Salem's Lot (radio drama)

Salem's Lot (radio drama)

"This article is about a 1995 BBC radio-dramatization of Stephen King's horror novel 'Salem's Lot. For the 1979 TV mini-series adaptation, see Salem's Lot (1979 TV mini-series). For the 2004 film, see 'Salem's Lot (2004 film)."

"Salem’s Lot" combines the psychological thriller and the classic horror genres, making references to Bram Stoker's Dracula at several points and sometimes replicating its storyline.

Plot summary

Ben Mears, a successful writer who grew up in the (fictional) town of Jerusalem’s Lot, Maine (known to locals as "Salem's Lot" or "The Lot"), has returned home following the death of his wife. Ben plans to write a book about the “Marsten House”, an abandoned mansion that gave him nightmares after a traumatic (and possibly supernatural) childhood experience. Once in town, he meets local high school teacher Matt Burke and strikes up a romantic relationship with Susan Norton, a young college graduate.

Mears discovers that the Marsten house has been bought by Mr. Straker and Mr. Barlow, a pair of businessmen who are also new to the town, although only Straker has been seen. Their arrival coincides with the disappearance of a young boy, Ralphie Glick, and the suspicious death of his brother Danny. The town is slowly taken over by vampires, while Ben, Matt, Susan, and a few other residents of the Lot try to prevent this. In the end, Ben and young Mark Petrie succeed in neutralizing Straker and destroying the master vampire Barlow, but, lucky to escape with their lives, are forced to leave the town to the newly-created vampires.

Cast and Crew

  • Stuart Milligan as Ben Mears
  • Theresa Gallagher as Susan Norton
  • Danny Cannaba as Mark Petrie
  • Doug Bradley as Barlow
  • Gavin Muir as Matt Burke
  • Kerry Shale as Jimmy Cody
  • Don Fellows as Parkins Gillespie
  • Nigel Antony as Father Callahan
  • George Parsons as Nolly Gardner
  • Laura Lai King as June Petrie
  • Vincent Marzello as Henry Petrie

  • Dramatized by Gregory Evans
  • Directed by Adrian Bean
  • Music by Elizabeth Parker

    Differences between the novel and radio adaptation

    Although the story's overall structure remains similar, several lines have been consolidated and/or simplified, in keeping with the much-shortened radio format (seven 30-minute broadcasts).

  • Ralphie Glick's role is reduced (and his vampiric activities are left vague)
  • Dud Rogers and the junkyard see only cursory mention (much of the Barlow/Dud Rogers dialogue having been rescripted into the Barlow/Larry Crockett death scene)
  • Danny Glick's rise from the grave (and the death of Mike Ryerson) are now enabled/supervised by Barlow, who mesmerizes Ryerson and calls Danny forth
  • Father Callahan and Dr. Cody become quick/willing vampire-hunters, with virtually no complaint or skepticism
  • Mark Petrie uses shards of broken glass (rather than contortionist rope-tricks) to free himself from Straker's knots
  • The entire narrative is framed by Ben Mears' confession to a Mexican priest (who periodically interrupts the retelling with specific questions)

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