Carrie Eliza Getty Tomb

Infobox_nrhp | name =Getty Tomb
nrhp_type =nrhp

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caption =Front entrance
location= Chicago, Illinois
lat_degrees = 41 | lat_minutes = 57 | lat_seconds = 40.12 | lat_direction = N
long_degrees = 87 | long_minutes = 39 | long_seconds = 40.58 | long_direction = W
area =
built =1890
architect= Louis Sullivan
added = February 15, 1974
governing_body = Private
refnum=74000750 cite web|url=http://www.nr.nps.gov/|title=National Register Information System|date=2006-03-15|work=National Register of Historic Places|publisher=National Park Service]

The Carrie Eliza Getty Tomb, located in Graceland Cemetery in Chicago, Illinois, was commissioned in 1890 by the lumber magnate, Henry Harrison Getty, for his wife, Carrie Eliza. It was designed by the noted American architect, Louis Sullivan of the firm Adler & Sullivan. Getty became familiar with Sullivan's work from the architect's various Loop projects as well as from the mausoleum (also in Graceland) Sullivan designed for Getty's late partner, Martin Ryerson.

History

The Getty Tomb has been said to be the most significant piece of architecture in Graceland cemetery and the beginning of Sullivan's involvement in the architectural style known as the Chicago School.

The tomb, which stands on its own triangular plot of land, is composed of limestone masonry construction. Roughly a cube in shape, the bottom half of the tomb is composed of large, smooth limestone blocks. The upper half is composed of a rectangular pattern of octagons, each containing an eight-pointed starburst design. The cornice is banded with smooth limestone above intricate spiraling patterns below, and the top-edge of the roofline is straight and horizontal on the front and back and scalloped in a concave fashion on the sides.

When approaching the tomb, the obvious focus is the ornate doorway. An intricately ornamented bronze gate and door, patinated green over time, are spanned by a broad semi-circular archway. The voussoirs, emanating radially in long thin wedges, share alternating areas of plain and intricately carved concentric bands. The twin gates as well as the door behind share a combination of geometric and floral details that incorporate the starburst seen in the upper patterned walls. The three other sides of the tomb house semi-circular, bronze-clad windows that mimick the arch and door details of the front. A plaster cast of the door was exhibited at the 1900 Paris Exhibition where it won Sullivan an award.

Henry joined his wife in the tomb when he died in 1920. Their only child Alice was added in 1946. On March 10, 1971, the tomb was designated as a Chicago Landmark by the Commission on Chicago Landmarks.

References

*Lanctot, Barbara. "A Walk Through Graceland Cemetery". Chicago: Chicago Architecture Foundation, 1999. 37-39.