Ventilator Blues

Infobox Song
Name = Ventilator Blues
Artist = The Rolling Stones
Album = Exile on Main St.
Released= May 12, 1972


track_no = 12
Recorded = July, October-November 1971 & January-March 1972
Genre = Rock
Length = 3:24
Writer = Jagger/Richards/Taylor
Label = Rolling Stones/Virgin
Producer = Jimmy Miller
[ Chart position = ]
prev = "Turd on the Run"
prev_no = 11
next = "I Just Want to See His Face"
next_no = 13

"Ventilator Blues" is a song by English rock and roll band the Rolling Stones featured on their 1972 release "Exile on Main St."

The song

"Ventilator Blues" marks the first and only time guitarist Mick Taylor would be given credit alongside regular Stones scribes Mick Jagger and Keith Richards. While his exact amount of input is unknown, Taylor's contribution of the song's opening slide riff is considered the main reason he was given the credit, as it drives the song. The song itself is a low and lumbering blues number, with Bill Janovitz saying in his review, "the instrumental arrangement clearly aims for the Chess Studios approach."cite web| last =Janovitz| first =Bill| title = Ventilator Blues| work =| publisher = allmusic.com| url = http://www.allmusic.com/cg/amg.dll?p=amg&sql=33:hifrxqtdldse| accessdate = 2006-07-29] Notable is Jagger's double tracked lead vocal, double tracking being a rarely used studio device. Janovitz concludes, "Jagger takes the Muddy Waters and Howlin' Wolf inspiration of the song's origins and does his best to betray the fact that he is a skinny middle-class English kid, convincingly delivering the time-bomb lyric with appropriate swagger..."

On pianist Nicky Hopkins notable contribution, Janovitz says, " [Hopkins plays] a rhythmically complex piano part on the verses, weaving in and out of the swooping guitar lick on the first verse and then building as the arrangement continues, playing nervous, jittery right-handed upper-register trills. The pianist creates scary tension on an already claustrophobic and malevolent-sounding song." The song is noted for its rising and falling chord progression, puncutated by the saxophone of Bobby Keys and the trumpet and trombone of Jim Price. Keeping beat is Charlie Watts on drums and Bill Wyman on bass who, although frequently absent during the recording sessions for "Exile", made it on this occasion. Richards performs electric guitar as well as a low, echoing, strummed acoustic that shadows Taylor's running main riff. On top of that riff Taylor plays one of his famous outro solos over Jagger's lingering question to the listener;

The song then begins a slow fade-in to the following track, "I Just Want to See His Face".

Recording and aftermath

Recording on "Ventilator Blues" began in late 1971. The Stones chose to record the majority of the song deep in the basement of Richards' home in the south of France, Villa Nellcôte. It was here, in the poorly ventilated basement, that the song was born. [ [http://www.songfacts.com/detail.php?id=549 "Ventilator Blues"] . "Songfacts". 2007 (accessed 29 July 2007).] A well-known feature of the songs recorded in that basement for "Exile" was the tendency of the heat to distort the guitar's strings and the close atmosphere lending the songs a distinct, albeit undefined, sound. Richards said, "On 'Ventilator Blues' we got some weird sound of something that had gone wrong - some valve or tube that had gone. If something was wrong you just forgot about it. You'd leave it alone and come back tomorrow and hope it had fixed itself. Or give it a good kick."cite web| last =| first =| title = Ventilator Blues| work =| publisher = timeisonourside.com| url = http://timeisonourside.com/SOVentilator.html| accessdate = 2006-07-29] Recording concluded in the early months of 1972 at Los Angeles' Sunset Sound Studios.

On the song, Watts said in 2003, "We always rehearse 'Ventilator Blues' [for tours] . It's a great track, but we never play it as well as the original. Something will not be quite right; either Keith will play it a bit differently or I'll do it wrong. It's a fabulous number, but a bit of a tricky one. Bobby Keys wrote the rhythm part, which is the clever part of the song. Bobby said, 'Why don't you do this?' and I said, 'I can't play that,' so Bobby stood next me to clapping the thing and I just followed his timing. In the world of "Take Five", it's nothing, but it threw me completely and Bobby just stood there and clapped while we were doing the track - and we've never quite got it together as well as that." [ISBN 0-8118-4060-3 "According to The Rolling Stones". "Chronicle Books". 2003 ]

The song has only been performed live once, at Pacific Coliseum in Vancouver, B.C on opening night of the 1972 North American Tour in support of "Exile".

External links

* [http://www.rollingstones.com/discog/index.php?v=so&a=1&id=156 Complete official lyrics]

Notes