- C. Paul Jennewein
Carl Paul Jennewein (
December 2 ,1890 –February 23 ,1978 ) was a German-born American sculptor.Early career
Jennewein was born in
Stuttgart in Germany. He immigrated to the United States in 1907.He was
apprentice d with the firm of Buhler and Lauter in New York where he received his early training. He took evening classes at theArt Students League of New York . Much of his early work was as amural ist, including in 1912 four murals for theWoolworth Building ; the first building to be called "the Cathedral of Commerce."In 1915 Jennewein became a naturalized U.S. citizen. Soon afterward he entered the
United States Army . In 1916 his tour was cut short when he was awarded an honorable discharge after receiving thePrix de Rome , a highly sought-after art award. This allowed him to study at theAmerican Academy in Rome for the next three years; inRome Jennewein turned his attention to sculpture.Architectural sculpture
* 1923 Lincoln Life Insurance Building,
Fort Wayne, IN
* 1931 Education Building,Harrisburg, PA
* 1932 British Empire Building atRockefeller Center ,Manhattan
* 1933 Pediment,Philadelphia Museum of Art ,Philadelphia, PA
* 1934 Justice Department Building,Washington, DC , (50+ separate sculptural elements)
* 1936Kansas City City Hall Kansas City, MO
* 1938 Finance Building,Harrisburg, PA
* 1939 Two stonepylon s,Brooklyn Public Library ,Brooklyn, NY
* 1941 Dauphin County Court, (exterior and interior),Harrisburg, PA
* 1950 Fulton County Building Annex,Atlanta, Georgia
* 1940 West Virginia State Office Building,Charleston, WV
* 1954 Two panels inside theWhite House ,Washington, DC
* 1964 Two monumental figures for theRayburn House Office Building ,Washington, DC Later career
The work that he is probably best known for today, and which garnered him much praise when it was unveiled in 1933, was the polychromed figures in the pediment of the
Philadelphia Museum of Art . Jennewein was one of 250 sculptors who exhibited in the3rd Sculpture International held at the Philadelphia Museum of Art in the summer of 1949.In the course of his career Jennewein produced at least five monumental eagles: one at the entrance to
Arlington National Cemetery inArlington, Virginia , another on theArlington Memorial Bridge , connecting Arlington withWashington, D.C. , the third on the Federal Office Building in New York, the fourth, aSpanish-American War Memorial inRochester, New York .The fifth was at Ardennes Memorial located in
Neuville-en-Condroz inBelgium . He also produced somewhat smaller eagles for the gates of theEmbassy of the United States in Paris .Jennewein's sculpture, which never strayed too far from the classical ideals that he had come to so admire while in Rome, became increasingly modernized and his style comfortably fits into the
Greco Deco category.Jennewein's work received some attention when his
Noyes Armillary Sphere disappeared during ariot inWashington, D.C. in the turbulent 1960s. It has not yet been recovered.Jennewein died on February 23, 1978.
In 2002, two of Jennewein's semi-nude figures in the
Robert F. Kennedy Department of Justice Building inWashington, D.C. were hidden by a curtain. This has been linked to the exposedbreast on the female figure, "Spirit of Justice " (the male counterpart is "Majesty of Law"). In 2005 the curtain was removed.References
*Goode, James M. "The Outdoor Sculpture of Washington D.C.", Smithsonian Institute Press, Washington D.C. 1974
*Gurney, George, "Sculpture and the Federal Triangle," Smithsonian Institute Press, Washington D.C. 1985
*Howarth, Shirley Reiff, "C. Paul Jennewein: Sculptor", The Tampa Museum, Tampa Florida 1980
*Kvaran, Einar Einarsson, "Architectural Sculpture of America", unpublished manuscript
*Proske, Beatrice Gilman, "Brookgreen Gardens Sculpture," Brookgreen Gardens, South Carolina, 1968
*Williams, Oliver P. "County Courthouses of Pennsylvania: A Guide", Stackpole Books, Machanicsburg, PA 2001External links
* [http://www.ilovefiguresculpture.com/masters/jennewein/jennewein.html Web Sculpture Museum]
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