Some Girls

Infobox Album
Name = Some Girls
Type = Studio album
Artist = The Rolling Stones


Released = 9 June 1978
Recorded = 10 October - 21 December 1977,
5 January - 2 March 1978,
Pathé Marconi Studios (Paris)
Genre = Rock & Roll, hard rock
Length = 40:45
Label = Rolling Stones/Atlantic
Virgin (re-issue)
Producer = The Glimmer Twins
Reviews =
*Allmusic Rating|5|5 [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:3jdjvwpva9qk link]
*"Blender" Rating|5|5 [http://www.blender.com/guide/reviews.aspx?ID=3741 link]
*Robert Christgau (A) [http://www.robertchristgau.com/get_artist.php?name=rolling+stone link]
*"Rolling Stone" (favorable) [http://www.rollingstone.com/artists/therollingstones/albums/album/135105/review/6068013/some_girls link]
Last album = "Love You Live"
(1977)
This album = "Some Girls"
(1978)
Next album = "Emotional Rescue"
(1980)

"Some Girls" is an album by The Rolling Stones, released in 1978. Considered a highlight of their output and the best of their post-"Exile on Main St." records, the album revitalized the band's career upon its release and re-established The Rolling Stones as a vital rock and roll band in an era infused with punk rock and disco. It also became the band's biggest-selling album in the United States, with more than 6 million copies to date.

History

With the advent of punk rock, The Rolling Stones, among many of their musical contemporaries, were being targeted by some in the movement as cultural dinosaurs, compromising their standing. Mick Jagger felt invigorated by the provocations and was determined to answer them lyrically. It helped, however, that almost all the punks had, openly or not, idolized the Stones in the 1960s and were heavily influenced by the band's rebellious records from that era.

At least as important for the band's reinvigoration was the addition of Ronnie Wood to the lineup, as "Some Girls" was the first album recorded with him as a full member. His guitar playing style meshed with that of Keith Richards. Wood's pedal steel playing would become one of the band's hallmarks, and his unconventional uses of the instrument are prominent on "Some Girls". In addition, Jagger, who had learned to play guitar over the previous decade, contributed a third guitar part to many songs. This gave songs like "Respectable" a three-guitar lineup.

Mick Jagger is generally regarded as the principal creative force behind "Some Girls", a conception that, though disputable (Richards was present at all of the sessions), is plausible considering Richards' various legal entanglements at the time (see below). Jagger claimed in a 1995 interview to have written a great number of the album's songs (though when the amount was pointed out to him he denied that the record was mostly his own), including its signature song, "Miss You." In addition to punk, Jagger claims to have been influenced by dance music, most notably disco, during the recording of "Some Girls", and cites New York City as a major inspiration for the album, an explanation for his lyrical preoccupation with the city throughout.

Less often noted by critics is the fact that if Jagger was indeed the main force behind "Some Girls", then he was by extension responsible for the two most well-regarded of The Rolling Stones' post-"Exile" albums, this and 1981's "Tattoo You".

For the first time since 1968's "Beggars Banquet", the core band — now Mick Jagger, Keith Richards, Charlie Watts, Ronnie Wood and Bill Wyman — would be the only musicians on a Rolling Stones album, with few extra contributors. Ian McLagan, formerly of The Faces played keyboards, harmonica virtuoso Sugar Blue contributed to several songs, in addition to saxophonist Mel Collins and Simon Kirke, who played percussion (the three jokingly credited as "1 Moroccan, 1 Jew, 1 WASP"). Jagger's guitar contributions caused the band's road manager, Ian Stewart, to be absent from many of the sessions as he felt piano would be superfluous, making this a rare Rolling Stones album on which he did not appear.

A serious concern was the issue of Keith Richards and his highly-publicized heroin possession bust in Toronto in early 1977. While he cleaned up for good that summer after realizing the gravity of his situation - which also sparked his desire to get back into the music - there was still the very real possibility that he might be sent to jail for years. However, in October 1978, he received a light sentence: to perform a show for charity. As a commemoration of his second lease on life following the end of his heroin addiction, Keith reverted his surname back to "Richards" with an "s" for "Some Girls", after fifteen years without it.

The sessions for "Some Girls" began in October 1977, breaking before Christmas and starting up again after New Year's before finishing in March 1978. Under their new British recording contract with EMI (remaining with Warner Music in North America only), they were able to record at EMI's Pathé Marconi Studios in Paris, a venue at which they would record frequently for the next several years. The Rolling Stones ended up recording about fifty new songs, several of which would turn up in altered forms on "Emotional Rescue" and "Tattoo You". Engineer for the sessions was Chris Kimsey, whose approach to recording breathed life into the somewhat dense sounding recordings like "Goats Head Soup" and "It's Only Rock 'n' Roll" albums. Kimsey's direct method of recording, together with the entrance of the then state-of-the-art Mesa/Boogie Mark I amps instead of the Ampeg SVT line of amps, yielded a bright, direct and aggressive guitar sound.

The album cover for "Some Girls" was designed by Peter Corriston, who would design the next three album covers as well. An elaborate die-cut design, with colors varying on different sleeves, it featured The Rolling Stones and select female celebrities in garish drag, as well as a bunch of lingerie ads. The cover immediately ran into trouble when Lucille Ball, Farrah Fawcett, Raquel Welch, and the estates of Judy Garland and Marilyn Monroe threatened legal action. It was withdrawn and women's likenesses removed.

Another controversy surrounded the lyrics to the title song, an extended musing on women of various nationalities and races. The line "Black girls just wanna get fucked all night" drew strong protests from various groups, including Jesse Jackson's PUSH. Jagger famously replied, "I've always said, you can't take a joke, it's too fucking bad," although he was reportedly more conciliatory to Jackson in private, as he claimed the song was intended as a parody of racist attitudes. "Saturday Night Live" cast member Garrett Morris would have the final say on the controversy with a mock-editorial on the show's "Weekend Update" segment: After giving the impression that he was going to openly criticize the Stones, he quoted a sanitized version of the "Black girls just..." line, then stated "I have one thing to say to you, Mr. Mick Jagger... "where "are" these women?!?"

Release and legacy

In May 1978, the first single from the album, "Miss You", a prowling, moody number built on a stripped-down disco beat and bluesy pop harmonies, was released to very strong response, garnering The Rolling Stones their last US #1 hit and reaching #3 in the UK. "Some Girls" appeared in June to a very welcoming audience, reaching #1 in the US and #2 in the UK, becoming their biggest-selling studio album in the process (currently certified six times platinum in the US alone). It was also a major critical success, with many reviewers calling it a classic return to form, and their best album since 1972's "Exile on Main St.". "Beast of Burden", "Respectable" (in the UK) and "Shattered" (in the US) would follow as the next singles, all becoming minor hits as well.

The Stones embarked on their summer US Tour 1978 in support of the album, which for the first time saw them mount several small venue shows, sometimes under a pseudonym.

In 1994, "Some Girls" was remastered and reissued by Virgin Records, with a restoration of the original cover art and the first pressing being packaged in a replica of the original vinyl packaging. RS500|269

Track listing

All songs by Mick Jagger and Keith Richards, except where noted.

#"Miss You" – 4:48
#"When the Whip Comes Down" – 4:20
#"Imagination" (Norman Whitfield, Barrett Strong) – 4:38
#"Some Girls" – 4:37
#"Lies" – 3:12
#"Far Away Eyes" – 4:24
#"Respectable" – 3:07
#"Before They Make Me Run" – 3:25
#"Beast of Burden" – 4:25
#"Shattered" – 3:47

Personnel

*Mick Jagger – Vocals, Backing Vocals, Electric Guitar, Piano
*Keith Richards – Electric Guitar, Backing Vocals, Acoustic Guitar, Bass, Vocals, Piano
*Charlie Watts – Drums
*Ronnie Wood – Electric Guitar, Backing Vocals, Pedal Steel Guitar, Acoustic Guitar, Slide Guitar, Bass, Bass Drum
*Bill Wyman – Bass, Synthesizer

Additional personnel

*Mel Collins – Saxophone
*Ian McLagan – Organ, Electric Piano
*Simon Kirke – Congas
*Sugar Blue – Harmonica
*Ian Stewart - Piano

Charts

Album

References