Chicago school (literary criticism)

Chicago school (literary criticism)

The Chicago School of literary criticism was a form of criticism of English literature begun at the University of Chicago in the 1930s, which lasted until the 1950s. It was also called Neo-Aristotelianism, due to its strong emphasis on Aristotle’s concepts of plot, character and genre. It was partly a reaction to New Criticism, a then highly popular form of literary criticism, which the Chicago critics accused of being too subjective and placing too much importance on irony and figurative language. They aimed instead for total objectivity, and a strong classical basis of evidence for criticism. The New Critics regarded the language and poetic diction as most important, but the Chicago School considered such things merely the building material of poetry. Like Aristotle, they valued the structure or form of a literary work as a whole, rather than the complexities of the language. Despite this, the Chicago school is considered by some to be a part of the New Criticism movement.

Ronald Salmon Crane (1886-1967) is considered the founder of the Chicago Aristotelians. He began teaching at the University of Chicago in 1924, was made a professor in 1925, and chaired the English department there from 1935-1947. In 1935, he wrote “History versus Criticism in the Study of Literature” (published in English Journal 24 [1935]:645-67), in which he defined literary criticism as “simply the disciplined consideration, at once analytical and evaluative, of literary works as works of art.” Crane was greatly influenced by Richard McKeon, a professor of philosophy at the University, who stressed Aristotle’s idea of ‘pluralism,’ which says that many systems of criticism are necessary to completely understand literature, specifically poetry, or in the case of philosophy, the world. Crane said that “the only rational ground for adhering to one [form of criticism] rather than to any of the others is its superior capacity to give us the special kind of understanding and evaluation of literature we want to get, at least for the time being.”

The question for the Chicago School (as it was for Aristotle) was always what the purpose of the theory of criticism was, what hypotheses were brought to bear by the theory about the nature of literature (for instance, whether it consisted of the words alone, or whether it was to be thought of as part of a larger context such as an era or an artist's life), and the definitions of words (such as the definition of tragedy or comedy).

The Chicago School claimed not to preclude other theories of criticism, but did criticize some of those theories because those using those theories were not clear or consistent about the initial hypotheses and definitions behind their theories. It thus appeared to many of the proponents of those theories that the Chicago School was claiming that theirs was the only good and effective approach to literature. For this reason, they were considered by some[who?] to be hypocritical, although they would vehemently deny this.

Many of the ideas of the Chicago School are thought to have come out of the reorganization of undergraduate education at the University of Chicago by Robert Maynard Hutchins, then President there. He placed great importance on primary sources and interdisciplinary studies for all students. Crane and his colleagues were forced to defend English as a valid topic of study, and the Chicago School might have developed partly from this pressure to put the study of English on a sound classical basis.

Other key figures in the Chicago School were W.R. Keast, Norman Maclean, Elder Olson, and Bernard Weinberg. After this first generation, the most important critics to carry on the theory were Wayne C. Booth (who taught at the University of Chicago from 1947-1950 and again from 1962 until his death in 2005), and his contemporaries, Richard L. Levin, Sheldon Sacks, Robert Marsh, Arthur Heiserman, and Ralph W. Rader. Booth loosened the rigid categories of genre originally set forth by the Chicago School, and moved the concentration away from poetry towards rhetoric. The Chicago School has demonstrated continuing importance, and continuing flexibility, in the work of the third-generation Chicago critics, including Michael Boardman, Barbara Foley, Dorothy Hale, Elizabeth Langland, James Phelan, Peter J. Rabinowitz, David H. Richter, and Harry Shaw, among others.

Great works in the Chicago School include Critics and Criticism (Crane, ed. Chicago, 1952), The Languages of Criticism and the Structure of Poetry (Crane, Toronto, 1953), and The Rhetoric of Fiction (Booth. Chicago, 1983).


References

  • Castle, Gregory. The Blackwell Guide to Literary Theory. Oxford: Blackwell Publishing, 2007
  • Selden, Raman. A Reader’s Guide to Contemporary Literary Theory. Lexington: University Press of Kentucky, 1993
  • Wolfreys, Julian, ed. Modern North American Criticism and Theory. Edinburgh: Edinburgh University Press Ltd., 2006
  • Guerin, Wilfred L.; Labor, Earle; Lee, Morgan; Reesman, Jeanne C.; Willingham, John R. A Handbook of Critical Approaches to Literature, 3rd ed. Oxford: Oxford University Press, 1992
  • Wellek, René. American Criticism, 1900-1950. New Haven: Yale University Press, 1986. Vol. 6 of A History of Modern Criticism: 1750-1950
  • Corman, Brian. “Chicago Critics” Johns Hopkins Guide to Literary Theory and Criticism. Web page. 2005. <query=chicago%20school#top>

Wikimedia Foundation. 2010.

Look at other dictionaries:

  • Chicago school — may refer to refer to certain views and philosophies associated with a program or department at the University of Chicago, although some members of these departments have historically dissented with their intellectual orientations. Examples… …   Wikipedia

  • Literary criticism — Literature Major forms Novel · Poem · Drama Short story · Novella Genres Epic  …   Wikipedia

  • Marxist literary criticism — is a loose term describing literary criticism based on socialist and dialectic theories. Marxist criticism views literary works as reflections of the social institutions from which they originate. According to Marxists, even literature itself is… …   Wikipedia

  • Chicago (disambiguation) — Chicago, Illinois is the third largest city in the United States of America. Chicago may also refer to: Contents 1 Places and buildings 1.1 Russia 1.2 …   Wikipedia

  • Chicago critics — ▪ American literature also called  the Chicago school        group of pluralist, essentially formalist American literary critics including Richard McKeon, Elder Olson (Olson, Elder), Ronald Salmon Crane (Crane, R.S.), Bernard Weinberg, and Norman …   Universalium

  • Criticism of Christianity — This article is about criticism of the doctrines and practices of Christianity. For negative attitudes towards Christians, see Anti Christian sentiment. For acts committed against Christians because of their faith, see Persecution of Christians.… …   Wikipedia

  • Criticism of the Bible — This article is about criticisms made against the Bible as a source of reliable information or ethical guidance. For the academic treatment of the bible as a historical document, see Biblical criticism. The Gutenberg Bible, the first printed… …   Wikipedia

  • New Criticism — was a movement in literary theory that dominated American literary criticism in the middle decades of the 20th century. It emphasized close reading, particularly of poetry, to discover how a work of literature functioned as a self contained, self …   Wikipedia

  • Reader-response criticism — is a school of literary theory that focuses on the reader (or audience ) and his or her experience of a literary work, in contrast to other schools and theories that focus attention primarily on the author or the content and form of the work.… …   Wikipedia

  • Darwinian literary studies — (aka Literary Darwinism) is a branch of literary criticism that studies literature in the context of evolution by means of natural selection, including gene culture coevolution. It represents an emerging trend of neo Darwinian thought in… …   Wikipedia

Share the article and excerpts

Direct link
Do a right-click on the link above
and select “Copy Link”