The Enchanter Reborn

The Enchanter Reborn

Infobox Book |
name = The Enchanter Reborn
title_orig =
translator =


image_caption = first edition of "The Enchanter Reborn"
author = L. Sprague de Camp and Christopher Stasheff
illustrator =
cover_artist =
country = United States
language = English
series = Harold Shea
genre = Fantasy short stories
publisher = Baen Books
release_date = 1992
english_release_date =
media_type = Print (Paperback)
pages = 296 pp
isbn = ISBN 0671721348
preceded_by = Wall of Serpents
followed_by = The Exotic Enchanter

"The Enchanter Reborn" is an anthology of five fantasy short stories edited by science fiction and fantasy authors L. Sprague de Camp and Christopher Stasheff, the first volume in their continuation of the classic Harold Shea series by de Camp and Fletcher Pratt. It was first published in paperback by Baen Books in 1992. All but one of the pieces are original to the anthology; the remaining one, de Camp's "Sir Harold and the Gnome King", first appeared in the World Fantasy Convention program book in 1990 and was then published as a separate chapbook in 1991.

De Camp and Pratt's original Harold Shea stories are parallel world tales in which universes where magic works coexist with our own, and in which those based on the mythologies, legends, and literary fantasies of our world and can be reached by aligning one's mind to them by a system of symbolic logic. In these stories psychologist Harold Shea and his colleagues Reed Chalmers, Walter Bayard, and Vaclav Polacek (Votsy), travel to a number of such worlds. In the course of their travels other characters are added to the main cast, including Belphebe and Florimel, who become the wives of Shea and Chalmers, and Pete Brodsky, a policeman who is accidentally swept up into the chaos. In "The Enchanter Reborn" the series is opened up into a shared world to which other authors were invited to contribute. In addition to stories by de Camp and Stasheff, who collectively oversaw the project, it includes contributions by Holly Lisle and John Maddox Roberts, both of whom worked from outlines provided by the editors.

The impulse for the continuation appears to have been de Camp's desire to tie up the main loose end from the original series, in which Walter Bayard had been left stranded in the world of Irish mythology, and to resolve the unaddressed complication introduced by L. Ron Hubbard's "borrowing" of Harold Shea for use in his novel "The Case of the Friendly Corpse". Both of these goals were accomplished in "Sir Harold and the Gnome King". When the decision was made to continue the series further the story was revised slightly to reconcile it with the other new stories, but the fit is somewhat awkward.

Once the loose ends are resolved, most of the action in the second sequence involves Shea and Chalmers' quest across several universes to rescue Florimel, who has been kidnapped by the malevolent enchanter Malambroso. Milieus encountered in the stories of "The Enchanter Reborn" include the worlds of Irish myth and of Ludovico Ariosto's epic poem the "Orlando Furioso" from the original series, revisited in "Professor Harold and the Trustees," L. Ron Hubbard's setting from "The Case of the Friendly Corpse" and L. Frank Baum's land of Oz in "Sir Harold and the Gnome King," the world of Taoist legend as portrayed in Wú Chéng'ēn's classic Chinese novel "Journey to the West" in "Sir Harold and the Monkey King," the romantic fantasies of Miguel de Cervantes' "Don Quixote" (with the unique twist of its being "Quixote's" version of reality rather than Cervantes') in "Knight and the Enemy," and Virgil's Graeco-Roman epic the "Aeneid" in "Arms and the Enchanter."

"The Enchanter Reborn" was followed up by a sequel anthology, "The Exotic Enchanter" (1995), which featured more stories by de Camp and Stasheff, together with additional new authors.

Contents

*"Professor Harold and the Trustees" (1992) (Christopher Stasheff)
*"Sir Harold and the Gnome King" (1990) (L. Sprague de Camp)
*"Sir Harold and the Monkey King" (1992) (Christopher Stasheff)
*"Knight and the Enemy" (1992) (Holly Lisle, from an outline by de Camp and Stasheff)
*"Arms and the Enchanter" (1992) (John Maddox Roberts, from an outline by de Camp and Stasheff)


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