- Francesco Primaticcio
Francesco Primaticcio (
april 30 ,1504 – 1570) was an Italian Mannerist painter,architect and sculptor who spent most of his career inFrance .Biography
Born in
Bologna , he trained underGiulio Romano inMantua and became a pupil ofInnocenzo da Imola , executing decorations at thePalazzo Te before securing a position in the court ofFrancis I of France in 1532.Together with
Rosso Fiorentino he was one of the leading artists to work at theChateau Fontainebleau (where he is grouped with the so-called "FirstSchool of Fontainebleau ") spending much of his life there. Following Rosso's death in 1540, Primaticcio took control of the artistic direction at Fontainebleau, furnishing the painters and stuccators of his team, such as Nicolò dell'Abate, with designs. He madecartoon s fortapestry -weavers and, like all 16th-century court artists, was called upon to design elaborate ephemeral decorations formasque s and fêtes, which survive only in preparatory drawings and, sometimes, engravings. François trusted his eye and sent him back to Italy on buying trips in 1540 and again in 1545. In Rome, part of Primaticcio's commission was to take casts of the bestRoman sculpture s in the papal collections, some of which were cast in bronze to decorate theparterre s at Fontainebleau. [The project, which brought a first virtual confrontation with Roman sculpture to French patrons and artists, is surveyed in detail by S. Pressouyre, "Les fontes de Primaticaà fontainebleau" "Bulletin Monumentale" 27 (1969):223-38. The precious moulds, at the instigation ofLeone Leoni were sent to the Habsburg court in the Spanish Netherland in 1550 and, after serving to make a set of stucco casts for Charles V's daughter Mary of Hungary, Queen-governess of the Netherlands at Binche (where they were destroyed by Henri II's troops in 1554) they were probably forwarded to Leoni in Milan. (Bruce Boucher, "Leone Leoni and Primaticcio's Moulds of Antique Sculpture" "The Burlington Magazine" 123 No. 934, (January 1981), pp. 23-26).]Primaticcio retained his position as court painter to François' heirs, Henri II and François II. His masterpiece, the "Salle d'Hercule" at Fontainebleau, occupied him and his team from the 1530s to 1559.
Primaticcio's crowded Mannerist compositions and his long-legged canon of beauty influenced French art for the rest of the century.
Primaticcio turned to architecture towards the end of his life, his greatest work being the Valois Chapel at the Abbey of Saint-Denis, although this was not completed until after his death and was destroyed in 1719.
Notes
reflist|2.
References
"The Oxford Dictionary of Art", ISBN 0-19-280022-1
External links
* [http://www.artcyclopedia.com/artists/primaticcio_francesco.html Entry in 'Art-cyclopedia']
* [http://en.chateaudefontainebleau.net/ Château de Fontainebleau ] (in English)
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