- Pierre Baillot
Pierre Marie François de Sales Baillot (
October 1 1771 –September 15 1842 ) was a Frenchviolin ist andcomposer .Baillot was born in
Passy and studied the violin underGiovanni Battista Viotti . He taught violin at theParis Conservatoire and together withPierre Rode (also a pupil of Viotti) andRodolphe Kreutzer wrote the conservatoire's official violin method (published in the early 1800s). Baillot was sole author of the instructional "L'art du violon" (1834). Baillot's teachings had a profound influence on technical and musical development in an age in which virtuosity was openly encouraged. He was leader of theParis Opéra , gave solo recitals and was a notable performer ofchamber music . He died inParis in 1842.Biography
Pierre Marie François de Sales Baillot, who was associated with Rode and Kreutzer in the compilation of the celebrated "Methode du Violon," was born at
Passy , nearParis , in 1771, and became one of the most excellent violinists that France ever produced. His eminence in his profession was not obtained without a long struggle against great difficulties, for at the age of twelve he lost his father, who had kept a school, and became dependent upon friends for his education. His musical talent was remarkable at an early age, and he received his first instruction from an Italian named Polidori. At the age of nine he was placed under a French teacher named Sainte-Marie, whose training gave him the severe state and methodical qualities by which his playing was always distinguished.His love for his instrument was greatly augmented when, at the age often, he heard
Viotti play one of his concertos, and from that day the great violinist became his model.When his father died a year or two later, a government official, M. de Boucheporn, sent him, with his own children, to
Rome , where he was placed with Pollani, a pupil ofNardini , under whom he made rapid progress, and soon began to play in public. He was, however, unable to follow directly in the path of his profession, and for five years he travelled with his benefactor, acting as private secretary, and securing but little time for his violin playing.In 1791 he returned to Paris, and Viotti secured a place for him in the opera orchestra, but on being offered a position in the Ministère des Finances, he gave up his operatic work, and for some years devoted only his leisure to the study of the violin. He now had to serve with the army for twenty months, at the end of which time he once more determined to take up music as a profession, and soon appeared in public with a concerto of Viotti. This performance established his reputation, and he was offered a professorship of violin playing at the Conservatoire, then recently opened.
His next appointment was to the private band of
Napoleon , after which he travelled for three years in Russia with the violoncello player Lemare, earning great fame.Returning to
Paris , he established concerts for chamber music, which proved successful, and built up for him a reputation as an unrivalled quartet player. He travelled again, visitingHolland ,Belgium , and England, and then he became leader of the opera band in Paris and of the royal band. He made a final tour inSwitzerland in 1833, and died in 1842.Baillot is considered to have been the last distinguished representative of the great classical school of violin playing in Paris. In his "L'Art du Violon" he points out the chief distinction between the old and the modern style of violin playing to be the absence of the dramatic element in the former, and its predominance in the latter, thus enabling the executive art to follow the progress marked out by the composer, and to bring out the powerful contrasts and enlarged ideas of the modern musical compositions. After the time of Baillot and his contemporaries the style of Paganini became predominant in Paris, but the influence of the Paris school extended to Germany, where Spohr must be considered the direct descendant artistically of Viotti and Rode. [http://www.closelinks.com/facts.php?id=2183]
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