Tarquinia Molza

Tarquinia Molza

Tarquinia Molza (November 1 1542 – August 8 1617) was an Italian singer and poet. She was considered a great "virtuosa" and many artistic works were dedicated to her; Francesco Patrizi wrote about her singing in his treatise "L'amorosa filosofia", and she was perhaps the first singer to have a published biography dedicated to her ("Opuscoli inediti di Tarquinia Molza modenese" by D. Vandelli). ["Grove", "Soprano"] She was involved with the famous "Concerto delle donne", although whether she sang with them or coached them is not clear. [The "Grove" article on Tarquinia Molza says that she did not sing with them, however the "Women in Music" article says she did sing with them.] She also played the viola bastarda.

Molza was born in Modena, the granddaughter or niece [Newcomb, "Grove"] ["The Musical Woman", Volume II, "Tarquinia Molza"] of the poet Francesco Maria Molza. She married Paolo Porrino in 1560 and was widowed by 1579. By 1583 she was living in Ferrara in the official capacity of lady-in-waiting to Duchess Margherita Gonzaga d'Este. Molza was dismissed from her position in 1589 because of her affair with Mantuan composer Giaches de Wert, and returned to Mantua. The unacceptability of the affair apparently had more to do with class than with sexual peccadillos—members of the minor nobility (as ladies-in-waiting to the duchess were considered) were not to involve themselves with members of the servant class (as minor composers such as Wert were considered). ["Grove", "Tarquinia Molza"] ["Grove", "Giaches de Wert"]

References

*Anthony Newcomb. "Tarquinia Molza", "Grove Music Online", ed. L. Macy (accessed May 20 2006), [http://www.grovemusic.com/ grovemusic.com] (subscription access).
*Owen Jander, Elizabeth Forbes, Stanley Sadie, J.B. Steane, Ellen T. Harris (with Gerald Waldman). "Soprano:History to "c." 1600", "Grove Music Online", ed. L. Macy (accessed May 20 2006), [http://www.grovemusic.com/ grovemusic.com] (subscription access).
*Iain Fenlon. "Giaches de Wert", "Grove Music Online", ed. L. Macy (accessed May 20 2006), [http://www.grovemusic.com/ grovemusic.com] (subscription access).
*Riley, Joanne. "Tarquinia Molza (1542 - 1617): A Case Study of Women, Music and Society in the Renaissance," in "The Musical Woman", Volume II, pp. 470 - 493, ed. J. Lang Zaimont.
*Stevenson, Jane. "Women Latin Poets" (Oxford, 2005), 288-91.

Notes


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  • Tarquinia Molza — (* 1. November 1542 in Modena; † 18. August 1617 ebenda) war eine italienische Musikerin und Dichterin. Leben Molza war das älteste Kind von Camillo Molza und dessen Ehefrau Isabella Colomba; der Schriftsteller Francesco Maria Molza war ihr… …   Deutsch Wikipedia

  • Molza — ist der Familienname folgender Personen: Francesco Maria Molza (1489–1544), italienischer Schriftsteller Tarquinia Molza (1542–1617), italienische Musikerin und Dichterin Diese Seite ist eine Begriffsklärung zur Unterscheidun …   Deutsch Wikipedia

  • MOLZA Tarquinia — vide Tarquinia …   Hofmann J. Lexicon universale

  • Molza — 1) Francesco Marie, geb. 1489 in Modena u. st. 1544 in Rom; er schr.: Elegiae u. Carmina, Bergamo 1747–54, 3 Bde., auch in den Deliciae poetarum Italorum; seine italienischen Gedichte befinden sich (bei den von Berni u. auch einzeln, 1513 u. 1720 …   Pierer's Universal-Lexikon

  • Molza — Molza, Francesco Maria, ital. Dichter, geb. 18. Juni 1489 in Modena, gest. daselbst 28. Febr. 1544, geriet, während er in Rom studierte, in solche Ausschweifungen, daß seine Eltern ihn 1511 nach Modena zurückriefen, wo er sich auf deren Verlangen …   Meyers Großes Konversations-Lexikon

  • Molza — Molza, Francesco, geb. 1489 zu Modena, gest. 1544 zu Rom, ein guter Dichter in lat. und ital. Sprache; seine Enkelin Tarquinia, geb. 1542, dichtete ebenfalls in lat. u. ital. Sprache, übersetzte auch 2 platonische Dialogen …   Herders Conversations-Lexikon

  • Francesco Maria Molza — (* 18. Juni 1489 in Modena; † 28. Februar 1544 ebenda) war ein italienischer Dichter. Inhaltsverzeichnis …   Deutsch Wikipedia

  • Concerto delle donne — Second page of O dolcezz amarissime d amore, showing series of runs among three soprano lines with accompaniment. The music is notated on three soprano clefs (as opposed to treble clefs) and features a preponderance of thirty second notes. The… …   Wikipedia

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