Giacomo Gastaldi

Giacomo Gastaldi (Villafranca Piemonte c. 1500 - Venice, October 1566) was an Italian cartographer of the 16th century. Gastaldi (sometimes referred to as Jacopo [Tooley, R.V, and Charles Bricker, "Landmarks of Mapmaking", (Elsevier-Sequoia, Amsterdam, 1968).] or Iacobo [Nordenskiöld, Adolf Erik, "Facsimile-Atlas to the Early History of Cartography", (Dover Publications, New York, Reprint 1973), p. 40.] ) began his career as an engineer, serving the Venetian Republic in that capacity until the fourth decade of the sixteenth century. From about 1544 he turned his attention entirely to mapmaking, and his work represents several important turning points in cartographic development. [Moreland, Carl & David Bannister, "Antique Maps - A Collector's Guide", (Phaidon-Christie's, Oxford, 1983), p. 66.]

According to the author Philip Burden, Gastaldi’s 1548 edition of Ptolemy's "Geography ", "was the most comprehensive atlas produced between Martin Waldseemüller's "Geographia" of 1513, and the Abraham Ortelius "Theatrum" of 1570,” because it included regional maps of the Americas. [Burden, Philip D, "The Mapping of North America: A list of printed maps 1511-1670", (Raleigh, England, 1996), p. 16. See also: Nordenskiöld, Adolf Erik, "Facsimile-Atlas to the Early History of Cartography", (Dover Publications, New York, Reprint 1973), p. 28.] Yet Gastaldi’s detailed attention to the new world was not his only contribution to the development of map production. The Ptolemy edition of 1548 was also an innovation in that Gastaldi and his publisher reduced the size of the volume, thereby making the first ‘pocket’ atlas. [Nordenskiöld, Adolf Erik, "Facsimile-Atlas to the Early History of Cartography", (Dover Publications, New York, Reprint 1973), p. 40.] Finally, Gastaldi’s work also indicated a shift in cartographical technique via its use of the copper engraving. Prior to this period, most maps had been printed from woodcuts; by using a copper plate rather than a woodblock to print, the engraver could render a much higher level of finesse and detail. [Burden, Philip D. "The Mapping of North America: A list of printed maps 1511-1670", (Raleigh, England, 1996), p. 16. See also Moreland, Carl & David Bannister, "Antique Maps - A Collector's Guide", (Phaidon-Christie's, Oxford, 1983), p. 66.]

Gastaldi was described by one contemporary as the ‘most excellent Piedmontese cosmographer.' [Tooley, R.V, and Charles Bricker, "Landmarks of Mapmaking", (Elsevier-Sequoia, Amsterdam, 1968).] As a cartographer, Gastaldi worked for various publishers, such as Nicolo Bascarini and Giovanbattista Pedrezano. [Tooley, R.V, and Charles Bricker, "Landmarks of Mapmaking", (Elsevier-Sequoia, Amsterdam, 1968); Adolf Erik Nordenskiöld, "Facsimile-Atlas to the Early History of Cartography", (Dover Publications, New York, Reprint 1973), p. 40.] But he also occasionally accepted private commissions, for example that from Venice’s Council of Ten, who invited him to fresco maps of Asia and Africa on the walls of a room in the Doge's Palace [Tooley, R.V, and Charles Bricker, "Landmarks of Mapmaking", (Elsevier-Sequoia, Amsterdam, 1968).]

Among his other works is the in 1574.

Further information available about Gastaldi from the antique map dealers Leen Helmink [http://www.helmink.com/Antique_Map_Gastaldi_Terra_Nova/]

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