List of The KLF's creative associates

The original music released by The KLF, The Justified Ancients of Mu Mu, The Timelords and 2K was written, produced and performed by Jimmy Cauty and Bill Drummond. However, the duo called upon the services of recurring contributors to provide vocals, instrumentation and production support. This was particularly the case for the output of The KLF, who often referred to such contributors as "additional communicators" and, on some "Stadium House" singles, as "The Children of the Revolution".

Additional communicators

The sleevenotes and labels of KLF Communications releases reveal the following significant contributors:

*Isaac Bello - Also known as Bello B, the member of Outlaw Posse rapped on "What Time Is Love? (Live at Trancentral)" and "America: What Time Is Love?", and is credited with co-authorship of these tracks.
*Black Steel - A prominent lead vocal contributor to "The White Room" (including scat singing), where he also played bass guitar and piano. Before and since his work with The KLF, Black Steel has worked with Mad Professor. [Black Steel discography at Discogs.com. Retrieved 31 May 2006 ( [http://www.discogs.com/artist/Black+Steel link] )]
*Cressida Cauty - Vocalist with The KLF's spin-off project Disco 2000, Jimmy Cauty's wife also contributed backing vocals to several of The KLF's singles and appeared in several of their videos.
*Nick Coler - Credited for programming and keyboard contributions across The KLF's output, including the orchestral arrangement of "Jerusalem" in "It's Grim Up North". Since The KLF's retirement, Coler has worked with Saint Etienne. [Nick Coler discography at Discogs.com. Retrieved 26 April 2006 ( [http://www.discogs.com/artist/Nick+Coler link] )]
*Ricardo Da Force - Also known as Ricardo Lyte and MC Lyte, Da Force provided raps during The KLF's "Stadium House" phase. He is credited with co-authorship of tracks on which he rapped: "3 a.m. Eternal", "Last Train to Trancentral" and "Justified and Ancient (Stand by The JAMs)". Da Force later appeared on N-Trance's cover of "Stayin' Alive". [Ricardo Da Force discography at Discogs.com. Retrieved 31 May 2006 ( [http://www.discogs.com/artist/Ricardo+Da+Force link] )]
*Wanda Dee - Vocal samples on The KLF singles "What Time Is Love?" and "Last Train to Trancentral", taken from her track "To the Bone". To avoid a lawsuit from Dee's manager and husband Eric Floyd, she was given co-writing credit for these tracks (under her real name L'wanda McFarland), and featured in The KLF video "The Stadium House Trilogy". [Dinnen, N., "The KLF featuring Wanda Dee", "Beat" magazine (Melbourne), 27 October 1993 ( [http://www.libraryofmu.org/display-resource.php?id=351 link] ).] Following The KLF's retirement, Wanda Dee toured America and Australia using the 'KLF' name, in an act variously reported as being billed "Wanda Dee and The KLF Experience", "The KLF featuring wanda Dee"Te Koha, Nui, "KLF? Not!", "The Herald Sun", 28 October 1993 ( [http://www.libraryofmu.org/display-resource.php?id=353 link] ).] , and "The KLF". [Midro, J., "Wanda Dee and KLF", "Zebra" magazine (Melbourne), 27 October 1993 ( [http://www.libraryofmu.org/display-resource.php?id=352 link] ).] These concerts featured live rapping and singing played to a backing tape of The KLF's music ("the hits that she made famous", Floyd claimed), alongside Wanda Dee's solo work. Neither Drummond nor Cauty were involved with the shows. Cauty has commented "I actually felt more sorry for the band than the audience. We did write to them to ask them to reconsider and got this amazing letter in return, they really thought they "were" the KLF, and without the Wanda Dee sample we would never have sold a single record. 9 out of 10 for total insanity". [Butler, B., interview with Jimmy Cauty for "The Big Issue Australia", 18 June 2003 ( [http://www.libraryofmu.org/display-resource.php?id=538 link] ).]
*Maxine Harvey - The KLF's lead female vocalist on "The White Room" projects and "Justified and Ancient (All Bound for Mu Mu Land)", a mix in which she replaces Tammy Wynette.
*Duy Khiem - Played tenor saxophone and clarinet, most prominently on "3 a.m. Eternal". Khiem was also responsible for the a cappella traditional Vietnamese song "Me Ru Con" on "1987 (What the Fuck Is Going On?)". [Drummond, B., "1987: The Edits", sleevenotes, JAMS 25T, November 1987 ( [http://www.libraryofmu.org/display-resource.php?id=515 link] ).]
*Graham Lee - Contributed pedal steel to Drummond's solo album "The Man", and The KLF's "Chill Out" and "The White Room".
*June Montana - Vocalist with Disco 2000.
*Scott Piering - A well-respected record promoter by trade, Drummond and Cauty claim in "The Manual" that Piering's involvement in the promotion of "Doctorin' the Tardis" was crucial to its UK Singles Chart success.Drummond, B. & Cauty, J. (1989) The Manual (How To Have a Number One The Easy Way), KLF Publications (KLF 009B), UK. ISBN 0-86359-616-9. ( [http://www.kasino.co.uk/klf.txt Link to full text] )] Piering also lent his voice to several narrations in The KLF's recordings, including many of the profitable singles and the video "The Rites of Mu".
*Mark "Spike" Stent - The music producer cites his work with The KLF on their most commercially successful recordings as the key to his subsequent rise to prominence. [Mark Stent, in Tingen, P. "The Work of a Top Flight Mixer", "Sound on Sound" magazine, January 1999 ( [http://www.soundonsound.com/sos/jan99/articles/spike366.htm link] ). Retrieved March 2006.]
*Tony Thorpe - The Moody Boys' Thorpe was credited for rhythms, samples and breaks during "The White Room" project. The Moody Boys were also responsible for remix 12"s of the "Stadium House Trilogy" singles.

Guest contributors

Whereas The JAMs' earlier work sampled prominently and illegally from the popular works of established artists, The KLF's international reputation allowed their later releases to feature guest vocals from such established performers as Tammy Wynette (for "Justified and Ancient (Stand by The JAMs)", Gary Glitter (for "Doctorin' the Tardis") and Glenn Hughes (for ""). Drummond has expressed disgust at this notion in his book "45". In a chapter written in 1998, Drummond professes to have "worshipped" Wynette's voice, yet he nevertheless says, "The whole British tradition of 'young' white artists dragging up some legend to perform with is an evil and corrupt exchange; the young artist wanting to tap into the mythical status and credibility of the has-been, the has-been wanting some of that 'I'm still contemporary, relevant (and will do anything to get back into the charts)' stuff." [Drummond, B., "They Called Me Up In Tennessee", "45", Little & Brown, ISBN 0316853852 / Abacus, ISBN 0349112894, 2000.]

Other creative associates

* Bill Butt - Director of The KLF's unreleased road movie "The White Room".
* Jeremy Deller - Deller's Acid Brass project, featuring the Williams Fairey Band, provided inspiration for Drummond and Cauty's 1997 "Fuck the Millennium" project, under the pseudonym 2K; a performance by 2K was billed as "Jeremy Deller presents 2K", as was the subsequent single release. [Drummond, B. and Cauty, J., advertisement, "Time Out", 21 August 1997 ( [http://www.mutelibtech.com/mute/2k/2k2.htm link] ).]
* Echo and the Bunnymen - The band (for whom Drummond had once been manager) are credited with a remix of "What Time Is Love?" on the single "What Time Is Love? (Remodelled & Remixed)".
* Extreme Noise Terror (ENT) - British grindcore band with whom The KLF collaborated for a version of "3 a.m. Eternal" and the unreleased album "The Black Room.
* Miomir Grujic (DJ Fleka) - Radio DJ on Serbian station B92, DJ Fleka contributed a vocal sample to Drummond and Cauty's track "The Magnificent" (donated by the duo to "The Help Album" of 1995). [Collin, M., "Obituary: Miomir Grujic", "The Guardian" (Manchester), 25 August 2003, p17.]
* Alan Goodrick - Also known as "Gimpo", Goodrick is a friend and associate of Drummond and Cauty. He has made several films used by the duo in their artistic and musical work. He also contributed vocals to "Fuck the Millennium" and, for Cauty's later project Blacksmoke, "Gimpo Gimpo".
* Mark Manning - Also known as "Zodiac Mindwarp" or "Z" from The Love Reaction, Manning contributed vocals to "Fuck the Millennium" and has since accompanied Drummond on expeditions documented in their books "Bad Wisdom" and "Wild Highway".
* Alex Paterson - Cauty's co-founder of The Orb, Paterson was influential in the development both of The KLF album "Chill Out" and the "Space" album released by KLF Communications. "Chill Out" was derived in part from Paterson and Cauty's DJ sessions at the monthly London club night "Land of Oz", and Paterson is thanked on the sleeve. [Sleevenotes, "Chill Out", KLF Communications JAMS LP5, 1990.] Cauty left The Orb in 1990, following Paterson's concern that The Orb should not be perceived as a side-project of The KLF.Fact|date=December 2007 Paterson retained and developed 'The Orb' name, while Cauty took recordings originally intended for The Orb's debut album, removed Paterson's contributions and released "Space" under the pseudonym 'Space'. Prior to the split, The Orb produced an ambient remix of "3 a.m. Eternal" entitled "The Blue Danube Orbital".

Notes & references