valaam).jpgphoto] )
* Znamenskaya Chapel (Знаменская часовня, 1856)

The main Transfiguration Cathedral was built much later, in 1887, by Ivan Silin.

In 1858, Gornostaev designed Dormition Cathedral ( [http://www.uran.donetsk.ua/~masters/2006/ggeo/ledney/ind/301.jpgphoto] ) for the Sviatohirsk Lavra (now in the Donetsk Oblast of Ukraine), this time a traditional Byzantine tower. Shortly before his death, he designed and built improvements to Trinity-Sergius Convent in Strelna (near Saint Petersburg) - entrance gates, a chapel and two residential buildings. His last work, Orthodox Uspenski Cathedral in Helsinki, was completed after his death.

Footnotes

External links

* Valaam Monastery, official site [http://www.valaam.ru/ www.valaam.ru]