- Subtext
Subtext is content of a book, play, musical work, film, video game or television series which is not announced explicitly by the characters (or author) but is implicit or becomes "something understood" by the observer of the work as the production unfolds. Subtext can also refer to the thoughts and motives of the characters which are only covered in an aside. Subtext can also be used to imply controversial subjects without specifically alienating people from the fiction, often through use of
metaphor .Subtext is content underneath the spoken dialogue. Under the dialogue we can have
conflict , sexual tension,anger ,competition ,pride , showing off etc. Subtext is the unspoken thoughts andmotive s of your characters -- what they really think and believe. And what you leave a lot out of in the dialogue is subtext. Pushing this just beneath the surface of the dialogue is what makes life so interesting and people to be so misunderstood.Examples of subtext often include the sexuality of the characters, such as the nature of the relationship between the teachers in the film version of
Lillian Hellman 's play "The Children's Hour" (which was based on an actual case inScotland ), or the gender ambiguity of Mr. Humphries in "Are You Being Served? ".A scene in
Woody Allen 's movie "Annie Hall ", in whichsubtitles explain the characters' inner thoughts during an apparently innocent conversation, is an example of the subtext of a scene being made explicit.Especially in light of their inherently ambiguous and self-referential character, many authors have explicitly used subtexts (or subtexts about subtexts) in humor.
In the episode "My Best Friend's Bottom" of 'British TV comedy "Coupling",
Captain Subtext is a tool used in the narrative to explicitly make the viewers aware of the subtextual message in the dialogue. Of course the dialogue and the subtext have been deliberately made humorous.It might also be claimed in these last two examples that once the subtext is made explicit, it is no longer a subtext: The authors are highlighting a supposed subtext in order to create a new subtext about the transformation of the previously implicit subtext. Because of their complexity and implicit character, subtexts are often debated, especially by theorists wishing to advance a particular position or theory by claiming something as a subtext.
Subtext is often inserted in narratives where explicit themes are unable to be shown or expressed due to
censorship or simply interest in appealing to a general audience. Frequently, these subtexts may be of, but not limited to, a sexual nature or possible references to sexual orientation. Their inclusion is such so that they are easily overlooked by younger viewers but may be caught by more mature viewers. Television sci-fi such as the originalStar Trek andDoctor Who (both of which implicitly avoided onscreen sexual situations) have often been discussed with respect to certian scenes or lines of dialogue. Subtext also serves to add a complexity to a premise that may superficially appeal to younger viewers but may also attract older fans, as is often the case with cartoons, sci-fi and fantasy. It also may serve to aid insuspension of disbelief .Political uses
Historians have often identified certain themes that served as subtexts during times of chaotic change or revolution. By careful use of subtext, especially one that is highly symbolic and culturally bound to a sub-group with little formal power, groups can work to instill a sense of purpose or focus to an anticipated future revolution, often without the ruling party's understanding.
Such an example of the power and controversy of subtexts might include the deliverance theme pervasive in the songs, stories and symbols of the slaves in the United States up through the
Civil Rights era and perhaps, still today. Note the recurrent themes ofMoses leading the people ofIsrael out ofEgypt , and the thinly veiled reference to thebig dipper and little dipperconstellation s in the Spiritual "Follow the drinking gourd."OthersFact|date=August 2007 would point to the "deep river" and "looking to
Canaan land" subtexts as working to pacify or fragment the slave population by focusing their attention on theafterlife thus possibly overlooking theinjustice of the present.ee also
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Connotation
*Metacommunicative competence
*Implication
*Innuendo
*Dramatic irony
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