Sant'Alessio

"Sant'Alessio" is an opera in three acts composed by Stefano Landi in 1631 with a libretto by Giulio Rospigliosi. Its first performance was at the Palazzo Barberini, Rome, on February 18 1632.

Historical and musical context

"Sant'Alessio" was the first opera to be written on a historical subject. It describes the inner life of fifth-century Saint Alexis. The work broke new ground with a psychological characterization of a type that was new to opera. It also contains interspersed comic scenes that are anachronistically drawn from the contemporary life of Rome in the 17th century.

Landi's religious context, in keeping with the Counter-Reformation spirit of Jesuit dramas, marks a new departure in the theatre in Rome, combining antiquarian interests in ancient drama with modern musical conceptions of recitative, ensembles and occasional arias. Musically, the work has considerable variety, with elements of comedy and tragedy, and went some way towards establishing specifically Christian opera in a Rome that remained musically conservative. Singers for the opera, all male, were recruited from the Papal Chapel and included castrati. The Barberinis, noted patrons of the arts, owed their current influence to the Barberini Pope Urban VIII. The librettist, Giulio Rospigliosi, became Pope Clement IX in 1667.

The part of Sant'Alessio lies extremely high and was meant to be sung by a castrato. The accompanying orchestra is up-to-date, dispensing with the archaic viols and using violins, cellos, harps, lutes, theorbos, and harpsichords. The opera includes introductory canzonas which function as overtures; indeed they are the first overtures in the history of opera. Dances and comic sections mix with serious arias, recitatives, and even a madrigalian lament, for an overall dramatic variety which was extremely effective, as attested by the frequent performances of the opera at the time. "Sant'Alessio" was one of the first staged dramatic works successfully to mix both the monodic and polyphonic styles.

Modern performances

An ambitious all-male production of the piece, directed by baroque theatre specialist Benjamin Lazar and conducted by William Christie, premiered in Caen (Normandy) on October 16th, 2007. This acclaimed production involved no fewer than eight countertenors, including Philippe Jaroussky as Saint Alexis and Max Emanuel Cencic as his wife. [Laura Battle, [http://www.musicomh.com/opera/landi_1007.htm Les Arts Florissants/Christie - Il Sant'Alessio] (performance at the Barbican Hall, London, 24 October 2007), MusicOMH.] [Steve Smith, [http://www.nytimes.com/2007/10/31/arts/music/31ales.html Bounty of Countertenors in 1631 Opera] , "New York Times", October 31, 2007] One performance was broadcast in full as a live video webcast by France 3 on October 18th, 2007.

Roles

*Sant'Alessio (soprano)
*Sposa (soprano)
*Curtio (soprano)
*Angelo (soprano)
*Roma (soprano)
*Martio ((countertenor)
*Nuntio (countertenor)
*Madre (mezzo-soprano)
*Nutrice (mezzo-soprano)
*Adrasto (tenor)
*Eufemiano (baritone)
*Demonio (bass)
*Uno del Coro (bass)

Brief synopsis

The story of the opera begins with Saint Alexis, who has embraced a life of holy poverty, returning from the Holy Land as a beggar to his father's house in Rome. He keeps his identity a secret, even when his wife and mother decide to travel in search of him. He resists the temptations offered by the Devil, with the help of an angel. He dies in the poverty he has chosen, under the steps of his father's house, his identity revealed in a letter he holds as he dies.

Recording

*Landi: "Il Sant'Alessio" (Patricia Petibon, Sophie Marin-Degor, Mhairi Lawson, Stephanie Revidat, Maryseult Wieczorek, Steve Dugardin, Armand Gavriilides, Cecile Eloir, Katalin Karolyi, Christopher Josey, Nicolas Rivenq, Clive Bayley, Bertrand Bontoux; Les Arts Les Arts florissants; Conductor William Christie). Originally recorded 1996. Label: Warner Classics

References