Rainis

Rainis, was the pseudonym of Jānis Pliekšāns (b. OldStyleDate|September 11|1865|August 30 in Varslavāni, current Jēkabpils district — d. September 12, 1929 in Majori), a poet, playwright, translator, and politician who is considered to be the greatest Latvian writer. Rainis' works include the classic plays "Uguns un nakts" ("Fire and Night", 1905) and "Indulis un Ārija" ("Indulis and Ārija", 1911) and a highly regarded translation of Goethe's "Faust". His works had a profound influence on the literary Latvian language, and the ethnic symbolism he employed in his major works has been central to Latvian nationalism.

Early life

Rainis' father, Krišjānis Pliekšāns (ca. 1828–1891), was a tenant farmer. His mother was Dārta, née Grikovska (ca. 1828–1899), and he had two sisters, Līze (1854–1897) and Dora (1870–1950). During his education at the Riga City Gymnasium he met and befriended Pēteris Stučka, Dora Pliekšāne's future husband, who later become a prominent Latvian communist.Samsons, V. et al. "Latvijas PSR Mazā Enciklopēdija (Concise Latvian S.S.R. Encyclopedia) 3rd ed.". Riga, Latvia: Zinatne. 1970.] [ [http://www.arhivi.lv/sitedata/ZURNALS/zurnalu_raksti/72-85-VESTURE-Gravere.pdf 72-85-Gravere ] ]

Early career

Rainis studied law at the University of St. Petersburg, where he shared a room with Pēteris Stučka. While still a student, Rainis was already collecting folk songs, writing satirical and lyric poetry, and translating literature. Together with Stučka he edited a collection of epigrams and satire, "Mazie dunduri" (The Small Gad-flies) and published "Apdziedāšanas dziesmas" (Mocking Songs) about the third All-Latvian Song Festival.

After completing his studies, he worked at the Vilnius regional courtrooms and with Andrejs Stērsts in Jelgava. Rainis wrote for "Dienas Lapa" (The Daily Sheet), "Tēvija" (Fatherland) [Founded 1884; published in Jelgava from 1886 to 1914. Not to be confused with the daily newspaper of the same name published during the Occupation of Latvia by Nazi Germany in World War II.] and the "Latvian Conversational Dictionary".

From 1891 to 1895 Rainis was editor in chief of "Dienas Lapa".Unāms, Žanis. "Es Viņu Pazinu (I Knew Him, Biographical Dictionary)". Grand Haven, Michigan: Raven. 1975 reprint of 1939 edition.] The "Dienas Lapa" scene was mostly a group of young Latvian liberal and socialist intellectuals who came to be known as the "New Current". It was during this period that he married Aspazija (pseudonym of Elza Pliekšāne, born Rozenberga), another Latvian poet and playwright active in the New Current.

Because of their social criticism and calls for various reforms, the New Current was viewed as a seditious movement and was the subject of a Tsarist crackdown. In 1897 Rainis was arrested and deported first to Pskov, and later to Vyatka guberniya (now Kirov Oblast). It was during this period of internal exile that Rainis translated "Faust" and other works from classical literature. Here he also produced his first collection of poems, "Tālas noskaņas zilā vakarā" (Far-Off Moods on a Blue Evening, 1903).

Foreign exile

Rainis was also socially active and politically prominent, being one of the national leaders of the Revolution of 1905 in Latvia and the New Current that foreshadowed it. With the failure of the Revolution, he emigrated to Switzerland together with his wife Aspazija, settling in Castagnola, a suburb of Lugano. As an émigré, Rainis wrote:

*plays — "Zelta Zirgs" ("The Golden Horse"), "Jāzeps un viņa brāļi" ("Joseph and His Brothers"), "Spēlēju, dancoju" ("I Played, I Sang"), "Daugava" (The Daugava, 1916), and "Ģirts Vilks";
*poetry — "Klusā grāmata" ("The Quiet Book"), Vēja nesta lapas ("Leaves Upon the Wind"), "Tie, kas neaizmirst" ("Those, Who Do Not Forget"), "Gals un sākums" ("The End and the Beginning"), "Ave sol", and "Sveika, brīvā Latvija" ("Hello, Free Latvia").

His dramatic ballad "Daugava" contained the first explicit demand for Latvian sovereignty:

Land, land, what is that land demanded in our song?Land, that is a "state".

Those lines were removed by the censor when the work was first published in Moscow. After the defeat of Bermondt-Avalov's forces at Riga in November 1919, the ballad was given a performance at the National Theater to mark the first anniversary of Latvia's proclamation of independence; many soldiers carried this work into battle.

Return to Latvia

Rainis and Aspazija returned to Latvia on April 4, 1920. Rainis, as a member of the Central Committee of the Latvian Social Democratic Workers' Party, resumed his political activities and was a member of the Constitutional Assembly of Latvia (Satversmes sapulce) and Saeima (Parliament) and of the Ministry of Education Arts Department, founder and director of the "Dailes" Theater, and director of the Latvian National Theater from 1921 to 1925, Minister of Education from December, 1926 to January, 1928, [Unāms has this date listed as 1927] and a member of the Cultural Fund and (Military) Order of Lāčplēsis Council. During this period he wrote:

* plays — "Iļja Muromietis" ("Ilya Muromets"), "Mīla stiprāka par nāvi" ("Love is Stronger Than Death"), "Rīgas ragana" ("The Witch of Riga");
* poetry — "Treji loki", "Sudrabota gaisma" ("A Silvery Light"), "Mēness meitiņa" ("Moon Girl"), "Zelta sietiņš" ("The Gold Strainer"), and others;
* memoirs — "Kastaņjola" ("Castagnola").

Rainis had the ambition of becoming Latvia's president and became less prominent in politics when this ambition was not fulfilled.

During the 1920s, Rainis was among the candidates considered for a Nobel Prize in Literature. His journals from these years exhibit both his great longing for this international recognition, as well as his bitter disappointment at never receiving the award. [E.g.: lv icon http://www.ailab.lv/Teksti/Senie/Rainis/Dienasgr/1923.html]

Legacy

A number of Rainis' poetry collections were published posthumously: "Sirds devējs", "Dvēseles Dziesma", "Lielās līnijas", and "Aizas ziedi".

Rainis' statue at the Esplanāde in Riga is a gathering-place that highlights the complex way his multi-faceted career and works are interpreted. It is the focal point for the national poetry festival, always held on his birthday, as well as a focus for the left wing, from the Social Democrats to the radical opposition to Latvia's education reform (in part because of Rainis' support for minority schools; he was instrumental to the founding of Belarusian schools in Latvia). Similarly, criticism of his work has often been strongly affected by politics; while the Soviets emphasized his socialism (his image even appeared on a commemorative Soviet ruble coin; being buried next to Rainis' grave in Rainis' Cemetery in Riga was an honor reserved for senior Soviet military), "Daugava" and other patriotic works were omitted from editions of Rainis' texts prior to the Third Latvian National Awakening.

Works

References

External links

* [http://www.ailab.lv/Teksti/Senie/Rainis/rainissat.htm Collection of Rainis' works] lv icon

Photos and videos

* [http://www.360pano.eu/jurmala/ 360º QTVR fullscreen panorama] near Monument to Rainis and Aspazija in Jurmala