Jean-Paul Fouchécourt

Jean-Paul Fouchécourt

Jean-Paul Fouchécourt is a French tenor, mostly as an opera singer. He was born on August 30, 1958, at Blanzy in the Burgundy region. He is best known for singing French Baroque music, especially the parts called in French "haute-contre", written for a very high tenor voice with no falsetto singing.

Specialist in French Baroque repertory, Jean-Paul Fouchecourt has gained his international reputation with his portrayal of the title role Platée by Rameau, Arnalta in l’Incoronazione di Poppea by Monteverdi, the 4 servants in the Tales of Hoffmann by Offenbach and le Mari in the Mamelles de Tirésias by Poulenc. He combines excellent musicality with a strong stage presence and is constantly sought after by casting directors for many of opera's character tenor roles.

After studying the classical saxophone and conducting, Jean-Paul Fouchécourt decided to become a singer after a workshop with Cathy Berberian in 1982. He began his career with Les Arts Florissants directed by William Christie and joined this ensemble in 1986, having concerts in Europe, US, Soviet Union, South America, Australia and Japan. Jean-Paul Fouchécourt then went on to work extensively with the conductor Marc Minkowsky and his Musiciens du Louvre: highlights of his young career in the Baroque repertory include the title roles of Hippolyte et Aricie by Rameau, Titon et l’Aurore by Mondonville, Acis et Galatée by Lully and Resurrezione by Handel. Jean-Paul has also collaborated with other Baroque ensembles directed by R. Alessandrini, R. Brown, P. Herreweghe, G. Garrido, N. McGeggan, R. Jacobs, S. Kuijken, H. Niquet, T. Pinnock, and Ch. Rousset.

Jean-Paul Fouchecourt has performed with many of the world’s leading opera companies, including Royal Opera House - London, Metropolitan Opera, City Opera - New York, and Cincinnati Opera. Opera Bastille, Theatre des Champs Elysees, and Châtelet in Paris, Opera de Bordeaux, Opera de Lyon, Opera du Rhin, and Opera de Montpellier. Théâtre de la Monnaie, Vlaams Opera, Grand Théâtre de Genève, Lausanne Opera and Zurich opera. Netherlands Opera, Theater an der Wien, New Israeli Opera and Australian Opera…

His operatic productions have included l’enfant et les sortilèges and l’Heure Espagnole (Torquemada) by Ravel, le Nozze di Figaro (Basilio) by Mozart, Orphée aux Enfers by Offenbach, Falstaff (Bardolfo) by Verdi, Manon (Guillot de Morfontaine) by Massenet, Madame Butterfly (Goro) by Puccini, Eugene Onegin (Monsieur Triquet) by Tchaikovsky, l’étoile (Ouf 1er) by Chabrier, Calisto by Cavalli, and The golden cockerel (The astrologer) by Rimsky-Korsakov.

His orchestral engagements have include invitations from Saito Kinen Orchestra, Boston Symphony, National Orchestra of France, Philharmonic Orchestra of Radio France, Berlin Philharmonic, Scottish Chamber Orchestra, BBC Symphony Orchestra, and London Philharmonic Orchestra, where he has built very strong relationships working with conductors such as F. Bruggen, M.M Chung, J. Conlon, Sir A. Davis, C. Dutoit, Sir JE. Gardiner, V. Gergiev, N. Harnoncourt, V. Jurowsky, J. Levine, J. Lopez-Cobos, K. Nagano, S. Ozawa, A. Pappano, M. Plasson, Sir S. Rattle, G. Rozhdestvensky.

Jean-Paul Fouchecourt is also a regular feature of many of the world’s leading music festivals including Aix en Provence, Choregies d’Orange (France), Berkley (USA), Saito Kinen (Japan), BBC Proms, Edinburgh (UK), Salzburg (Austria).

He has a great affinity and love of French songs, from the Baroque Air de cour and Classical Romance to the Romantic mélodie. He has performed recitals in France and around the world including Warsaw, Abu Dhabi, Moscow, Caracas, San Francisco, Tokyo, New York (Florence Gould Hall with Dalton Baldwin, and London (Wigmore Hall with Graham Johnson).

His discography of more than 90 recordings includes works from Mondonville, Rameau, Fauré, Boulanger, Poulenc and Rosenthal to Szymanowski.

In 2000, Jean-Paul Fouchécourt was honoured with the distinction of “Chevalier de l’ordre National du Mérite” by the French Government.

He will appear in a Rameau's "Platée" to be directed by Laurent Pelly (revival on his Opéra de Paris production in 1999) and conducted by Harry Bicket for the Santa Fe Opera's 2007 summer festival.

elected recordings

Among the many Baroque operas and vocal pieces that Fouchécourt has recorded are:
*"Atys" by Jean-Baptist Lully, conducted by William Christie (1987) Harmonia Mundi
*"David et Jonathas" by Marc-Antoine Charpentier, conducted by William Christie (1988) Harmonia Mundi
*"The Fairy-Queen" by Purcell, conducted by William Christie (1989) Harmonia Mundi
*"Alcyone" by Marin Marais, conducted by Marc Minkowski (1990) Erato
*"Te Deum" by De Lalande, conducted by William Christie (1991) Harmonia Mundi
*"Titon et l'Aurore" by Jean-Joseph Cassanéa de Mondonville, conducted by Marc Minkowski (1992) Erato
*"Les amours de Ragonde" by Jean-Joseph Mouret, conducted by Marc Minkowski (1992) Erato
*"Les Indes Galantes" by Jean-Philippe Rameau, conducted by William Christie (1992) Harmonia Mundi
*"Idoménée" by André Campra, conducted by William Christie (1992) Harmonia Mundi
*"Te Deum" by Marc-Antoine Charpentier, conducted by William Christie (1992) Harmonia Mundi
*"Pigmalion" by Rameau, conducted by Hervé Niquet (1993) Fnac / re-release from Virgin Classics/EMI (1999)
*"Phaëton" by Lully, conducted by Marc Minkowski (1993) Erato
*"Hippolyte et Aricie" by Rameau, conducted by Marc Minkowski (1994) Archiv
*"Dido and Aeneas" by Purcell, conducted by William Christie (1995) Erato
*"Les Fêtes de Paphos" by Mondonville, conducted by Christophe Rousset (1997) L'Oiseau-Lyre
*"Les Fêtes d'Hébé" by Rameau, conducted by William Christie (1998) Erato
*"Acis & Galatée" by Lully, conducted by Marc Minkowski (1998) Archiv
*"Orphée et Euridice" (1774 Paris version) by Gluck, conducted by Ryan Brown (2005) Naxos

Other recordings include:
*"La cambiale di matrimonio" by Gioachino Rossini, conducted by Hervé Niquet (1991) ADDA
*"La dame blanche" by Boïeldieu, conducted by Marc Minkowski (1996, Released 1997, US Release 2001) EMI Classics/Angel
*"Les mamelles de Tirésias" by Francis Poulenc, conducted by Seiji Ozawa (1999) Philips
*"Orphée aux enfers" by Offenbach conducted by Marc Minkowski (1998) EMI
*"Roméo & Juliette" by Berlioz, conducted by John Eliot Gardiner (1998) Polygram
*"Werther" by Massenet, conducted by Antonio Pappano (1999) EMI Classics

Saxophone
*Works by Creston, Pierné, Schmitt recorded in 1981, 1984.

External links

* [http://www.askonasholt.co.uk/Green/Green/Home.nsf/Lookup5a/Jean-Paul+Fouchecourt?OpenDocument Askonas Holt]
*


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  • Jean-paul fouchécourt — est un ténor (haute contre) et saxophoniste français, né le 30 août 1958 à Blanzy Tout d’abord remarqué pour ses nombreuses interprétations du répertoire baroque et des rôles de « haute contre à la française », Jean Paul Fouchécourt a… …   Wikipédia en Français

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  • Atys (Opéra) — Pour les articles homonymes, voir Atys. Atys, opéra composé par Jean Baptiste Lully, est une tragédie, commençant par un long prologue, suivi de cinq actes. Créé à Saint Germain en Laye le 10 janvier 1676, il est totalement dédié au… …   Wikipédia en Français

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  • Chanteur (Musique Classique) — Liste d artistes lyriques Cette liste, régulièrement mise à jour, est ouverte aux ajouts pertinents. En particulier, sont répertoriés exclusivement les interprètes suffisamment célèbres pour satisfaire aux critères de notoriété en vigueur sur… …   Wikipédia en Français

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