- Baqi Urmançe
Infobox Artist
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name = Baqi Urmance
Бакый Урманче
Baqi Urmançe
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caption = Baqi Urmançe in his studio
birthname = Ğäbdelbaqí İdris ulı Urmançiev
birthdate =23 February 1897
location =Kül Çerkene ,Russian Empire (nowadaysTatarstan ,Russian Federation )
deathdate =6 August 1990
deathplace =Kazan ,Tatar ASSR ,USSR
nationality = Tatar
field =sculpture ,graphic ,painting ,Islamic calligraphy
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awards = People's Artist of Tatar ASSR,People's Artist of the Russian SFSR , laureate of the Ğabdulla Tuqay Tatar ASSR State PrizeUrmançe Ğäbdelbaqí İdris ulı ( [IPA|urmanˈɕe ɣæbˌdelʲbʌˈqɯɪ idˌrisuˈlɯ] aka Baqi Urmançe [IPA|bʌˈqɯɪ urmanˈɕe] [spells in English: bah-KEY oor-mahn-CHE] ;
Janalif : Baqi Urmance; Tatar Cyrillic: Урманче Бакый (Габделбакый) Идрис улы; _ru. Урманче́ Баки́ (Габделбакы́й) Идри́сович, Urmanche Baki (Gabdelbaky) Idrisovich;23 February 1897 -6 August 1990 ) was a Tatar painter, sculptor and graphic artist, and a pedagogue. He received the following awards and titles: People's Artist of Tatar ASSR (1960),People's Artist of the Russian SFSR (1982), and laureate of the Ğabdulla Tuqay Tatar ASSR State Prize (1967).TES|Baqi Urmançe/Бакый Урманче]Early life
He was born on
February 23 ,1897 in Kül Çerkene, a village in the modernBuinsky District ofTatarstan as Ğäbdelbaqí Urmançiev. In 1907 the Urmançievs moved to Kazan, where Baqi entered "Möxämmädiä"madrassah . Studying at the madrassa, he became interested in Oriental languages and Tatar poetry.Ğabdulla Tuqay 's poetry particularly impressed him. Other hobbies of his included drawing and playing the violin. However, Urmançe failed to pass the entrance examinations for theKazan Artist school, so in 1914 he began to work as a loader in theUral s and afterward inSiberia . In 1916, he was mobilized into the army. But his violin, pencil, and water-colors were always with him.During the
1917 Russian Revolution Baqi became a soldier's deputy. In 1918 the Kazan Art School was reformed into the "Free Art and Technical Workshops" and in 1919 he became a student. It was his cherished dream. The beginning of this program of study was a critical moment in his life. He studied sculpture with G. I. Kozlov, painting with V. K. Timofeyev, and drawing with N. S. Shikalov. After a short mobilization into theRed Army , he was detached to the MoscowVKhUTEMAS in 1920, where he studied on two faculties. He studied sculpture inAnna Golubkina 's workshop and drawing with A. Shevchenko. He also began to study at the Institute of Oriental Studies, where he improved his foreign language skills in Arabic, Turkish, and Persian, and began to study Western languages. Urmançe returned to Kazan in 1926 where he became a teacher at the Kazan Artist Secondary school. He also took part in the reconstruction of the Kazan Art School. Between 1926 and 1929 he lectured at the school and worked in the areas of drawing,etching and illustration. Urmançe attempted to restore the tradition of ceramic production in Kazan. [http://www.antat.ru/urm/elife.html Urmançe bio] ]Exiles
His successful work was interrupted in 1929, when He was arrested and exiled to the
Solovki . However, in 1933 he was exempted ahead of time, came home for a short time in Kazan before leaving for Moscow, where he lived from 1934 to 1941. Urmançe participated in the First All-Russia Exhibition of the Young Artists. The graphic products exposed by him were noticed and appreciated by the art-viewing public of the Soviet capital. Urmançe became a member of the Moscow branch of Union of the Artists. Between 1937 and 1941 he was engaged in the creative task of decorating the All-Union Agricultural Exhibition. In 1940 the artist carried out a list of an outside surface of a drum of a dome of pavilion of theBashkir ASSR . Urmançe has managed to find the expressive decision, in which basis the idea of a round dance laid.In 1941–1949 he was sent on "administrative exile" to
Almaty andSemipalatinsk . There he worked on illustrations of Kazakh poets and writers Abay, M. Auezov, S. Muqanov, and aKazakh language translation ofTuqay . In 1946 the government issued the "Minus 39" decree, by which exiles were forbidden tocome within a certain distance of cities. From the next twelve years Baqi Urmançe lived in Central Asian cities:Samarqand ,Toshkent ,Almaty andBalkhash . Urmançe portrayed many Central Asian individuals in his work and painted many Central Asian landscapes. In 1952 he designed the House of Culture for the Balkhash Copper-Smelting Factory. Between 1949 and 1958 he lived in the Uzbek capital, working at the Toshkent Theatre and Art Institute. In 1956 he organized the sculpture department there.Return
1958 was the most significant date in Urmançe's creative destiny. After a long absence, he moved to Kazan and began a constant residence. He was already sixty years old.
There is a remarkable art heritage for him. The people of Tatarstan carefully revere the memory of the man who represented an entire epoch in the development of the art culture of the Tatar people. He died at the age of 93 on
August 6 ,1990 . He was fully exonerated and buried in the Yaña-Tatar Bistäse (Novotatarskoye) cemetery in Kazan.A monument to Urmançe was erected in 1996, the museum in Kazan has been in operation since 1998.
Major works
Paintings: "Near the separator" (1928), triptych "Tatarstan" (1976, 1985), "Saltıq Meadow" (1979); sculpture: "Grief" (1966), "Spring Melodies" (1968), "
Tulpar " (1968); portraits of Tatar cultural workers, memorial complex ofĞabdulla Tuqay in village ofQırlay (1976), graphic illustration on poetry ofDärdämänd häm Tuqay (1954-1968); the first manual ofartistic education in theTatar language (Moscow, 1924), several articles on art.Notes
Links
*ru icon [http://www.antat.ru/urm/ Urmançe's bio, galley]
Persondata
NAME=Baqi Urmançe
ALTERNATIVE NAMES=Baqi Urmance, Baqi Urmanche, Baki Urmanche, Бакый Идрис улы Урманче; Баки́ Идри́сович Урманче́
SHORT DESCRIPTION=Tatar painter, sculptor and graphic artist
DATE OF BIRTH=23 February 1897
PLACE OF BIRTH=Kül Çerkene,Buinsky District ,Tatarstan
DATE OF DEATH=6 August 1990
PLACE OF DEATH=Kazan ,Tatarstan
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