Isang Yun

Isang Yun (also spelled Yun I-sang; 17 September 1917 - 3 November 1995) was a Korean-German composer originally from Korea. According to his official publisher's Boosey & Hawkes biography of him, he was given a political asylum by West Germany, eventually becoming a naturalised German citizen, following his abduction and torture in the 60s by the South Korean secret service and having been sentenced to death. [ [http://www.boosey.com/pages/cr/composer/composer_main.asp?composerid=2698& Isang Yun ] ]

Life

Yun was born in Chungmu (now Tongyeong, South Korea) in 1917, the son of renowned poet Yun Ki-hyon. He began writing music at the age of 14, and began studying music formally two years later, in 1933. He studied at the Osaka Conservatory, and composition under Tomojiro Ikenouchi in Tokyo from 1938. After Japan entered World War II, he moved back to Korea and participated in the Korean independence movement. He was captured and imprisoned by the Japanese in 1943.

After the war, he did welfare work, establishing an orphanage for war orphans, and teaching music in Tongyeong and Busan. After the armistice ceasing hostilities in the Korean War in 1953, he began teaching at the University of Seoul. He received the Seoul City Culture Award in 1955, and traveled to Europe the following year to finish his musical studies.

In Paris and West Berlin, he studied contemporary music under Pierre Revel, Boris Blacher, Josef Rufer, and Reinhard Schwarz-Schilling. He attended the International Summer Courses of Contemporary Music in Darmstadt, and began his career in Europe with premieres of his "Five Pieces for Piano" and "Music for Seven Instruments". His music was recognized for its fusion of East Asian and Western classical musical traditions. The premiere of his oratorio "Om mani padme hum" in 1965 and "Réak" in 1966 gave him international renown.

He first visited North Korea in 1963 [http://www.classical-composers.org/comp/yun Yun] , Classical Composers.] , and returned there several times after 1979, and promoted the idea of a joint concert featuring musicians from both Koreas, which finally took place in 1990. Yun settled in West Berlin in 1964, and, in 1967, became involved in the East Berlin spy incident. On June 17, he was kidnapped by the South Korean secret police, along with his wife I Soo-ja and many Korean students in West Berlin. He was taken to Seoul, condemned for espionage and sentenced to life imprisonment. A worldwide petition led by Igor Stravinsky and Herbert von Karajan was presented to the South Korean government, signed by approximately 200 artists, including Luigi Dallapiccola, Hans Werner Henze, Heinz Holliger, Mauricio Kagel, Josef Keilbert, Otto Klemperer, György Ligeti, Arne Mellnas, Per Nørgård, and Karlheinz Stockhausen. Yun I-sang was released and exiled in 1969, returning to West Berlin. He was not allowed to visit South Korea again.

He taught at the Hanover Academy of Music for a year, and was Professor of Composition at the Hochschule der Künste in West Berlin from 1970 to 1985. He attained German citizenship in 1971. From 1973 he began participating in organizations and conferences in Japan and the United States calling for the democratization of South Korea, and the reunification of the country.

His notable students include Daniel Asia.

In 1984, the Isang Yun Music Institute opened in Pyongyang, North Korea. Yun was invited to attend a festival of his music in South Korea in 1994, but the trip was broken off after conflict with the government. On 3 November 1995, Yun died of pneumonia in Berlin. The International Isang Yun Society was founded in Berlin in 1996.

Music

Yun's primary musical concern was the development of Korean music through Western musical instruments. After experimenting with 12-tone techniques during his studies at Darmstadt, Yun developed his own musical personality in his works of the early 1960s. Yun's music employed techniques associated with traditional Korean music, such as glissandi, pizzicati and vibrati. Also central to his style was the presence of multiple-melodic lines, which Yun called "Haupttöne". ("central tones")

Yun's composition for symphonic forces followed a systematic pattern. From "Bara" in 1960 until the "Overture" of 1974, he concentrated on tone-poem like pieces. He next wrote a series of concerti, beginning with the Cello Concerto of 1975-1976, and climaxing with the First Violin Concerto of 1981. From 1982 until 1987 he wrote a cycle of five symphonies which are interrelated, yet varied structurally. In 1998 violinists Angela and Jennifer Chun recorded his "Sonatina for two violins" and "Pezzo Fatasioso" which was written for Chun Duo.Fact|date=February 2007

His life-long concern with his native country and culture was expressed in several of his compositions, including the "Exemplum in Memoriam Kwangju" which he wrote in 1981 to the memory of the Gwangju massacre.

Awards

* Goethe Medal (1995)
* Grand Cross for Distinguished Service of the German Order of Merit (1988) from the Federal Republic of Germany

Works

Operas

* "Der Traum des Liu-Tung" (1965)
* "Die Witwe des Schmetterlings" ("Butterfly Widow") (1967-1968)
* "Geisterliebe" (1971)
* "Sim Tjong" (1971-1972)

Orchestral

*Symphonies
** Symphony No. 1 (1982-1983)
** Symphony No. 2 (1984)
** Symphony No. 3 (1985)
** Symphony No. 4 "Im Dunkeln singen" (1986)
** Symphony No. 5, for baritone and orchestra (1987)
** Chamber Symphony No. 1, for 2 oboes, 2 horns, and strings (1987)
** Chamber Symphony No. 2 "Den Opfern der Freiheit" (1989)
* "Bara", for small orchestra (1960)
* "Symphonic Scenes" (1960)
* "Colloïdes sonores", for strings (1961)
* "Fluktuationen" (1964)
* "Réak" (1966)
* "Konzertante Figuren", for small orchestra (1971)
* "Harmonia", for 16 winds, harp & percussion (1974)
* "Muak" (1978)
* "Exemplum in memoriam Kwangju" (1981)
* "Impression" for small orchestra (1986)
* "Mugung-Dong (Invocation)" for winds, percussion and double bass (1986)
* "Tapis", for string quintet or string orchestra (1987)
* "Konturen" (1989)
* "Silla" (1992)

Concertante

* Violin Concerto No. 1 (1981)
* Violin Concerto No. 2 (1983-1986)
* Violin Concerto No. 3 (1992)
* Cello Concerto (1975-1976)
* Flute Concerto (1977)
* Clarinet Concerto (1981)
* Double Concerto for Oboe, Harp, and Chamber Orchestra (1977)
* "Fanfare and Memorial", for harp and orchestra (1979)
* "Gong-Hu", for harp and strings (1984)
* "Dimensionen", for organ and orchestra (1971)
* "Duetto concertante", for oboe, English horn, and strings (1987)
* Concerto for Oboe, Oboe d'amore, and Orchestra (1990)

Chamber/Instrumental

* "Five Pieces for Piano" (1958)
* "Music for Seven Instruments" (1959)
* "String quartet no. 3" (1959)
* "Loyang" (1962)
* "Garak" (1963)
* "Gasa" (1963)
* "Nore" (1964)
* "Shao Yan Yin" for Cembalo (1966)
* "Images" (1968)
* "Riul" (1968)
* "Piri" for oboe solo (1971)
* "Piano trio" (1972–5)
* "Trio" for flute, oboe & violin (1973)
* "Etude" for flute solo (1974)
* "Rondell" (1975)
* "Duo" for viola & piano (1976)
* "Pièce concertante" (1976)
* "Octet" for winds (1978)
* "Sonata" for oboe & oboe d'amore, harp, viola/cello (1979)
* "Novellette" (1980)
* "Concertino" for accordion & string quartet (1983)
* "Inventionen" for 2 oboes (1983)
* "Sonatina" for 2 violins (1983)
* "Monolog for Bassoon" for solo bassoon (1983)
* "Clarinet quintet" (1984)
* "Duo" for cello & harp (1984)
* "Inventionen" for 2 flutes (1984)
* "Flute quintet" (1986)
* "Quartet" for 4 flutes (1986)
* "Rencontre" for clarinet, cello & harp (1986)
* "In Balance" for harp solo (1987)
* "Tapis" for string quintet or string orchestra (1987)
* "Contemplation" for 2 violas (1988)
* "Distanzen" for woodwind & string quintets (1988)
* "Festlicher Tanz, wind Quintet" (1988)
* "Intermezzo" for cello & accordion (1988)
* "Pezzo fantasioso" for 3 instruments (1988)
* "Quartet" for flute, violin, cello & piano (1988)
* "String quartet no. 4" (1988)
* "Rufe" for oboe & harp (1989)
* "Together" for violin & double bass (1989)
* "Kammerkonzert no. 1" (1990)
* "Kammerkonzert no. 2" (1990)
* "String quartet no. 5" (1990)
* "Sonata for violin & piano" (1991)
* "Wind Quintet" (1991)
* "Espace I" for cello & piano (1992)
* "Quartet" for horn, trumpett, trombone & piano (1992)
* "String quartet no. 6" (1992)
* "Trio" for clarinet, bassoon & horn (1992)
* "Espace II" for oboe, cello & harp (1993)
* "Clarinet Quinetet no. 2" (1994)
* "Ost-West-Miniaturen" for oboe & cello (1994)
* "Oboe quartet" (1994)
* "Wind Octet" (1994)

Vocal/Choral

* "Om mani padme hum" (1964)
* "Ein Schmetterlingstraum" (1968)
* "An der Schwelle" (1975)
* "Der weise Mann" (1977)
* "Der Herr ist mein Hirte" (1981)
* "O Licht..." (1981)
* "Naui Dang, Naui Minjokiyo!" (My Land, My People) (1987)
* "Engel in Flammen" (1994)
* "Epilog" (1994)

Notes

References

* Kunz, H. "Yun, Isang." at [http://www.grovemusic.com/ Grove Music Online]
* Sparrer, Walter-Wolfgang. "Isang Yun - Symphony V (1987)" CD booklet.

External links

* [http://www.bruceduffie.com/yun.html Isang Yun interview by Bruce Duffie]

See also

* Koreans in Germany
* List of Koreans
* List of Korea-related topics
* List of 20th century classical composers