Photographers of the American Civil Rights Movement

Beginning with the murder of Emmett Till in 1955, photography and photographers played an important role in advancing the American Civil Rights Movement by documenting the public and private acts of racial discrimination against African Americans. This article focuses on these photographers and the role that they played in the movement between 1954 and 1968, particularly in the South.

Notable photographers and the roles they played

* Dan Budnik, in 1963, Budnik persuaded "Life" to have him create a long-term photo essay documenting the Selma to Montgomery march. His photographs are now in the collection of the Martin Luther King, Jr. National Historic Site.

* Bruce Davidson chronicled the events and effects of Civil Rights Movement, in both the North and the South, from 1961 to 1965. In support of his project, Davidson received a Guggenheim Fellowship in 1962 and his finished project was displayed at the Museum of Modern Art in New York. Upon the completion of his documentation of the Civil Rights Movement, Davidson received the first ever photography grant from the National Endowment for the Arts.

* Warren K. Leffler was a photographer for "U.S. News & World Report" during the civil rights years. Although based primarily in Washington, D.C., Leffler also traveled to the South to cover many of the main events for the magazine.

* Danny Lyon published his first photographs working for the Student Nonviolent Coordinating Committee. His pictures appeared in "The Movement", a documentary book about the Southern Civil Rights Movement.

* James "Spider" Martin's photographs documented the March 1965 beating of marchers in the Selma to Montgomery march, known as “Bloody Sunday.” About the effect of photography on the Civil Rights Movement, Martin Luther King, Jr. said, "Spider, we could have marched, we could have protested forever, but if it weren't for guys like you, it would have been for nothing. The whole world saw your pictures. That's why the Voting Rights Act was passed." [ cite web | title = Selma to Montgomery: A March for the Right to Vote | publisher =The Spider Martin Civil Rights Collection | url =http://www.spidermartin.com/about.html | accessdate = 2006-01-04 ]

* Charles Moore, in 1958 photographed an argument between Martin Luther King, Jr. and two policemen. His photographs were distributed nationally by the Associated Press, and published in "Life" and he began traveling throughout the South documenting the Civil Rights Movement. Moore's most famous photograph, "Birmingham", depicts demonstrators being attacked by firemen wielding high-pressure hoses. U.S. Senator Jacob Javits said that Moore's pictures "helped to spur passage of the Civil Rights Act of 1964." [cite web | title = "About Charles Moore" | publisher = Kodak| url = http://www.kodak.com/US/en/corp/features/moore/aboutCharlesMoore.shtml| accessdate = 2006-12-26]

* Gordon Parks was assigned by "Life" in 1963 to travel with Malcolm X and document the civil rights movement. [cite web | title = "We Shall Overcome: Photographs from the American Civil Rights Era" | publisher = LBJ Library and Museum | url = http://www.lbjlib.utexas.edu/johnson/Press.hom/weshallovercome.shtm| accessdate = 3-1-2007] He was also involved with the movement on a personal level.

* Herbert Eugene Randall, Jr. photographed the effects of the Civil Rights Movement in Hattiesburg, Mississippi in 1964, at the request of Sanford R. Leigh, the Director of Mississippi Freedom Summer's Hattiesburg project. He spent the entire summer photographing solely in Hattiesburg, among the African-American community and among the volunteers in area projects such as the Freedom Schools, Voter Registration, and the Mississippi Freedom Democratic Party campaign. Only five of Randall's photographs were published in the summer of 1964. One seen worldwide was the bloodied, concussed Rabbi Arthur Lelyveld, head of a prominent Cleveland congregation and former conscientious objector to World War II. In 1999, Randall donated 1,800 negatives to the archives of The University of Southern Mississippi in Hattiesburg. He and Bobs Tusa, the archivist at USM, wrote "Faces of Freedom Summer", which was published by the University of Alabama Press in 2001. "Faces" is the only record of a single town in the midst of the Civil Rights revolution in America. At the time, the Hattiesburg Project was overlooked and unpublicized by the Civil Rights Movement.

* Moneta Sleet Jr. won the 1969 Pulitzer Prize for Feature Photography for his photograph of Martin Luther King, Jr.'s widow, Coretta Scott King, at Dr. King's funeral. Sleet is the first African American man to win the Pulitzercite web |url=http://query.nytimes.com/gst/fullpage.html?res=9A0DE3D81239F93AA25753C1A960948260 |title=The Vision of Moneta Sleet in Show |last=Fraser |first=C. Gerald |publisher="The New York Times" |date=19 October 1986 |accessdate=2006-12-22] , and the first African American to win award for journalism.cite web |url=http://www.aaregistry.com/african_american_history/969/Moneta_Sleet_photographer_of_excellence |title=Moneta Sleet, photographer of excellence |publisher= [http://www.aaregistry.com/ African American Registry] |accessdate=2006-12-22]

Photo books on the Civil Rights Movement

* Kasher, Steven. "The Civil Rights Movement: A Photographic History, 1954-68." New York: Abbeville, 1996.
* "Faces of Freedom Summer." University of Alabama Press, 2001.

References

External links

* [http://photography.about.com/library/weekly/aa082503a.htm King's Dream: Photographers of the Civil Rights Movement]
* [http://www.crmvet.org/images/imghome.htm Civil Rights Movement Veterans, Photo Album: Images of a Peoples' Movement]