The Haunted Palace (poem)

"The Haunted Palace" is a poem by Edgar Allan Poe. The 48-line poem was first released in the April 1839 issue of Nathan Brooks' "American Museum" magazine. It was eventually incorporated into "The Fall of the House of Usher" as a poem written by Roderick Usher.

Analysis

The poem serves as an allegory about a king "in the olden time long ago" who is afraid of evil forces that threaten him and his palace, foreshadowing impending doom. As part of "The Fall of the House of Usher," Poe said, "I mean to imply a mind haunted by phantoms — a disordered brain" [Meyers, Jeffrey. "Edgar Allan Poe: His Life and Legacy". Cooper Square Press, 2001. p. 111.] referring to Roderick Usher.

The poem takes a marked change in tone towards the second to last stanza. After discussing the wit and wisdom of the king, and song and beauty in the kingdom:

:"But evil things, in robes of sorrow,":"Assailed the monarch's high estate."

The house and family are destroyed and, apparently, become phantoms.

The beginning of the poem compares the structure with a human head. For example, the windows are eyes, its door representing a mouth. The exterior represents physical features while the interior represents the mind engaged in imaginative thought. [Wilbur, Richard. "The House of Poe," collected in "Poe: A Collection of Critical Essays", edited by Robert Regan. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1967. pp. 104-5]

Critical reception

Rufus Wilmot Griswold, a known rival of Poe's, claimed that Poe had plagiarized the poem from Henry Wadsworth Longfellow's "Beleaguered City." Poe denied that charge and suggested that Longfellow had, in fact, plagiarized from him. [Moss, Sidney P. "Poe's Literary Battles: The Critic in the Context of his Literary Milieu". Southern Illinois University Press, 1969. p. 126] Nevertheless, "The Haunted Palace" was one of the poems highlighted in Griswold's "Poets and Poetry of America", one of the first anthologies of American poetry in 1842. [Sova, Dawn B. "Edgar Allan Poe: A to Z". Checkmark Books, 2001. p. 104.] When the poem was reprinted by the "New World" in 1845, Charles Eames introduced it as exquisite. "We can hardly call to mind in the whole compass of American Poetry, a picture of more intense and glowing Ideality." [Thomas, Dwight and David K. Jackson. "The Poe Log: A Documentary Life of Edgar Allan Poe 1809–1849". Boston: G. K. Hall, 1987: 498. ISBN 0816187347.]

Adaptations

The poem provided the title for a Roger Corman film of the same name in 1963. The actual plot of Corman's film "The Haunted Palace" comes almost entirely from "The Case of Charles Dexter Ward", a short story by H. P. Lovecraft. By 1963, Corman had produced several highly lucrative films based on Poe's work, but Lovecraft was not at that time a well-known author; according to Corman on the DVD making-of featurette, the studio forced him to name this movie after one of Poe's poems (and included a Poe epigraph in the credits) so that audiences would believe it to be another film based on Poe's writings.

French composer Florent Schmitt wrote an etude, "Le palais hante", derived from "The Haunted Palace" in 1904. [ [http://www.americansymphony.org/dialogues_extensions/99_2000season/1999_10_15/schmitt.cfm AmericanSymphony.org] ]

References