- Wāpuro rōmaji
nihongo|"Wāpuro rōmaji"|ワープロローマ字|, or kana spelling, is a style of
romanization of Japanese originally devised for entering Japanese intoword processor s ("wādo purosessā", often abbreviated "wāpuro") while using a WesternQWERTY keyboard.In Japanese, the more formal name is nihongo|"rōmaji kana henkan"|ローマ字仮名変換|, literally "Roman character kana conversion". One conversion method has been standardized as JIS X 4063:2000 (Keystroke to KANA Transfer Method Using Latin Letter Key for Japanese Input Method).
Wāpuro rōmaji is now frequently employed in general-purpose computer input as well as word processing, but the name lives on. Wāpuro-style romanizations are also frequently used by native speakers of Japanese in informal contexts, as well as many fans of
anime and other aspects of Japanese culture. In these often online cases, the most common characteristic is the lack of hard-to-type circumflexes or macrons. Also, some ambiguities in these online spellings may exist, unlike wāpuro rōmaji, that would produce errors when actually typed into kana, for example differences between ず and づ, as well as particles which are sometimes spelled phonetically instead when direct display of the romaji is intended.pelling conventions
In practice, there are as many variants of wāpuro rōmaji as there are manufacturers of word processing and IME software. Many aspects of Hepburn,
Kunrei andNihon-shiki romanizations are accepted, so that both "si" (Kunrei/Nihon-shiki) and "shi" (Hepburn) resolve to し. Some conventions, however, differ from standard romanizations:
* Owing to the difficulty of entering diacritics like macrons or circumflexes with standard keyboards — as well as the ambiguity of ō, etc. which in Hepburn can represent either おう or おお —long vowel s are almost universally entered followingkana spelling rules; thus, "kou" for こう and "kuu" for くう.
*The Nihon-shiki forms of romanization take precedence over other romanizations. Thus "du" usually produces づ rather than どぅ.
* Small kana can be entered by prefacing them with an "x" or "l", e.g. "xa" for ぁ, or "ltu" forっ . This is commonly employed for modernkatakana combinations like ティ, which would be entered "texi" or "thi". However, on some systems "l" is treated the same as "r" when followed by a vowel or "y."
* じゃ, じゅ and じょ may also be romanized as "jya", "jyu" and "jyo" respectively. This matches the kana closely, but is used by neither Nihon-shiki/Kunrei (which would be "zya, zyu, zyo") nor Hepburn ("ja, ju, jo").
* The Hepburn spelling "tchi" for っち may be rejected, and "cchi" must be used instead.
* The Hepburn spelling "mma" is likely to be rendered っま, not the intended んま ("nma"). This is not an issue for revised Hepburn, which eliminates the "-mm-" forms in favor of "-nm-".
* Moraic "n", ん, can be entered as "nn", "n" or "n' ". While moraic "n" can be typed in simply as "n" in some cases, in other cases it is necessary to type in a non-ambiguous form to prevent the IME from interpretting the "n" as belonging to a kana from the "na" column (な "na", に "ni", ぬ "nu", ね "ne", の "no").
* Phonetic names can often be used forJapanese typographic symbols not found on standard keyboards. For example, in some IMEs ~ can be entered as "nami" or "kara" and an ellipsis (…) can be entered as "tenten".Phonetic accuracy
Unlike Kunrei and Hepburn, which are largely
phonetic , wāpuro style is based on a one-to-one transcription of thekana . Wāpuro is thus unable to represent some distinctions observed in spoken Japanese, but not in writing, such as the difference between /oː/ (long vowel) and /oɯ/ (o+u). For example, in standard Japanese the kana おう can be pronounced in two different ways: as /oː/ meaning 'king' (王), and as /oɯ/ meaning 'to chase' (追う). Kunrei and Hepburn, which are phonetic, spell the two differently as "ō" and "ou"; however, wāpuro style renders them both as "ou". Likewise, the irregularly spelled particles "wa" は and "o" を must be entered as written ("ha" and "wo" respectively), not as pronounced.ee also
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Japanese language and computers
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