- Archie Bleyer
Archie Bleyer (
June 12 ,1909 -March 20 ,1989 ) was an American song arranger and bandleader.He was born in the Corona section of the New York City borough of
Queens . He began playing thepiano when he was only seven years old. In 1927 he went to Columbia College, intending to become anelectrical engineer , but as a sophomore switched to amusic major. Without graduating, he left to become an arranger.In 1934 he started leading a band of his own at Earl Carroll's club in
Hollywood, California . Bleyer's orchestra recorded forBrunswick Records , and one of the vocalists who worked with this orchestra wasJohnny Mercer , who became better known as asongwriter and co-founder ofCapitol Records .He became musical director for
Arthur Godfrey in 1946, serving in this role until 1953. Many close to Godfrey considered Bleyer's creativity and understanding of music to be pivotal to the success of Godfrey's radio and TV programs. And while Godfrey was known to be short-fused and controlling, he often deferred to Bleyer's judgment in the areas of presentation and production.In 1952 he founded
Cadence Records , whose first artist was Godfrey alumnusJulius La Rosa . Along with several instrumental hit singles of his own, Bleyer went on to sign many other artists who had performed on Godfrey's programs (includingThe Chordettes , one of whose members, Janet Ertel, became his wife).In the fall of 1953, Godfrey dismissed La Rosa on the air and later claimed the young singer "lacked humility," doing his own popularity considerable damage. Just days later, Godfrey fired Bleyer, claiming he was offended when Bleyer recorded Chicago radio personality Don McNeill, host of "Don McNeill's Breakfast Club". This Godfrey-like show was based in Chicago and broadcast nationally, but its popularity was mainly in the Midwest, aimed at a Midwestern audience and no threat to Godfrey's popularity Always insecure, Godfrey felt McNeill, whose show had once been a competitor, was still in competition though Godfrey was the dominant personality of his generation. Offended that Bleyer recorded McNeill, within days after the LaRosa firing, Godfrey later claimed that when he confronted Bleyer and threatened to fire him, the conductor simply shrugged and told him to do what he had to do. When Bleyer left the show, he never made a public statement about his days with Godfrey. The public furor that surrounded LaRosa's firing and, to a lesser extent, Bleyer's, began the unraveling of Godfrey's seemingly unstoppable dominance of radio and TV as Bleyer's career was just beginning to blossom. The loss of Bleyer's expertise in staging and production matters, where he served as an informal mentor to Godfrey despite their age differences, was detrimental to Godfrey's programs.
While LaRosa was unable to sustain his early successes, later Cadence artists included
Andy Williams and the label's biggest act of all,The Everly Brothers whose hits such as "Bye Bye Love " and "Wake Up Little Susie " were produced by Bleyer in Nashville with country studio musicians led byChet Atkins . Bleyer at one point was also the father-in-law of Phil Everly. He had his own instrumental recording hits on the Cadence label as well.Don Shirley , who appeared on the label in 1955 with "Tonal Expressions". It became a Top 15 album in the spring of that year, reportedly selling more than 20,000 copies, a respectable debut for a jazz artist. Ironically, it was the only chart album Shirley was to enjoy, but his sales remained steady enough that he was with the label until it closed in 1964, cutting around a dozen long-play releasesDon Shirley Discography .Bleyer also had his limits to his tolerance for rock and roll. While he clearly, and correctly, viewed the Everlys as a commercially appealing, clean-cut act whose country-influenced harmonies could reach a vast following, he was not so tolerant of pioneer garage-rock guitarist
Link Wray . In 1957, Bleyer reluctantly agreed to release his no-frills, roaring instrumental "Rumble" on Cadence in part due to his daughter's fascination with the song. Wray had a contract with Cadence, but in 1958 after he submitted a newly recorded album of similarly raw material recorded in Nashville, Bleyer was genuinely (if spuriously) convinced the instrumental music was morally and musically inappropriate and shelved the album and canceled Wray's contract. The material wouldn't see the light of day for decades until it was acquired by the British Rollercoaster label.Cadence had another major hit in 1962 with comic
Vaughn Meader 's album "The First Family", which featured Meader's comedic sketches and his peerless impersonations of PresidentJohn F. Kennedy . The album was an enormous seller, as was a followup, until Kennedy was assassinated in 1963.In 1964, Bleyer, who was unable to accept the changing pop music market at the dawn of the
British Invasion era, sold the Cadence label and all its recordings (except for certain material--like the Link Wray album--he kept to himself) to Andy Williams. Today the Cadence material is owned by Sony BMG Music.He moved with his wife Janet to her hometown of
Sheboygan, Wisconsin where he died of the effects ofParkinson's disease in 1989.Hit records
*"
Hernando's Hideaway " (1954)
*"The Naughty Lady of Shady Lane " (1954)External links
*Archie Bleyer bio on the [http://www.parabrisas.com/d_bleyera.html SOLID!] site
*Archie Bleyer bio on the [http://www.imdb.com/name/nm0088352/ IMDb] site
*Archie Bleyer bio on the [http://www.rockabilly.nl/references/messages/archie_bleyer.htm Black Cat Rockabilly] site
* [http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:acfqxqy5ldke~T1 All Music Guide]
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