Ida Jenbach

Hungarian born Ida Jenbach was a playwright and scriptwriter for German and Austrian cinema during the 1920s. She was one of the authors of the spirited farce, "Opera Ball" that appeared at the Little Carnegie Playhouse in New York in 1931. "New York Times" critic Mordaunt Hall praised this comedy as “cleverly acted by the principals.” "Opera Ball" was a German film that had “captions in English lettered on the scenes to keep those unfamiliar with German au courant of what is happening.” [citebook|title=Between Two Worlds: The Jewish Presence in German and Austrian Film, 1910-1933|author=Siegbert Salomon Prawer|publisher=Berghahn Books|year= 2005|id=ISBN 1845450744]

In 1926, Jenbach wrote the script to "The Priest of Kirchfeld", based on Ludwig Anzengruber‘s popular German "folk play". The play bears a notable resemblance to "The Atonement of Gosta Berling." Attacking the Catholic doctrine of celibacy for priests and the denial of burial for suicides, the play was and remains very controversial.

Jenbach also worked on the screenplay to Hugo Bettauer’s 1924 dystopian satire, "The City Without Jews." This novel was prescient. It imagined a city that expelled the Jews and confiscated their wealth. It was meant to show the ridiculousness of anti-Semitism. It was Bettauer’s most famous and best selling novel, and translated into numerous languages. It was also his undoing. The novel angered the Nazis. A year later, Nazi party member Otto Rothstock would murder Bettauer. When the film version opened, members of the National Socialist party tossed stink bombs into the movie theaters. Cinema owners would cut parts of the film out. This film was the first important role for German film star Hans Moser. In 1933, some in the German press would say that this film speaks for itself as an indictment against Hitler.

During the Third Reich, Jenbach was sent to a concentration camp where she died. She is largely forgotten today and very little has been written about her.

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