- Lorna Bailey
.
Life and Work
The daughter of Lionel and Jennifer Bailey, Lorna Bailey was brought up in the
Wolstanton area ofNewcastle-under-Lyme ,England , close to the Potteries area ofStoke-on-Trent . [Bailey, Lorna. & Lee, Dave (2001). "Lorna Bailey: The First Millennium". Burslem, Stoke-on-Trent: LJB Ceramics.]After school, Bailey attended
Stoke-on-Trent College . She obtained a B.Tec National Diploma (Ceramics) and then joined her father's new business LJB Ceramics, at the Old Ellgreave Pottery,Burslem ,Stoke-on-Trent , which producedToby Jugs and other decoratedpottery , where she initially worked as a paintress. [Bailey, Lorna. & Lee, Dave (2001). "Lorna Bailey: The First Millennium". Burslem, Stoke-on-Trent: LJB Ceramics.] At the same time, Bailey began designing a series of highly colourful cottage & trees and abstract patterns reminiscent of theArt Deco pottery ofClarice Cliff . These were produced by the Old Ellgreave Pottery in vividunderglaze colours (unlike the on-glaze oroverglaze decoration typical ofClarice Cliff ware). In December 1995, when Bailey was just 17 years of age, her "House and Path" and "Sunburst" patterns became the first to be put into full production. [Bailey, Lorna. & Lee, Dave (2001). "Lorna Bailey: The First Millennium". Burslem, Stoke-on-Trent: LJB Ceramics.] These were painted by Bailey and a small team of painters onto a range of traditional andArt Deco shapes, including vases, jugs, teapots, sugar shakers, cruets, candlesticks, and wall pockets. They were then sold primarily to trade buyers. In addition to being marked with a factory stamp, from the outset Bailey has personally signed almost every one of her piecesunderglaze with the distinctive "Lorna Bailey" signature.
Since these early beginnings in 1995, Bailey has gone on to produce an extensive range and quantity of patterns and shapes which have attracted a strong base of collectors and a buoyantsecondary market . There is a specialist category for Lorna Bailey oneBay which typically lists from 100 to 400 pieces. In 1998, Bailey received a considerable boost in popularity following an article in the July edition of "Collect it!" magazine, [Donovan, Martin (1998). "Lorna Bailey". "Collect it! No. 13", July 1998, pp. 19-21.] which featured her "Astro Rocket Sugar Sifter" on the front cover which the magazine had commissioned. This was produced in alimited edition of 250 available for purchase through the magazine (it sold out within hours). Following the huge interest that resulted, the Lorna Bailey Collectors Club was formed in September 1998. [Bailey, Lorna. & Lee, Dave (2001). "Lorna Bailey: The First Millennium". Burslem, Stoke-on-Trent: LJB Ceramics.] It now boasts over 1000 members worldwide. [http://www.lorna-bailey.co.uk/history.html Lorna Bailey Artware: History] Bailey's success was further acknowledged when she was honoured asMidlands Business Woman of the Year for 1998. [Bailey, Lorna. & Lee, Dave (2001). "Lorna Bailey: The First Millennium". Burslem, Stoke-on-Trent: LJB Ceramics.]As well as producing "open stock" designs, available through retailers, and some commissioned pieces, Bailey has increasingly specialized in producing small
limited editions of 100 or fewer, aimed directly at collectors and sold through the Collectors Club. Since January 2001, all numberedlimited editions (apart from Open Day specials) have been issued with a correspondingly numbered and signedlaminated Certificate of Authentication. [Lorna Bailey Collectors Club Newsletter, No. 13, January 2001.] Collectors Club pieces are typically signed in blue, in contrast to the black signatures on open stock and other ware. Bailey also signs many pieces with a gold pen when these are purchased in her presence, for example at the twice-yearly factory Open Days which have taken place since 1999.
In addition tolimited editions and early examples of Bailey's work, collectors also particularly seek outprototype pieces (generally marked "prototype" and usually painted by Bailey herself), other specials,colourway variations (pieces painted in alternative colour schemes) and "sleepers" (pieces painted in shapes that have been discontinued, or later shapes in patterns that have been retired).In 1999, Bailey designed and marketed a range of "StorAge" furniture in highly innovative, angular designs, made specifically to display her
pottery . Originally painted in bright colours, a number of unpainted cabinets were sold off at a discount to members of the Collectors Club in 2001. [Bailey, Lorna. & Lee, Dave (2001). "Lorna Bailey: The First Millennium". Burslem, Stoke-on-Trent: LJB Ceramics.]From 2001, Bailey began to branch out more into the fancies line, with a range of
ceramic figurines, birds and, in particular, a popular series of "Kitty Katz" cat figures. The shapes she has designed for vases, jugs, teapots, etc. have also become increasingly complex and eccentric in recent years as, for example, shown in the "Fantasia Coffee Pot" issued in 2003. Such radical ideas were, however, foreshadowed in the extraordinarily shaped "Giant Teapot", issued in December 1999 in alimited edition of 25.
In March 2002, Bailey married Tim Proctor. This event was marked by the issue of a small ceramic wedding cake which was sent out as a gift to all Collectors Club members. [Lorna Bailey Collectors Club Mini Newsletter, March 2002] OnJuly 16 2002 , the couple attended a Garden Party atBuckingham Palace . [Lorna Bailey Collectors Club Mini Newsletter, July 2002]
In February 2003, LJB Ceramics changed its name to "Lorna Bailey Artware". [Lorna Bailey Collectors Club Newsletter, No. 23, February 2003.] The following month, the factory moved into new premises at Top Bridge Works,Burslem . [Lorna Bailey Collectors Club Newsletter, No. 23, February 2003.] In October 2004, it moved again to its present site at The Old Post Office,Burslem . [Lorna Bailey Collectors Club Newsletter, No. 36, October 2004.]On
April 14 2005 Bailey gave birth to her first child, Izabella Joanna Proctor. [Lorna Bailey Collectors Club Newsletter, No. 42, May 2005.]In July 2005, Bailey was awarded an
Honorary Doctorate ofStaffordshire University for her services topottery design. [Bailey, Lorna, Bailey, Lionel, & Booth, John (2005). "Lorna Bailey: The New Millennium: General Patterns". Burslem, Stoke-on-Trent: Lorna Bailey Artware., p. 8.]In December 2005, Bailey issued the first of a series based on Pop and Rock Legends of the Twentieth Century with a
ceramic figure ofJohn Lennon dressed in the outfit pictured in the albumSgt. Pepper's Lonely Hearts Club Band . Figures of the otherBeatles later followed, together with other wares depicting members of the group. These were produced in collaboration withThe Beatles Story Museum inLiverpool . [Lorna, Bailey Collectors Club Newsletters Nos. 47-54.]In 2007, Bailey was elected as Fellow of the
Royal Society of Arts (FRSA) [Lorna, Bailey Collectors Club Newsletters No. 66, Christmas 2007.]In January 2008, Bailey announced her decision to retire from the
pottery industry to concentrate on her family life. [Lorna, Bailey Collectors Club Newsletter No. 67, January 2008.]Gallery
Further reading
* Bailey, Lorna. & Lee, Dave (2001). "Lorna Bailey: The First Millennium". Burslem, Stoke-on-Trent: LJB Ceramics.
* Bailey, Lorna. & Lee, Dave (2003). "Lorna Bailey: Cat-alogue". Burslem, Stoke-on-Trent: Lorna Bailey Artware. ("Kitty Katz" range)
* Bailey, Lorna. & Lee, Dave (2004). "Lorna Bailey: The Cat-alogue II". Burslem, Stoke-on-Trent: Lorna Bailey Artware. ("Kitty Katz" range)
* Bailey, Lorna, Bailey, Lionel, & Booth, John (2005). "Lorna Bailey: The New Millennium: General Patterns". Burslem, Stoke-on-Trent: Lorna Bailey Artware.
* Donovan, Martin (1998). "Lorna Bailey". "Collect it! No. 13", July 1998, pp. 19-21.See also
*
Clarice Cliff
*Susie Cooper
*Charlotte Rhead External links
* [http://www.lorna-bailey.co.uk/ Official Website]
* [http://www.thepotteries.org/allpotters/656b.htm Lorna Bailey @ thepotteries.org]Notes
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