Molara Ogundipe

Molara Ogundipe
PROF.OGUNDIPE.jpg

Omolara Ogundipe-Leslie (born in Lagos) is a Nigerian poet, critic, editor, feminist and activist. Considered one of the foremost writers on African feminism, gender studies and literary theory, she is a social critic who has come to be recognized as a viable authority on African women among black feminists and feminists in general.[1]

Contents

Life

Born Abiodun Omolara Ogundipe to a family of educators and clergy, she graduated as the first Nigerian with a first class degree. She rose to prominence early in her career in the midst of a male dominated artistic field concerned about the problems afflicting African men and women. Over the years, she has been a critic of the oppression of women and has argued that African women are more oppressed in their status and roles as wives in view of their multiple identities, in some of which identities, they enjoy status, privilege, recognition and agency. She criticizes the plight of African women as due to the impact of imposed colonial and neo-colonial structures that often place African males at the height of social stratification. Their plight is also due to the internalization of patriarchy by African women themselves. She, however, insists on an understanding of the complexity of the statuses of African women in their pre-colonial and indigenous cultures for any useful discussion or study of African women. Molara Ogundipe has been in the leadership of feminist activism and gender studies in Africa for decades. She now lives and works in West Africa, where she has been setting up writing centres at universities, in addition to her work on literature, gender and film, in contribution to her commitment to intergenerational education and mentoring.

Criticism

Ogundipe is a Nigerian scholar, critic, educator and activist who is recognized as one of the foremost writers on African women and feminism. She argued for an African-centered feminism that she termed "Stiwanism" (Social Transformation In Africa Including Women) in her book Recreating Ourselves. A distinguished scholar and literary theorist, she has published numerous works of poetry and literary criticism in addition to her works cited below.

Ogundipe earlier in her career had posited that a true feminist writer had to understand or describe effectively a woman's viewpoint and how to tell the story about a woman. She strongly believes that rediscovering the role of women in Nigeria's social and political institutions may be the best way to improve those institutions. She is known as a writer whose works capture most vividly the complexities of African life. In Re-Creating Ourselves: African Women and Critical Transformations, she writes brilliantly about the dilemma of writing in her traditional language and men'sresistance to gender equality.[1]

Works

  • Sew the Old Days and Other Poems, 1985
  • Re-Creating Ourselves: African Women & Critical Transformations, 1994
  • (ed.) Women as Oral Artists, 1994
  • (ed. with Carole Boyce-Davies and Carole B. Davies) Moving Beyond Boundaries. April 1995 (two volumes).

Notes

  1. ^ a b Douglas, Carol Anne, 'Women in Nigeria Today', off our backs, Washington, Nov 30, 1987.

References

  • Gay Wilentz: Review Postcolonial / Postmodern: What's in a Wor(l)d? College English. Vol. 56, No. 1 (Jan., 1994)
  • Gibreel M. Kamara: The Feminist Struggle in the Senegalese Novel: Mariama Ba and Sembene Ousmane. Journal of Black Studies. Vol. 32, No. 2 Nov., 2001.
  • Allan, Tuzyline Jita: Book reviews, Re-Creating Ourselves: African Women and Critical Transformations by Molara Ogundipe-Leslie. Research in African Literatures, Summer 1995

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