Carlo Evasio Soliva

Carlo Evasio Soliva (27 November, 1791–20 December, 1853) was a Swiss-Italian composer of opera, chamber music, and sacred choral works. A contemporary of Gioacchino Rossini, he is best known for his 1816 opera La testa di bronzo which prompted Stendhal’s immediate enthusiasm: “Ce petit Soliva a la figure chétive d'un homme de génie.” (“That little Soliva has the scanty figure of a man of genius.”) [Stendhal, "Rome, Naples et Florence", entry for 12 November 1816.] After a life spent composing, teaching and conducting in Italy, Poland, Russia, Switzerland and France he died in Paris at the age of 62.

Life

Soliva was born in Casale Monferrato, Piedmont to a family of Swiss chocolatiers who had emigrated from the canton Ticino. He studied pianoforte and composition at the Milan Conservatory, coming top of his class in the latter.In 1815 he became a conductor at the Teatro alla Scala, Milan and the following year that opera house staged his first opera, "La testa di bronzo o sia La capanna solitaria". Its immediate and resounding success marked the apex of his popularity. In 1817 his second opera, "Berenice d'Armenia" received its premiere in Turin and his third, "La zingara delle Asturie" played at La Scala. Neither were received with great warmth and in the following year at La Scala "Giulia e Sesto Pompeo" was quite a fiasco.

In 1821 he moved to Poland and became director of singing at the conservatory in Warsaw. There he married one of his students, Maria Kralewska, and became friendly with Frédéric Chopin. He was the conductor in November 1830 for the first performance of Chopin’s piano concerto in E minor. In the turmoil which followed the defeat of the November Uprising, Soliva moved to St Petersburg where he took up posts as conductor of the Royal Chapel and director of the Imperial Singing School and had contact with Mikhail Glinka.

In 1841 he moved to the Ticinese village of Semione, the village in the Val di Blenio where his father had been born.

Subsequently he moved to Paris where he met Chopin again along with George Sand and probably moved in the circle of Cristina di Belgiojoso—he dedicated a "Salve Regina" to her husband.

Operas

*"La testa di bronzo o sia La capanna solitaria", libretto by Felice Romani. 3 March, 1816, Teatro alla Scala, Milan
*"Berenice d'Armenia" , libretto by J. Ferretti. March 1817, Teatro Regio, Turin
*"La zingara delle Asturie", libretto by Felice Romani. 5 August, 1817, Teatro alla Scala, Milan
*"Giulia e Sesto Pompeo" , libretto by B. Perotti. 24 February, 1818, Teatro alla Scala, Milan
*"Elena e Malvina", libretto by Felice Romani. 22 May, 1824, Teatro alla Scala, Milan
*"Kitaijskaja djewaschka". 1833 [?] , St Petersburg

Notes

References

*cite web
url = http://www.ricercamusica.ch/dizionario/521.html
title = Soliva, Carlo Antonio Evasio Mario
accessdate = 2007-01-29
work = Dizionario dei musicisti della svizzera italiana
language = Italian

*cite web
url = http://www.radio.rai.it/radio3/radio3_suite/archivio_2004/eventi/2004_02_28_elena_malvina/presentazione.cfm
title = Carlo Evasio Soliva, una piccola scoperta
accessdate = 2007-01-29
author = Isidoro Ferrante
publisher = RAI
language = Italian

Further reading

*cite web
url = http://www.sinfoniavirtual.com/revista/001/carlo_evasio_soliva.php
title = Carlo Evasio Soliva, un acercamiento a su vida y obra operística
accessdate = 2007-03-09
author = Antonio Domínguez Luque
publisher = Sinfonía Virtual
date= October 2006
language = Spanish
*cite web
url = http://gazzettabelcantista.blogspot.com/2007/01/estn-locos-estos-romanos.html
title = Están locos estos romanos
accessdate = 2007-03-09
author = Antonio Domínguez Luque
publisher = La Gazzetta Belcantista
date= 2007-01-23
language = Spanish