- Josie McFarlane
]
Storylines
Jamaican born Josie, was the mother of
Mick McFarlane and she arrived inAlbert Square in August1998 to visit her son, who she thought was a successful musician. However, Mick's music career had failed and he had ended up sellingCD 's on a market stall in the Square, as well as running the Bridge Street café's night bistro. Josie, who always had high aspirations for herself and her family, was none too pleased to find out that her son had been lying about his professional status, but Josie was also harbouring a few secrets of her own.Her husband, who she worshiped, had recently died, but before his death he had been defrauded in a Jamaican property scam and so Josie was now practically penniless. But perhaps more shockingly, Josie had fostered a young girl named Kim, who she claimed was a distant relative of Mick's. Actually, Kim was the illegitimate daughter of her philandering husband, and after her mother's death, Josie had kindly taken her in instead of seeing her go into care. When Mick was finally made privy to this information he was extremely shocked and even more surprised to find out that both Josie and Kim planned to stay in
Walford instead of returning to Jamaica. Despite his initial misgivings Mick soon welcomed his mother and new sister into his home.Josie and Kim later moved into number 3c Albert Square, where Josie became friendly with her downstairs neighbours,
Dot Cotton andLilly Mattock , although Josie and Dot used to bicker constantly.Josie initially got herself a job as a barmaid at
The Queen Vic and she later became the receptionist atFred Fonseca 's doctors' surgery. However, things did not run smoothly for her in her new post. Josie was a strict perfectionist, she also expected perfection from everyone else and she wasn't adverse to telling them so either. Her strict mannerisms only sought to frighten away half the patients. She eventually managed to settle down with a lot of coaching from Dr Fonseca, however, yet more problems arose when she discovered that her employer washomosexual . Josie was a strictChristian and she felt that working for a homosexual conflicted with her religious beliefs. She even went as far as to accuse him of coercing Kim into becoming alesbian . She continued down a path of self-righteousness, judging everyone by her own, impossibly high standards. After she discovered that her son had gotten involved with ex-prostitute ,Nina Harris , she could not condone their friendship and her aloof manner towards Nina infuriated Mick, who ended up branding her a 'lonely, bitter, old woman'. It took bigoted remarks byracist Jim Branning to make Josie realise that she was as prejudiced in her own way as he was, but by then it was too late. Having forgotten to renew her visa she was threatened with deportation and so she was forced to return to Jamaica, leaving Kim in Mick's care. She promised Kim she would return when she sorted out her visa, but so far she has not come back. Her last appearance was in February2000 .Criticism
Following her departure from the soap in 2000, actress Joan Hooley publicly slammed "EastEnders" and the BBC for being "racist" and failing to give ethnic minority characters decent storylines, saying that the BBC was doing nothing to challenge TV stereotypes of blacks as "whores, gangsters, pimps and freaks". She said she felt "emotionally abused" after spending 18 months with the show without ever having "any kind of meaningful plotline or meaty dialogue".
She commented, "It was tokenism. I felt like a prop in the corner. It was very demeaning and a form of insidious racism. That is a very strong phrase to use against the BBC and EastEnders but I feel very badly about how they handled my character. They were just fulfilling a duty to have a black face in the show. The way most blacks are often portrayed on television reinforces the image of them as gangsters, pimps, whores and freaks. "EastEnders" could have helped provide a positive role model but they didn't take the opportunity."
Hooley claims that she was promised major storylines that never materialised, was asked to come up with ideas for black characters, but that all her pages of suggestions (including developing an interesting relationship with the character
Dot Cotton or having Josie start her own business) were ignored. She also claims that she was only used for two-thirds of her contracted appearances. She said: "In the 18 months I was in "EastEnders", I had no impact. There was nothing that made people sit up and take notice of what Josie was doing. It was like they remembered I was around and threw me a line where I would slide into the bar and say, 'Hello, how are you' and then sit on a stool and say nothing for the rest of the episode. I came to feel that I was letting the black community down because my character was so empty. People of my own colour often accosted me in public and accused me of playing a token black. I was so little-used that they even wrote me cheques for episodes I never appeared in. So why did they not use me? Why are they wasting the taxpayers' money? It was very dispiriting."She accused the BBC of having an underlying lack of faith in the public's ability to accept that the UK has a multi-racial society, commenting ""The BBC likes to show itself off as being politically correct but I have seen some aspects that are not wholesome, even if it is unintentional. They may not believe it is there and they probably don't intend it to be there, but I have seen this insidious racism at first hand. There are degrees of racism and this, of course, is not the same as insulting or assaulting someone but it is still pretty distasteful. The BBC needs to know there is a degree of dissatisfaction among the public. I think people want to see that "EastEnders" is populated by many different ethnic groups. Black people in real life run businesses, fall in and out of love, have fascinating and exciting lives. So why can't we in "EastEnders". We are not all losers or nobodies so why can't the BBC show that?...I really felt so ineffectual as a character because I had nothing to get my teeth into - there were no great dramatic scenes or relationships. My character was never given anything meaningful to say and that was such a wasted opportunity. My son said I should get out of "EastEnders" because it wasn't doing me any good as an actress or as a black woman...I have got to speak out so that things can change."
References
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