- Hugo Riemann
Karl Wilhelm Julius Hugo Riemann (
July 18 ,1849 -July 10 ,1919 ) was a German musicologist. He is sometimes referred to simply as "Riemann" in material on music theory and musicology, but should not be confused with the mathematicianBernhard Riemann , who is more commonly known by that name in other contexts.Riemann was born at
Grossmehlra , nearSondershausen . He was educated in law and other subjects at Berlin and Tübingen. After going through theFranco-German war he decided to devote his life to music, and studied accordingly at theLeipzig Conservatory . He then went to Bielefeld for some years as a teacher, but subsequently returned to Leipzig as "Privatdozent" at the University. Riemann went to Bromberg in 1880, but 1881-90 he was a teacher of piano and theory at Hamburg Conservatory. He held a post at Wiesbaden (1890-95), but eventually returned to Leipzig University as lecturer. In 1901 he was appointed professor.In addition to his work as a teacher, lecturer and composer of pedagogical pieces, Riemann had a world-wide reputation as a writer upon musical subjects. His best known works are "Musiklexikon", a complete dictionary of
music and musicians, the "Handbuch der Harmonielehre", a work on the study ofharmony , and the "Lehrbuch des Contrapunkts", a similar work oncounterpoint , all of which have been translated into English. One of his inventions, the "Tonnetz ", is the predecessor of the modern idea ofpitch space s.He has written many works on many different branches of music. His pupils included the German composer
Max Reger .References
* Alexander Rehding: "Hugo Riemann and the birth of modern musical thought". Cambridge: Cambridge University Press, 2003. ISBN 0-521-82073-1
See also
*
Modulatory space
*Chordal space
*Pitch space
*Counter parallel
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