- John Galliano's Spring-Summer 2004 Haute Couture collection
John Galliano's Spring-Summer 2004 Haute Couture collection for
Christian Dior was themed to his then recent travels toEgypt , clearly representative of the ethnic influences which often shine in his works.The more conservative of John Galliano's apparel shown on
January 19 ,2004 in Paris, includedleopard-print fur stole s with collars that "soar likeobelisk s", billowing gowns of shadow-dyedorganza , with hems twisted and folded intolotus flower shapes, andpyramid -shaped gowns made of dozens of golden mirrors, and printed with hieroglyphics, or the glamorousmummies paraded in bandages of blacksilk tulle flashing with rainbowsequin s. Many woreNefertiti -like crowns, or long Egyptian "goatees". The models wore breast-plates of turquoise, coral, silver and gold, and earrings the size of "eagles' eggs".Some of the more brilliant examples of flawless tailoring was shown in the golden or blue snakeskin sheaths, worn by models "walking like Egyptians". These models wore elegantly carved and polished wood masks, of
Tutenkhamun , or gods likeHorus , a falcon, Bast, a cat, or most brilliantly,Anubis , a jackal. The masks were made by London milliner Stephen Jones.All models were outfitted in
corset s, making the models more desirably cat-like, linking to the Egyptian theme.Models in the show included Britain's
Erin O'Connor , Sudan-bornAlek Wek and the CzechKarolína Kurková .Wearing an off-the-shoulder, bell-sleeved blouse and pencil skirt from Galliano's 1997 Dior haute couture collection, television actress
Sarah Jessica Parker sat in the front row, transfixed. She was quoted as saying "Why isn't everybody jumping up and down and screaming? I knew Galliano was capable of elegance, whimsy, fantasy and history, but this was beyond fantastic; beyond belief. I have never seen anything like it in my life."External links
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