On Monsieur’s Departure

On Monsieur’s Departure

"On Monsieur’s Departure" is an Elizabethan poem by Elizabeth I of England herself. It is written in the form of a meditation on the failure of her marriage negotiations with François, Duke of Anjou.

The Elizabethan Era saw the emergence of the English Renaissance and consequently that of such notable figures as Edmund Spencer, Sir Francis Bacon, and William Shakespeare.

Elizabeth I, Queen of England, was unusually well educated for a woman of her time and wrote several poems, which seem to have been based on her life, in an era where courtly love was the European tradition. “On Monsieur’s Departure,” is a tale in which the persona has fallen victim to unrequited love.

On Monsieur’s Departure

cquote|"I grieve and dare not show my discontent, I love and yet am forced to seem to hate, I do, yet dare not say I ever meant, I seem stark mute but inwardly do prate. I am and not, I freeze and yet am burned, Since from myself another self I turned. " "My care is like my shadow in the sun, Follows me flying, flies when I pursue it, Stands and lies by me, doth what I have done. His too familiar care doth make me rue it. No means I find to rid him from my breast, Till by the end of things it be supprest. "

"Some gentler passion slide into my mind, For I am soft and made of melting snow; Or be more cruel, love, and so be kind. Let me or float or sink, be high or low. Or let me live with some more sweet content, Or die and so forget what love ere meant."

Analysis

In the first stanza Elizabeth means that she hides strong unhappiness and love (of Anjou) in favour of an appearance of cool and dislike. This show may be meant to please her subjects or save her pride (because her love was unrequited?). In any case, she has turned (or is turning) from her former (and more natural) self (or behaviour) to something different.

The second stanza is about her unhappiness. It is her constant companion, she has never been able to make it go away, and she feels that only death could banish it.

In the third stanza Elizabeth asks for less intense feelings, saying she is fragile. She wishes Anjou were less nice so that she could get over her feelings more easily. The fourth line means either that she wishes she could feel good or bad, which would seem to contradict the first line, or that she wishes she could show (and vent) these feelings properly. Finally, she says if she cannot be happier, she would like to die so that thoughts of love no longer trouble her. She doubts she will ever be fulfilled in terms of love. Whether she really wanted to die or said that for dramatic effect is unclear, and of course the overall sincerity of the poem is also unclear.

Comparisons

This poem differs from poems such as, “My Lute, Awake!” written by Sir Thomas Wyatt, during the same time period. While they both portray unrequited love they portray it in a different manner. Elizabeth shares the responsibility with her lover and even knows of his pain. Yet in, “My Lute, Awake!” the author leaves all the blame to the woman that he desires and does not wish her well.

Theme

Elizabeth expresses the feeling of sorrow that surfaces from this disillusion but also understands the other person’s perspective. Her dilemma is suppressing her emotions. The poem is expressed with a sorrowful tone. Hence, creating a feeling of pity in the audience, specifically in the closing line, “Or die and so forget what love ere meant” (18).

Popular Culture

The third episode of the BBC drama Elizabeth R, which deals with the courtship of the Queen, was titled 'Shadow in the Sun' after the poem. At the end of the episode Elizabeth (Glenda Jackson) mentally composes the poem as she watches her suitor depart.

Selected lines of the poem were adapted and set to music by Michael Phipps and sung by the Mediaeval Baebes for the sountrack to the later BBC drama The Virgin Queen.

In the Channel 4 drama Elizabeth I, starring Helen Mirren as the Queen, the poem is given to Anjou upon his departure and as he reads it on the boat, Elizabeth's voice recites it over the scene.

Sources

Applebee, Arthur N., et al."The Language of Literature- British Literature". Boston: McDougal Littell, 2000.


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