- Anderson v. Stallone
"Anderson v. Stallone", 11 USPQ2D 1161 (C.D. Cal.
1989 ) was a copyright infringement lawsuit againstSylvester Stallone ,MGM , and other parties over a script for Stallone's film "Rocky IV ". This script written by Anderson was unsolicited and unauthorized, a key fact that led to Anderson losing the case.Introduction
Timothy Burton Anderson, an author who wrote a script for the film "Rocky IV", brought the suit for
copyright infringement , unfair competition,unjust enrichment , andbreach of confidence against Stallone, MGM, and other parties. Stallone et al. filed a motion for summary judgment which was granted in part and denied in part. Anderson appealed. The case was thereafter resolved in a confidential out-of-court settlement.Case background
In June 1982, after viewing the movie "
Rocky III ", Anderson wrote a treatment for "Rocky IV". According to Anderson's complaint filed with the court, in October 1982,Anderson met withArt Linkletter , a member of MGM'sBoard of Directors , at his Bel Air home; withFreddy Fields , then-president of MGM/UA at his Culver City office; and also had meetings during the Summer of 1983 with then-Board ChairmanFrank Yablans and MGM/UA Vice PresidentPeter Bart . During the meetings, they discussed using Anderson's script for "Rocky IV". Anderson claimed that MGM told him that if they used his script he would be paid a large sum of money. Anderson also met with Stallone in May 1983 at Stallone'sParamount Pictures office in a meeting arranged and attended by then-Deputy White House Chief of Staff Michael Deaver .The case was argued before District Judge Keller of the Central District of California. The Court concluded that the Defendants are entitled to their motion for summary judgment because Anderson's script is an infringing work not entitled to copyright protection.
The Court determined that the characters from the original movies were afforded copyright protection, using a standard borrowed from Judge
Learned Hand in "Nichols v. Universal Pictures Corporation ". The key to the standard is that copyright protection is afforded when a character is developed with enough specificity to constitute protectable expression.It was strikingly clear to the Court that Anderson's work was a derivate work; that under 17 U.S.C. section 106(2) derivate works are the exclusive privilege of the copyright holder (Stallone, in this case); and that since Anderson's work is unauthorized, no part of it can be given protection.
Anderson attempted to argue that Congressional history of 17 U.S.C. section 103(a) indicates that Congress intended non-infringing portions of derivate works to be protected. The Court disagreed, citing legal scholarship (Professors Melville Nimmer and David Nimmer) and case law interpretations of 103(a).
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