Punch-Drunk Love

Infobox Film
name = Punch-Drunk Love


image_size =
caption = theatrical poster
director = Paul Thomas Anderson
producer = Paul Thomas Anderson
Daniel Lupi
Joanne Sellar
writer = Paul Thomas Anderson
narrator =
starring = Adam Sandler
Emily Watson
Philip Seymour Hoffman
Luis Guzmán
Mary Lynn Rajskub
music = Jon Brion
cinematography = Robert Elswit
editing = Leslie Jones
distributor = Columbia Pictures
Revolution Studios
New Line Cinema
released = November 1, 2002
runtime = 95 minutes
country = USA
language = English
budget = $25,000,000 ("estimated")
gross = $24,665,649 ("worldwide")
preceded_by =
followed_by =
website =
amg_id = 1:265458
imdb_id = 0272338

"Punch-Drunk Love" is a 2002 American film written and directed by Paul Thomas Anderson starring Adam Sandler and Emily Watson. Anderson regulars Philip Seymour Hoffman and Luis Guzmán also appear.

Sandler won positive reviews for his role in his first major departure from the broader comedies that had made him a star. Roger Ebert wrote in the "Chicago Sun-Times" that "Sandler, liberated from the constraints of formula, reveals unexpected depths as an actor. Watching this film, you can imagine him in Dennis Hopper roles. He has darkness, obsession and power." [ [http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20021018/REVIEWS/210180308/1023 :: rogerebert.com :: Reviews :: Punch-Drunk Love (xhtml) ] ] He also won Best Actor at the Gijón International Film Festival and received a Golden Globe nomination.

Although the film was well received by critics it was not successful at the US box-office. The film had a $25,000,000 budget and grossed about $17,000,000 at the domestic box office (the studio receives about half the gross)Fact|date=August 2007.

The film was produced by Revolution Studios and New Line Cinema, and was distributed by Columbia Pictures.

The movie features the video artwork of Jeremy Blake as visual interludes.

Plot

Barry Egan (Sandler) owns a company that markets themed toilet plungers ("fungers") and other novelty items. He has seven overbearing sisters who ridicule him regularly, and leads a very lonely life punctuated by fits of rage. In the span of one morning, he witnesses a bizarre car accident, picks up an abandoned harmonium from the street, and encounters Lena Leonard (Watson), who orchestrated the meeting after seeing him in a family picture belonging to his sister Elizabeth (Mary Lynn Rajskub), a co-worker of Lena's.

Barry calls a phone sex hotline for conversation, but the operator attempts to extort money and sends her four henchmen brothers to collect. This complicates his budding relationship with Lena, as well as his plan to exploit a loophole in a Healthy Choice promotion and amass a million frequent flyer miles by buying large quantities of pudding (based on the true story of David Phillips). After Lena leaves for Hawaii on a business trip, Barry decides to follow her. He arrives and calls one of his manipulative sisters to learn where Lena is staying. At first, Barry explains that he is in Hawaii on a business trip by coincidence, but he soon admits that he came to pursue a romantic relationship.

After they return home, the four brothers ram their car into Barry's, leaving Lena mildly injured. An outraged Barry attacks the brothers with a tire iron. He later leaves her at the hospital and tries to end the harassment by calling the phone-sex line and speaking to the "supervisor," who turns out to be Dean Trumbell (Hoffman), owner of a mattress store. Barry drives to Provo, Utah to confront him in person. Trumbell shows his true colors when he runs and hides after Barry angrily demands to be left alone.

Barry tells Lena his story and asks for her forgiveness, pledging to use his frequent-flier miles to accompany her on all future trips. The final shot of the movie shows Lena approaching Barry in his office while he plays the harmonium. She puts her arms around him and says, "So, here we go."

core and soundtrack

The score to "Punch-Drunk Love" was composed by Jon Brion. As with the previous film "Magnolia", Brion and director Paul Thomas Anderson collaborated heavily for the production of the film's score. However, rather than scoring the film after rough footage had been shot, Brion created compositions during the filming of "Punch-Drunk Love". During the scoring process, Brion would experiment with tones and sounds, carefully making note of what Anderson would respond to. Anderson himself would create vocal tempos he would envision in the score and use them on set, even to the extent of inspiring the pace of Adam Sandler's performance.

The film's score features heavy use of the harmonium, an instrument that Anderson knew he wanted in the film before he had even completed the script. Brion introduced Anderson to this instrument and many scenes between Adam Sandler's character and the instrument were inspired by Brion. For instance, Brion once found a harmonium with a hole in its bellows before going on tour with Aimee Mann. To fix the problem, he covered the hole with duct tape. An identical situation is found in the film.

One particular standout track in the film is a version "He Needs Me" from the 1980 Robert Altman movie "Popeye" with vocals by Shelley Duvall. The song, slightly rescored by Brion and Jonathan Karp, cues during Barry's trip to Hawaii to meet Lena. The song comes to a climax as they kiss while a crowd passes them by.

Trivia

* Working titles included "Punchdrunk Knuckle Love," "Just Desserts" and "The X-4 Project". Visually echoing the working title "Punchdrunk Knuckle Love," the word "love" appears as a bruise across Barry's knuckles about 1 hour into the film when Barry punches the map in his office over frustration at the news that his frequent-flier miles will not be processed in time to allow him to rendez-vous with Lena.
* Barry often plays the same five notes whenever he's at the harmonium. The five notes he plays are B, Bb, A, C, and D (in that order). These five notes are heard throughout the film as parts of Jon Brion's score (particularly in "Punch-Drunk Melody", the film's love theme). The notes can also be heard in various sound effects (such as in the beeping of a truck's horn in one scene). The five note melody was inspired by Anderson and Brion's mutual affection towards "Close Encounters of the Third Kind", famous for its alien five-note melody by John Williams. At the end of the film, Barry plays a melody of C, E and A. These notes make up the chord A minor and are also heard as a main theme in the film (notably in Brion's "Here We Go").
* During the scene where Barry is at the supermarket looking for the cheapest Healthy Choice food item (21 minutes and 30 seconds in), he is being followed by an out-of-focus character in a red outfit. It's Emily Watson's character, before they've been introduced.
* The scene in which Egan first goes through the supermarket is composed as a homage to Andreas Gursky's photograph "99 cent".
* The exterior Hawaiian hotel shots, including the promotional silhouette, were filmed at the Royal Hawaiian Hotel, the historic pink hotel on Waikiki beach in Honolulu. (The interior shots are not of the Royal Hawaiian.)
* The part of Dean Trumbell was originally to be played by Sean Penn, who had to drop out.
* Anderson originally wanted John C. Reilly to be cast as one of the four blond brothers.
* Early in the film, Barry says "Business is very food" instead of "Business is very good" and his sister Elizabeth points out his mistake. In the script, "food" was simply a typo Anderson made. Anderson decided to keep it in the film.

References

Footnotes

External links

* [http://www.dailyscript.com/scripts/Punch-Drunk_Love.html Early screenplay draft]
* [http://www.flyertalk.com/pudding.htm David Phillips' own brief entry at flyertalk.com on how he accumulated his 1,253,000 miles through the giveaway]