Stefano Pozzi

Stefano Pozzi (9 November 1699 (1707?) — 11 June 1768) was an Italian painter, designer, draughtsman and decorator whose career was spent largely in Rome.

Born in Rome, he was one of four artist sons of his father, an innkeeper: Rocco (1701–74) was an engraver, [He engraved the masterful map of Rome by Giambattista Nolli, 1748, with its rich enframement, minute views of monuments, and allegories and cavorting putti. [http://nolli.uoregon.edu/artifact.html] ] with whom Stefano worked on occasion. [They were jointly responsible, for example, for the allegorical frontispiece, doubtless drawn by Stefano, to Francesco Bianchini's astronomical work, " Hesperi et Phosphori nova phaenomena sive observationes circa planetam Veneris" Rome 1728 [http://www.bo.astro.it/~biblio/Vultus-Uraniae/Volto_cap4I.html] ] ; Andrea (1718–69), a carver in ivory; Giuseppe (1723–65) was also a painter. Stefano Pozzi studied in the ateliers of two best followers of Carlo Maratta, that of Andrea Procaccini, who departed for Spain in 1720, and then Agostino Masucci.

In 1732 Stefano was admitted to the Congregazione dei Virtuosi al Pantheon (of which he was Reggente in 1739) and in 1736 to the Accademia di San Luca, the artist academy of Rome. He worked primarily for Roman churches, painting, for example, the Blessed Niccolò Albergati in a chapel of the Basilica of Santa Maria Maggiore; eight ovals between the windows (c. 1736) for San Silvestro al Quirinale (Titi 1763); the refectory of the Chiesa di San Gregorio Nazianeno; a "Death of St Joseph" (1742) for the third chapel of the Chiesa del Santissimo Nome di Maria (Titi 1763). He frescoed with a "Sant'Apollinare in Gloria" the vault of Sant'Apollinare alle Terme, which was rebuilt by Ferdinando Fuga and rededicated in 1748. [ [http://roma.katolsk.no/apollinare.htm Chris Nyborg, "Sant'Apollinare alle Terme"] ; Titi 1763.] . Among the flock of artists who worked on the Chapel of Sixtus V, he contributed figures of angels in the spandrels of arches (Titi 1763).

In Perugia he frescoed the sacristy of the Chiesa del Gesù.

In 1744 he was summoned to Naples by Giuseppe Cardinal Spinelli to decorate the apse of the cathedral restored by Paolo Posi; for the right wall he painted the large oil of "SS Januarius and Agrippino Driving out the Saracens" (still in place) and on the vault a fresco of a choir of Angels (still in place). In subsequent commissions he worked with the architect Luigi Vanvitelli: in 1744 he produced two paintings for the Montemorcino monastery that Vanvitelli had built for the Olivetans at Perugia (now the Palazzo dell’ Università): an "Annunciation" (still in place) and the "Blessed Bernardino Tolomei among the Plague-stricken" (Rome, Santa Francesca Romana). For the library that Luigi Vanvitelli designed for the Palazzo Sciarra–Colonna in Rome, he painted allegories of the Signs of the Zodiac, and in Palazzo Doria-Pamphilj he decorated the Saletto degli Specchi [ [http://www.italycyberguide.com/Geography/cities/rome2000/E110b.htm Riccardo Cigola, "Palazzo Doria-Pamphilj"] .] .

In his studio the architect Giacomo Quarenghi received early training as a painter. Antonio Cavallucci was also a pupil.

The picture [http://www.dsic.upv.es/~mapastor/Madonna.jpg] "Madonna surrounded by angels and clouds " has been recently attributed to him by Dr. Stella Rudolph.

Pozzi died in Rome in 1768.

Notes

References

* [http://penelope.uchicago.edu/Thayer/I/Gazetteer/Places/Europe/Italy/Lazio/Roma/Rome/_Texts/Titi/1763*/Professori/S.html Filippo Titi, "Descrizione delle Pitture, Sculpure e Architetture esposte in Roma...] (Rome 1763)