Jean Rollin

Jean Michel Rollin Le Gentil (born November 3, 1938 in Neuilly-sur-Seine, Paris, France) is a French auteur (filmmaker), actor, and novelist best known for his films in the fantastique genre. Rollin is credited as having made the first French vampire film ("Le Viol du vampire", 1968) as well as the first French gore film ("Les Raisins de la mort", 1978). He is also one of the early pioneers of French X-rated cinema.

His father was an actor who had the stage name Claude Martin. Rollin's brother Olivier is also an actor and had appeared in a number of his films under the pseudonym "Olivier Martin". His mother Denise Rollin-Le Gentil was a lover of Georges Bataille.

Influenced by traditional French and German expressionist cinema, classic American horror, early serials, comics, fantastic literature and surrealist art, Rollin's fantastique films have been rightfully compared to a sort of visual poetry, juxtaposing the macabre with the sensual and the beautiful with the bizarre. His poetic images are often accompanied by minimal dialogue and simple but haunting musical scores, and the pacing is generally slow and deliberate. All of these qualities contribute to an atmosphere which is commonly described as surreal and dream-like.

Despite the limited budget of his productions, Rollin has been able to film in some spectacular locations: a rocky beach at Dieppe, Seine-Maritime, grand castles ("châteaux"), rolling countrysides, and cemeteries thick with gothic atmosphere. Like F.W. Murnau before him, Rollin typically employs the conventions of the horror genre, especially vampires, as a framing device for his unusual images. As a result, plot, dialogue, and narrative tend to be secondary to the visual art for which his films are known.

In the beginning, Rollin's films were generally not well received by his audience or critics. His first feature, "Le viol du vampire", caused such a scandal that audiences booed, shouted, and threw trash at the screen. The reaction to the film was so hostile that Rollin considered quitting the film business. His next few films also failed to generate much praise. Harsh French film critics coined the derogatory term "Rollinade" (forged on "Bérézinade") to describe his particular style of cinema, which they felt was cheap, amateurish, and nonsensical. Later on, fans would embrace the term and use it proudly.

While Rollin's peculiar combination of high-art and erotic horror camp failed to generate much financial or critical success, his ability to incorporate eroticism into his films earned him steady work as a director of adult films during the early years of French X-rated cinema. Rollin (under various pseudonyms such as "Michel Gentil, Michel Gand," and "Robert Xavier") directed a number of adult features from 1973 to the late 1980s, ranging from light-hearted softcore/comedy hybrids to hardcore pornography. 1975's "Phantasmes" was Rollin's attempt at making an X-rated feature with a real story and decent actors, but the average viewer was not interested in such a thing. At the request of his producers, Rollin also made X-rated versions of some of his serious films ("Lèvres de sang; La Nuit des traquées") to help fund the productions.

While making "Vibrations sensuelles", Rollin saw acting potential in French adult star Brigitte Lahaie and wanted her to act in his next horror film, 1978's "Les Raisins de la mort". Lahaie was perfect for the role and she began a working relationship with Rollin that continues to this day. Lahaie's leading role in 1979's "Fascination" helped the film garner widespread acclaim, even among critics who had ridiculed Rollin's earlier films.

Jean Rollin frequently collaborated with Jean-Pierre Bouyxou, editor in chief of French magazines "Fascination" and "Sex Stars System".

With most of his films now available on DVD worldwide, Rollin has gained a new generation of fans, as well as attracting further critical and academic attention. He currently resides in Paris and is working on his last film, "La Nuit transfigurée".

elected filmography

* "La Nuit transfigurée / La Nuit des horloges" (The Transfigurated Night / The Night of the Clocks) (2007) (pre-release)
* "La Fiancée de Dracula" (The Fiancee of Dracula) (2002)
* "Les Deux orphelines vampires" (Two Orphan Vampires) (1995)
* "La Femme dangereuse" (a.k.a. Killing Car) (1993)
* "Perdues dans New York" (Lost in New York) (1989)
* "Les Trottoirs de Bangkok" (The Sidewalks of Bangkok) (1984)
* "La Morte vivante" (The Living Dead Girl) (1982)
* "Lac des Morts Vivants, Le" (Zombie Lake) (1981)
* "Les Échapées" (The Runaways) (1981)
* "La Nuit des traquées" (The Night of the Hunted) (1980)
* "Fascination" (1979)
* "Les Raisins de la mort" (The Grapes of Death) (1978)
* "Vibrations sensuelles" (1977) (as "Michel Gentil")
* "Phantasmes" (a.k.a. Seduction of Amy) (1975)
* "Lèvres de sang" (Lips of Blood) (1974)
* "Tout le monde il en a deux" (a.k.a. Fly Me the French Way) (1974) (as "Michel Gentil")
* "Les Démoniaques" (The Demoniacs) (1973)
* "Jeunes filles impudiques" (a.k.a. Schoolgirl Hitchhikers) (1973) (as "Michel Gentil")
* "La Rose de fer" (The Iron Rose) (1972)
* "Requiem pour un vampire" (Requiem for a Vampire) (1971)
* "Le Frisson des vampires" (Shiver of the Vampires) (1970)
* "La Vampire nue" (The Nude Vampire) (1969)
* "Le Viol du vampire" (The Rape of the Vampire) (1968)

Further reading

* "Virgins & Vampires: Jean Rollin". Contains essays by Jean Rollin, edited by Peter Blumenstock. Includes CD soundtrack from "Les Deux orphelines vampires". Limited edition of 300 copies, autographed by Jean Rollin. (Crippled Publishing, 1997, ISBN 3-9805820-0-0).
* "Video Watchdog #31". Peter Blumenstock interviews Rollin (1995).
* "" (1994) by Cathal Tohill and Pete Tombs. Dedicates a chapter to Rollin.

External links

*
* [http://movies.groups.yahoo.com/group/JeanRollinFans/ The Official Jean Rollin Fan Club]
* [http://www.shockingimages.com/rollin/ The Official Jean Rollin website]
* [http://movies2.nytimes.com/gst/movies/filmography.html?p_id=61231&mod=bio Biography and filmography of Rollin at NYTimes (registration required)]
* [http://www.imagesjournal.com/issue09/reviews/jeanrollin/ J. Newman, "The Cinema of Jean Rollin" Images 9 (2000).]
* [http://www.kinoeye.org/index_02_07.php Volume of the journal Kinoeye devoted to the films of Rollin]