King's Singers

Infobox musical artist
Name = The King's Singers


Img_capt = Clockwise from upper left: Christopher Gabbitas, Phillip Lawson, Stephen Connolly, Paul Phoenix, David Hurley, Robin Tyson
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Background = group_or_band
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Origin = Cambridge, England
Genre = Classical
Pop
Years_active = 1968 – Present
Label = EMI
BMG
Telarc Signum SPS
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Current_members = David Hurley
Robin Tyson
Paul Phoenix
Philip Lawson Christopher Gabbitas Stephen Connolly
Past_members =
Notable_instruments = The King's Singers are a celebrated and long-lived British "a cappella" vocal ensemble. Their name recalls King's College in Cambridge, England, where the group was formed by six choral scholars in 1968. The group's popularity in the United Kingdom peaked in the 1970s and early 1980s, and then declined somewhat. Thereafter the group began to reach a wider audience in the United States, where Johnny Carson became their fan and invited them regularly onto his talk show. However, in recent years the current King's Singers have started to perform more regularly in the UK once again, with several successful appearances at the Cadogan Hall in London, including their 40th Anniversary concert on April 30, 2008, another anniversary concert the following day in the chapel of King's College Cambridge, with the choir of King's, several appearances in the Albert Hall Proms, and an upcoming concert for the Three Choirs Festival.

Today the ensemble remains one of the world's most popular and sought-after vocal groups. They regularly travel worldwide for their performances, appearing in around 125 concerts each year, mostly in Europe, the U.S. and the Far East, having recently added the People's Republic of China to their list of touring territories.

History

The first stable incarnation of the group, from 1968 until 1978, included:

* Nigel Perrin (countertenor)
* Alastair Hume (countertenor)
* Alastair Thompson (tenor)
* Anthony Holt (baritone) (actually from Christ Church, Oxford, rather than King's)
* Simon Carrington (baritone)
* Brian Kay (bass)

The group has always consisted of six singers in total, with their membership changing over the years. None of the original members remains, and the current ensemble is composed of (starting year in brackets):

* David Hurley (countertenor) - (1990)
* Robin Tyson (countertenor) - (2001). To be replaced by Tim Wayne-Wright in february 2009
* Paul Phoenix (tenor) - (1997)
* Philip Lawson (baritone) - (1993)
* Christopher Gabbitas (baritone) - (2004)
* Stephen Connolly (bass) - (1987)

Former members of the King's Singers are Jeremy Jackman, Bob Chilcott, Nigel Short, Bill Ives, Bruce Russell, Colin Mason, and Gabriel Crouch. The group celebrates its 40th anniversary in 2008, and part of the group's longevity can be put down to their low membership turnover; the average length of tenure in the group is around 12 years and there have only been 19 members in total.

Influences

The group cites as its influences The Hi-Lo's vocal jazz group, [ [http://www.singers.com/jazz/hi-los.html The Hi-Lo's at Singers.com] ] [http://www.myspace.com/thekingssingers The King's Singers MySpace Page] ] the Comedian Harmonists, the Mastersingersand (perhaps most importantly) the style of singing instilled into them by Sir David Willcocks, their Director of Music at King's College, Cambridge. It was this serene and precise sound, with vibrato used only as a colour rather than a default setting, that was expanded by the early King's Singers to be used on all genres of music, from renaissance church repertoire such as they had performed as part of the daily chapel services at the university, to pop/jazz/folk/spiritual arrangements that were soon added to their concert programmes.

Repertoire

They took hold of the idea that concerts need not contain merely one form of music; audiences could be educated as well as entertained. For those who came expecting pop music there would be classical music as well, and vice-versa. This started out of necessity; for their first few concerts the group simply had to perform everything they knew in order to fill a concert programme, and this included religious music from their chapel library, along with folksongs and other "lollipops". Over the years their library has expanded so that it now is comprised of some 3,000 works of all styles.

Although the King's Singers are mostly "a cappella" in their live performances, they sometimes use one or two musical instruments to provide accompaniment in their studio recordings and as part of their more recent "concept programmes", and occasionally use amplification in large venues such as the 21,000 capacity Conference Center in Salt Lake City, Utah. The group is best known, however, for singing purely a cappella, and uses as its foundation a strong bass/baritone blend on which the other voices sit, a principle known as the "Pyramid of Sound."

International tour coverage

There are few of the world's greatest concert halls that have not played host to The King's Singers at one time or another. In recent years the group has performed in all the major US concert halls, including Washington DC's Kennedy Centre, New York's Lincoln Centre and Carnegie Hall, and Spivey Hall in Morrow GA. Across Europe, recent venues have included Amsterdam's Concertgebouw, Vienna's Musikverein, Rome's Santa Cecilia concert hall, Budapest's Liszt Academy and National Concert Hall, Luxembourg's Philharmonie, the Palau de la Musica in Barcelona and Paris' Salle Gaveau. In the Far East, The King's Singers regularly appear at Suntory Hall, Tokyo, and the National Concert Halls of Taipei and Seoul. In 2008 the group will host its own concert series at London's newest international concert venue, Cadogan Hall. Special performances have included those at the Salt Lake City 2002 Winter Olympics, before a baseball game at Shea Stadium, NYC, and a private performance for the English Royal Family at Windsor Castle.

Concert structure

Most of their a capella concerts are divided into five distinct groups of pieces. The first four vary widely (madrigals, folk songs, recently commissioned pieces, etc) but are generally taken from the serious side of the group's repertoire, but the last group of the concert is typically a “close harmony” set. Often it consists of lighter fare, including music of The Beatles, Billy Joel, Queen, George Gershwin, Harold Arlen or Irving Berlin, many of which have been arranged for the group by composers such as Richard Rodney Bennett, Jeremy Lubbock, Bob Chilcott,Philip Lawson and John Rutter. Sometimes the final set (in a concert of religious music) will be a spiritual harmony set - entitled "Songs of Faith and Hope." This set could be composed of American Spirituals, arranged by contemporary composers, including group member Philip Lawson and former member Bob Chilcott. Pieces in this set could include Simple Gifts, Deep River, Down To The River To Pray, and Stand Still, Jordan as well as more spiritual pop songs such as "Some Folks Lives Roll Easy" by Paul Simon.

More recently, however, The King's Singers have begun to perform "Concept Programmes" which have a set theme running throughout. These could be simply a 60-minute first-half sequence, often performed in European Cathedral concerts, with a Mass or Requiem setting providing the backbone, interspersed with other shorter works, or a more fundamental concept which infuses every piece performed. Examples of this latter art include "Sacred Bridges," a programme of Jewish, Islamic and Christian Psalm settings, performed with Dr. Vladimir Ivanoff and his ensemble, "Sarband." The group has also created concert programmes relating to recent CD recordings, including "Landscape and Time" and "Treason and Dischord," the latter a programme commemorating the 400th anniversary of the Powder Treason, and including a script read in live performances by actors Joss Ackland and Bill Wallis. The group works closely with concert promoters and local agents to determine the best possible programme for each concert, whether for church, concert hall, open-air venue or private house.

Modern repertoire

The King’s Singers are also known for frequently commissioning works from contemporary composers. Starting with "Timepiece," commissioned by the Camden Festival in 1972 from composer Paul Patterson (and still regularly performed today), they have continued by commissioning pieces from (amongst others) Ned Rorem, György Ligeti, Libby Larsen, Daron Hagen, Francis Pott, Sir Peter Maxwell Davies, Sir John Tavener, John McCabe, Sally Beamish, Jackson Hill, Geoffrey Poole, Joby Talbot, Jocelyn Pook, and Bob Chilcott. In 2008 they performed a piece commissioned jointly for them and the National Youth Choirs of Great Britain written by Eric Whitacre.

The group as a ladder toward fame

Many former members of the King’s Singers have remained active in the world of choral music. Former Tenor Bob Chilcott is now extremely active in the world of choral music, both as a celebrated composer and as conductor and workshop leader. Former baritone Gabriel Crouch is now the director of choral ensembles at DePauw University and former countertenor Nigel Short founded a professional choir, Tenebrae, on leaving the group in 2001. Baritone Simon Carrington is the director of the Yale Schola Cantorum, at the Yale University Institute for Sacred Music and Tony Holt is on the music faculty at St. Olaf College as a voice instructor.

Educational activities

In addition to recording and performing, the King’s Singers have a commitment to education, often participating in master classes and workshops. Every two years they hold a residency at the Schleswig-Holstein Music Festival in Lubeck, Germany, at which up to 12 a cappella groups from all over the world are taught over a period of 4 days, culminating in a final performance in front of a public audience. The group also lead around a dozen additional one-off masterclasses throughout the year, normally in conjunction with concert performances and often as part of their US tours, which take place twice-yearly in February and between October-December. During its time, The King's Singers have taught many groups that have now become known in their own right, such as The Real Group, Amarcord, Rajaton, Singer Pur and Calmus Ensemble, in all of whose performances the influence of their former teachers is evident.

Several of the King’s Singers also arranged pieces, both for the group and pieces to publish in their line of music. Recently, Philip Lawson and Bob Chilcott have been the most prolific composers in the group.

Members

Discography

In 2003 the group signed with Signum Records, with whom they have released nine albums in five years, with another two in the pipeline at the time of writing. In addition, the group made an experimental recording of Thomas Tallis' 40-part masterpiece, "Spem in Alium," using modern studio multi-tracking techniques to turn their 6 voices into 40, the results of which can be heard on a Signum CD and Iambic Productions DVD, which includes a documentary on the making of the CD.

The group's latest CD was released on 30 April 2008 and is a selection of 16 pop ballads, spirituals, and folk songs. The CD is called Simple Gifts and is the first full-length studio CD since the 1990s. The arrangements on the album are by Peter Knight, former tenor Bob Chilcott, and current first baritone Philip Lawson. The album was recorded at the studios of Status Quo, located at the house of lead guitarist Francis Rossi, and engineered by Gregg Jackman, brother of former King's Singers counter tenor Jeremy Jackman.

[http://www.dj-records.com DJ Records Splash Page ] ] [http://www.kingssing.com kingssing.com - Home ] ] [http://www.kingssingers.com Welcome to the King's Singers official web site ] ]

References

External links

* [http://www.kingssingers.com/ King's Singers - official site]
* [http://www.dj-records.com/ King’s Singers – official distributor]
* [http://www.kingssing.com/ King’s Singers – fan site]
* [http://www.ks-2008asiantour.com/ King's Singers Asia Tour]