- Eugene Znosko-Borovsky
Eugene Alexandrovich Znosko-Borovsky (
August 16 ,1884 -December 31 ,1954 ) was aRussia nchess master , writer, teacher and literary critic.Born in St. Petersburg on
August 16 ,1884 , he learned to play chess as a young boy, gaining prizes in local and regional tournaments whilst progressing to a first class education at the prestigious Lyceum of the Emperor Alexander I.Making his international chess tournament debut at
Ostend in 1906, where he won the brilliancy prize for his game againstAmos Burn , Znosko-Borovsky's playing career was frequently interrupted by other events in his life. Decorated and wounded in military conflicts, he first served as a volunteer in the Russo-Japanese battles of 1904 and 1905 and was again called into service during theGreat War . Following evacuation, he was taken by a British ship to Constantinople and from there, proceeded to Paris, which remained his home from 1920 onwards.As a player, Znosko-Borovsky fell short of the very highest accolades. He did however have some notable results in international competition, including Paris 1930, where he finished first without loss, ahead of Savielly Tartakower,
Andor Lilienthal andJacques Mieses , and first prize in the premier tournament at Folkestone 1933. Success often came in individual encounters with his more distinguished peers; he also won impressive games againstJosé Raúl Capablanca ,Akiba Rubinstein ,Max Euwe andEfim Bogoljubov as well as a short match withEdgard Colle in 1922. He was also highly skilled at simultaneous exhibition play.In conversation and as a
lecturer , teacher or writer of chess, his abilities were widely acknowledged, particularly in Russia andFrance where he also contributed regular articles and columns to magazines and newspapers. Indeed, it was in the field of writing that he excelled, penning many popular books including "The Evolution of Chess" (1910), "Capablanca" and "The Muzio Gambit" (both 1911). "Capablanca and Alekhine" followedWorld War I and most of his later offerings were translated into English, principally "The Middle Game in Chess", "How Not to Play Chess", "How to Play the Chess Openings", "How to Play Chess Endings" (1940), and "The Art of Chess Combination".Znosko-Borovsky also achieved distinction as a literature and drama critic and was regarded by some as an expert on Russian Theatre.
After hearing of his death,
Gerald Abrahams wrote (inBritish Chess Magazine , March 1955) his own personal tribute:-:"The death of Znosko-Borovsky deprives the chess world of one of the few survivors of an intellectually rich generation, the Russian Masters of the old regime ... My own memories of Znosko go back to 1923-24. I found him then, and at all times later, a stimulating friend and a delightful conversationalist in many subjects. His reputation as a dramatic and literary critic was, at one time considerable in Europe, though England knew little of this. Those who have read his chess works, however, must be aware that their writer was a "kultur mensch" in the best sense. Withal, he was stoical in adversity (adversity was always his lot) and possessed of great humour and resilience ... As a player he suffered from the demands of a professionalism that is incompatible with great performance: but he leaves records of many games which reveal, if not genius, then a great talent ... those who knew him will all agree that his life enriched, and in a degree inspired, the chess world."
"Quote:" "It is not a move, even the best move, that you must seek, but a realisable plan."
Books
* "How to Play Chess Endings", 1940. Reprinted in 1974 by Dover, ISBN 0-486-21170-3.
References
*cite book | author=Znosko-Borovsky, Eugene | title=The Art of Chess Combination | publisher=Chatto & Windus | year=1936 | id=
*cite book | author=Sunnucks, Anne | title=The Encyclopaedia of Chess | publisher=Hale | year=1970 | id=ISBN 0709110308
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