- Giovanni Bona
Giovanni Bona was an Italian
Cistercian , cardinal, liturgist and devotional author.Biography
He was born of an old French family at
Mondovi , in Piedmont, northern Italy, on19 October , according to some10 October , 1609. Although his father favoured a military career for him, after passing some years at a nearbyJesuit college he entered the Cistercian monastery atPignerola , where, as also later atRome , he pursued his studies with exceptional success. He laboured for fifteen years atTurin , then asprior atAsti and asabbot at Mondovi, and in 1651 was called to preside over the whole congregation assuperior general . During his seven years of official life in Rome he modestly declined all further honours, at one time even refusing theBishopric of Asti . He welcomed the expiration of his third term in the scholar's hope that he would be allowed to enjoy a life of retirement and study, but his intimate friend,Pope Alexander VII , wishing to honour his learning and piety, made himConsultor to theCongregation of the Index and to theHoly Office . In 1669 he was created cardinal, and then the beauty of his character was fully revealed; there was no change in his extremely simple manner of life, and every year he donated his surplus revenue to the needy priests of the Missionary College at Rome. He died at Rome on28 October , 1674.Writings
His best known ascetical works include "Via Compendii ad Deum" (1657) and "Principia et documenta vitæ Christinæ (1673). and "Horologium Asceticum" (Paris, 1676). His "Manuductio at cælum" (1658) is often compared to
Thomas a Kempis 's "Imitation of Christ " on account of simplicity of the style in which the solid doctrine is taught. It has always been extremely popular. Besides passing through fourteen Latin editions in four decades, it has been translated into Italian, French, German, Armenian and Spanish. A translation in English is by Sir Robert L'Estrange (A Guide to Eternity, London 1900).Shortly after his ordination he collected together some of the most beautiful passages in the Church Fathers on the August Sacrifice of the Mass, and later published them in a booklet, which with certain additions grew into his "De Sacrificio Missæ", a useful Mass book. In addition he composed several unpublished works, known as "Ascetici", for the instruction of members of his own order.
But his fame does not rest solely on the devotional writings. He was a deep student of antiquity, and so successful in treating of the use of the
Psalter in the Christian Church (De Divinâ Psalmodiâ, Paris, 1663) thatCardinal Pallavicini urged him to undertake the history of theSacrifice of the Mass . Realizing the magnitude of the task he at first declined, but finally set to work and after more than seven years' labour brought out his famous work familiar to all students of liturgy: "De Rebus Liturgicis" (Rome, 1671). It is a veritable encyclopedia of historic information on all subjects bearing on the Mass, such as rites, churches, vestments etc. The best edition of this work is by Robert Sala (Turin, 1747-53), who also in 1755 brought out a volume of Bona's letters. The first of many editions of his complete works was published at Antwerp in 1677.ource
*Catholic [http://www.newadvent.org/cathen/02645b.htm]
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