The Atheist (play)

The Atheist (play)

The Atheist is written by, Irish born playwright, Ronan Noone. His previous plays include The Lepers of Baile Baiste (Critics Pick, Boston Globe) and The Blowin of Baile Gall which had its Off-Broadway debut, produced by Gabriel Byrne, at the Irish Arts Center in New York in 2005. The Blowin of Baile Gall was nominated by the American Theatre Critics Association for the Steinberg New Play Award and won the Elliot Norton Award for Outstanding New Script. In 2003, Noone was chosen by Boston Magazine as the Best Young Playwright of the Year. The subject of the play is not God, but the religion of tabloid journalism. [ [http://www.doollee.com/PlaywrightsN/noone-ronan.html Ronan Noone - complete guide to the Playwright and Plays ] ]

Plot

The Atheist is a satirical play about catching the perfect front-page headline, whatever the cost. The play follows the story of a cynical US news reporter, clawing his way up the journalistic hierarchy from trailer trash roots to notoriety and celebrity.http://www.theatre503.com/one_show.php?showid=239]

Central character Augustine Early drinks Bourbon and recounts his story like a ‘how to get famous quick’ help book. He is both revolting and charismatic - a cartoon take on the tabloid journalist. Augustine Early self-divulges his story of how he perverted the justice system and preyed on a vulnerable politician in his amoral quest for fame.

As theatre critic Natasha Tripney explains:

"Early is an antihero par excellence, an amusing guide through Ronan Noone's skillfully written world of American tabloid-hackery, sex scandals and trailer parks. His dark-hearted monologue is an occasionally filthy, but more importantly, in places it's laugh-out-loud funny; the writing is sharp and novelistic, the characters skillfully sketched."

"Early's quest for journalistic gold (and perhaps, just perhaps, a sliver of redemption) sees him encounter a wannabe actress whose tastes in the bedroom tend towards the energetic, a church-going society wife, a rapist and an English newspaper editor." [ [http://www.musicomh.com/theatre/atheist_0107.htm The Atheist @ Theatre 503, London : theatre review ] ]


In Performance

Williamstown Theatre Festival, Williamstown, Massachusetts

Campbell Scott performed as Augustine Early in The Atheist between June 25-July 6, 2008. The play was directed by Justin Waldman with sets by Cristina Todesco and lights by Ben Stanton.

Center Stage, New York

The Atheist was first performed in December at Center Stage, New York. The protagonist Augustine Early was played by Chris Pine. [ [http://theater2.nytimes.com/2006/11/30/theater/reviews/30athe.html The Atheist - Theater - Review - New York Times ] ]

Theatre 503, London

The Atheist's European premiere was at Theatre 503 on the 16th January 2007. The show was performed by Ben Porter and directed by Ari Edelson. [ [http://www.thestage.co.uk/reviews/review.php/15660/ The Stage / Reviews / The Atheist ] ]

Ari Edelson founded and is currently Artistic Director of the Old Vic Theatre's Old Vic New Voices US/UK Program, developing new plays in London and New York. His most recent directing credits include Blood Wedding, Who's Afraid of Virginia Woolf? and Sexual Perversity in Chicago (Theatre Project Tokyo), True West and Tape (Tokyo Globe), Rape of Lucretia (English National Opera, London and Luxembourg). In 2005 he founded the Orchard Project, an international incubator and theatre development centre located in New York. In 2007, Ari took over the role of Producing Artistic Director of the The Exchange (formerly Jean Cocteau Rep), one of NY's oldest Off–Broadway companies.

Ben Porter trained at RADA and has worked extensively in theatre both here and abroad. For the National Theatre he has played Billing in Ibsen’s An Enemy of the People, and Morris Townsend in The Heiress. His West End credits include What The Butler Saw, Becket and the National’s production of The Invention of Love by Tom Stoppard, in which he played the poet AE Housman as a young man. He has also appeared in new plays by Howard Barker, Hugh Whitemore, and Peter Flannery. Most recently he played Louis in the national tour of Losing Louis.

References

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