- Belarusian music
Belarus is anEastern Europe an country which has a rich tradition of unique folk andreligious music . The country's folk music traditions can be traced back to the times of theGrand Duchy of Lithuania . In the 20th century, theSoviet control of the country somewhat limited musical development because nationally oriented music was considered subversive and dangerous to the Soviet authority. The country's musical traditions spread with its people to countries likeRussia ,Canada ,United States ,Kazakhstan ,Latvia andUkraine [http://zbsb.org/eng/hist_1.shtml] . The people of Belarus were exposed mostly to Russian pop music during this period and also after independence in 1991. In 2002, however,Alexander Lukashenko has signed a decree requiring 50% of allFM broadcast music to be Belarusian in origin, and since January 1, 2005 the rule was made even stricter (75% of daily broadcast music must be Belarusian). Though it doesn't regulate songs language, so most of broadcast music is still in Russian.Folk music
Documentation of its music stretches back to at least the 15th century. Prior to that,
skomorokh s were the major profession for musicians. Aneumatic chant , calledznamenny , from the word 'znamia', meaning sign or neume, used until 16th century in Orthodox church music, followed by two hundreds of stylistic innovation that drew on theRenaissance andProtestant Reformation . In the 17th century,Partesnoe penie , part singing, became common for choruses, followed by private theaters established in cities likeMinsk andVitebsk .Worth noting is
Stary Olsa a modern folk band that revives the old melodies of the medieval Belarus (Grand Duchy of Lithuania ). The band uses authentic instruments that they made themselves based on the old designs from the time of the Grand Duchy of Lithuania.The folk-rock band
Kriwi is another notable example of a contemporary band that creates music based on old Belarusian folklore music.20th century
In the 20th century, the first
secondary education institute in Belarus was founded (1924) and the firstopera s ("Mikhas Podgorny " byE. Tikotsky , "In Virgin Forests of Polesie " byA. Bogatryev and "The Flower of Happiness " byA. Turenkov ) and ballets ("The Nightingale" byM Kroshner ).oviet period
Later in the century, American
rock and roll became popular while the country was a part of theSoviet Union . Popular rock bands includedVerasy ,Siabry andPesniary . Pesniary was probably the best known Belarusian band in the Soviet times and was very popular in USSR for several decades, specially in early 80's.After independence
Belarus gained independence after the fall of the Soviet Union and new bands appeared, including
N.R.M. ,ULIS ,Little Blues Band ,The Stoks , Tornado, Krama andNeurodubel . Modern pop stars are also well-known, includingBoris Moiseev andLyapis Trubetskoy (though they tend to orient themselves towardRussia and Russian speakers). There are also electronic music performers like Autism,Energun 22 ,h.h.t.p. . Worth noting isDrum XTC performs live drum'n'bass. Around 2002 a new generation of electronic bands appeared, organized byElectrokids promo-group, including the groups likeRandomajestiq ,Stone People ,Dreamlin ,T-Trider ,CherryVata andKoordinate of Wonders .N.R.M. is probably the best-known rock band of the late 90's and 00's.
In 2003, Belarus took part in the
Junior Eurovision Song Contest for the first time. Their participant,Volha Satsiuk , came in 4th place. In 2004 Belarus made it to the semifinals of the regularEurovision Song Contest . The country was represented by a duoAlaksandra i Kanstantsin , who failed to reach the final. Nevertheless, they won theJunior Eurovision Song Contest 2005 the following year, withKsenia Sitnik 's song, 'My Vmeste'.Overall, Belarusian rock musicians and fans find life in Belarus today no less difficult than in the
USSR era, many of the bands can never get to FM or any state-sponsored event, they can't rent music halls for their concerts. The Belarusian authorities continue to dislike rock music, preferring to promote folk or "Slavic" music at the country's top musical event -- the state-sponsoredSlavianski Bazaar in Vitebsk , an annual pop and folk music festival inVitebsk . Instead, the biggest and most famous festival of Belarusian rock music takes place outside of Belarus, inGródek ( _be. Haradok, Гарадок), northeasternPoland , a small town some 40 kilometers east ofBiałystok -- the center ofPodlaskie Voivodeship , which is inhabited by a 200,000-strong Belarusian minority. The festival, held in July every year since 1990, is organized by the Belarusian Union of Students (BAS) in Poland. The official name of the event is the Music Festival of Young Belarus orBasovišča ("BASS" + suffix "-ovishcha", alt.spelling "Basovishcha", "Basoviszcza"). Some rock music fans dubbed it "Belarusian Woodstock."Belarusian rap
Belarusian rap dates back to the early - mid 90's and has produced three waves of Belarusian rappers. Having evolved around a most influential rap crew of the mid 90's Udar Bandy (Удар банды, The Gang Strikes) and their associates Ё.Б.Т.В.О.Ю.М.А.Т.Ь. (S.C.R.E.W.Y.A.M.O.T.H.E.R.), the first wave was a movement of the most numerous, committed and impassioned rappers in Belarus (born in the late 70's - early 80's). Originating from the city of Lepel,
Udar Bandy recorded two amateur highly acclaimed tape albums that were recopied, changed hands massively and produced a great effect on the youth trapped in a disorienting crime and poverty striken environment. In 1997, after recording a controversial studio album Uroki Rasslableniya (Уроки расслабления, Chill Out Lessons)Udar Bandy disappeared from the scene to reemerge in 2007 as the core of a creative alliance calledDa Joint with the debut album Vikhod (Выход, A Way Out).Among other influential rap artists of the mid 90's are Teoria Tmy (Теория тьмы, Darkness Theory), Kat, Ghetto Mentalitet (Гетто менталитет, Ghetto Mentality), Miatezhniky (Мятежники, Rebels), Lisy Dil (Лысый Дил, Baldie Dil) and many more.
The most prominent events of this period include underground hip-hop parties carried out at the Rezervatsya (Резервация, Reservation) club in Minsk and Krapiva-98, a hip-hop festival that drew the entire movement to its apogee.
However, a great start was followed by a détente, after which most of the old school rappers went underground.
The second wave was led in Minsk by Oleg Litvinuk, a person who tried to turn hip-hop into a business and provided an incentive for an array of mostly ephemerous rappers and rap crews. The rap creativity substantially decreased. However, this wave still managed to produced a number of prominent rappers reminiscent of the old school era. By 2005, most of the old school and second wave rappers disappeared. Among the rappes who emerged during the second wave are Nestandartny Variant (Нестандартный вариант, Irregular Variant), who later became a most acclaimed Belarusian pop-rap crew.
The third wave has developed around a Belarusian rap source bratinfo.com and is represented by young (born in the late 80's - early 90's) rappers. Some of the new artists are as charismatic and committed as the old school pioneers, others are more into diss and bling-bling rap.
ee also
*
Belarusian rock
*Soviet music External links
* [http://www.ac.by/country/music.html Belarusian Music Links]
* [http://www.rydel.net/belarusian_woodstock.php Basoviszcza Rock Fest — the Belarusian Woodstock]
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