The Room

The Room

Infobox Play
name = The Room


image_size =
caption =
writer = Harold Pinter
chorus =
characters = Bert Hudd
Rose
Mr. Kidd
Mr. Sands
Mrs. Sands
Riley
mute =
setting = A room in a large house
premiere = May 1957
place = University of Bristol
UK
orig_lang = English
series =
subject =
genre = Drama (Tragicomedy,
Comedy of menace)
web = http://www.haroldpinter.org/plays/title_room.shtml
playbill =
ibdb_id =

"The Room" is the title of the first play written by Harold Pinter. Considered by critics the earliest example of Pinter's so-called Comedy of menace, this play has strong similarities to Pinter's second play, "The Birthday Party", including features considered hallmarks of Pinter's early work: dialogue that is comically familiar and yet disturbingly unfamiliar, simultaneously or alternatingly both mundane and frightening; subtle yet contradictory and ambiguous characterizations; a comic yet menacing mood characteristic of mid-twentieth-century English tragicomedy; a plot featuring reversals and surprises that can be both funny and emotionally moving; and an unconventional ending that leaves at least some questions unresolved.

etting and characters

Pinter has confirmed that his visit, in the summer of 1955, to the "broken-down room" of Quentin Crisp, located in Chelsea's Beaufort Street (now renovated and part of a "smart buidling"), inspired his writing "The Room", "set in 'a snug, stuffy rather down-at-heel bedsit with a gas fire and cooking facilities'."cite news|url=http://www.telegraph.co.uk/property/main.jhtml?xml=/property/2002/11/09/pcrisp09.xml|title=A Peculiarly Outrageous Act to Follow|work=Daily Telegraph|date=2002-11-09|accessdate=2008-09-08 Book rev. of "Quentin & Philip", by Andrew Barrow (London: Pan Macmillan, 2004).] The bedsit is located in an equally rundown rooming house which, like that of Pinter's next play, "The Birthday Party", becomes the scene of a visitation by apparent strangers. Though the single-dwelling two-story house in the later play is in an unidentified "seaside town," and it is purportedly a bed and breakfast-type rooming house run by a childless middle-aged married couple, the building in which Rose and Bert Hudd inhabit their "room" is a multi-dwelling rooming house of more than two stories, and, while Rose accepts being addressed as "Mrs. Hudd", Bert Hudd and she may not actually be legally married to each other, which may be a factor leading to her defensiveness throughout the play.

Plot summary

After the play opens with Rose talking to a mostly-silent Bert Hudd, while serving him breakfast, as occurs at the beginning of "The Birthday Party", Bert, who appears to be a truck driver, leaves to drive off in his "van". Rose is visited by a young couple, Mr. and Mrs. Sands, who are looking for a flat, and by her landord, Mr. Kidd, who, in the first production and recent revivals, was played by its original director, Henry Woolf. A blind black man, named Riley, who has purportedly been waiting in the basement according to the Sands and Mr. Kidd, becoming a source of concern for Rose, suddenly arrives upstairs to her room, to deliver a mysterious message to Rose from her "father". The play ends violently when Bert, returns, finds Rose stroking Riley's face, delivers a long sexually-suggestive monologue, and then beats Riley until he appears lifeless, possibly murdering him, after which Rose herself becomes blind.

Composition history

Pinter wrote "The Room" over two or four days in 1957, depending on the account, at the suggestion of his friend Henry Woolf for his production as part of a postgraduate program in directing at the University of Bristol, Bristol, England.cite web|author=Jamie Andrews|title=Interview with Henry Woolf – Page 2|url=http://www.bl.uk/projects/theatrearchive/woolf2.html|work=Theatre Archive Project|publisher=British Library|format=Web|accessdate=2008-08-21] Henry Woolf, quoted by Susan Hollis Merritt, in 147–48 of "Talking about Pinter" (On the Lincoln Center 2001: Harold Pinter Festival Symposia), "The Pinter Review: Collected Essays 2001 and 2002", ed. Francis Gillen and Steven H. Gale (Tampa: U of Tampa P, 2002): 144–67; cf. Merritt, "Pinter in Play" 216–17.]

In their published interviews, Pinter and Woolf vary in describing how many days Pinter took to write "The Room". According to Billington, in his official biography "Harold Pinter", Woolf asked Pinter to write the play in a letter that Pinter received in the autumn of 1956, when he "was newly married" to actress Vivien Merchant "and in the middle of a season at Torquay"; " [Pinter] replied that he couldn't possibly deliver anything in under six months. In fact, the play arrived in the post very shortly. It was written over four afternoons and late nights while Pinter was playing in Rattigan's "Separate Tables" at the Pavilion Theatre, Torquay, in November 1956. "The Room", as the play was called, was eventually staged by the Bristol Drama Department in May 1957 in a converted squash-court and in a production by Woolf himself" (66–67).

According to Woolf, Pinter "said he couldn't write a play in under six months. He wrote it in two days, he says four days, no it wasn't it was two days."

Production history

"The Room" was first produced by Henry Woolf and presented at The Drama Studio at the University of Bristol in May 1957 and again as part of the National Student Drama Festival held at the University of Bristol in 1958. It was at this second performance that the play was first reviewed by the London "Sunday Times" by drama critic Harold Hobson who helped to found the Drama Festival with some of his colleagues. The original production featured the following cast:

*Bert Hudd - Claude Jenkins
*Rose Hudd - Susan Engel
*Mr. Kidd - Henry Woolf
*Mr. Sands - David Davies
*Mrs. Sands - Auriol Smith
*Riley - George Odlumcite web|title=The Room|work=HaroldPinter.org|url=http://www.haroldpinter.org/plays/title_room.shtml|format=Web|publisher=Harold Pinter|accessdate=2008-08-21]

The play was presented later at the Hampstead Theatre Club on January 21, 1960 as part of a double bill with "The Dumb Waiter". It was directed by Harold Pinter and featured the following cast:

*Bert Hudd - Howard Lang
*Rose - Vivien Merchant
*Mr. Kidd - Henry Woolf
*Mr. Sands - John Rees
*Mrs. Sands - Auriol Smith
*Riley - Thomas Baptiste

The double bill was transferred on March 8, 1960 to the Royal Court Theatre where it was directed by Anthony Page with the following cast:

*Bert Hudd - Michael Brennan
*Rose - Vivien Merchant
*Mr. Kidd - John Cater
*Mr. Sands - Michael Caine
*Mrs. Sands - Anne Bishop
*Riley - Thomas Baptiste

Fiftieth anniversary

In 2007, the fiftieth anniversary of the play's first production, the Theatre Archive Project, a collaboration among the British Library, the University of Sheffield, and the British AHRC, began interviewing surviving members of the cast, as well as the author of the accompanying one-acter "The Rehearsal".cite web|author=Jamie Andrews|title=The Room, Fifty Years On...|url=http://britishlibrary.typepad.co.uk/pinter_archive_blog/2008/04/the-room-fifty.html|work=Harold Pinter Archive Blog|format=Web|publisher=British Library|date=2008-04-02|accessdate=2008-08-21]

In April 2007, as part of a three-day conference , held at the University of Leeds, in conjunction with which Pinter was awarded his seventeenth Honorary degree, Henry Woolf reprised his role as Mr. Kidd.cite news|title=Pinter Honoured by University of Leeds|url=http://www.bbc.co.uk/leeds/content/articles/2007/04/05/features_pinter_doctorate_feature.shtml|work=BBC News|format=Web|publisher=BBC|date=2007-04-05|accessdate=2008-08-21|quote=The man acknowledged by many critics as Britain's greatest living playwright is to become an honorary Doctor of Letters as part of a three day conference, to celebrate the 50th anniversary of the first performance of his work.]

On May 26, 2007, students at the University of Bristol, directed by Simon Reade, mounted a production in the original performance space – a converted "squash-court" as described by Billington (67) – which was recorded by the British Library Sound Archive.cite web|title=Room/Pinter (Item #1)|url=http://cadensa.bl.uk/uhtbin/cgisirsi/VXUlfg8dpd/189670006/18/X299/XTITLE/Room%5E2FPinter|work=British Library Sound Archive|format=Searchable Web-based Sound Archive|publisher=British Library|date=2007-05-26|accessdate=2008-08-21 (Archive listing.)]

ee also

*Comedy of menace
*The Harold Pinter Archive in the British Library
*Theatre of the Absurd

Notes

References

*Andrews, Jamie. [http://www.bl.uk/projects/theatrearchive/theroom.html "Interviews: Harold Pinter's 'The Room' "] . Theatre Archive Project (British Library, the University of Sheffield, and AHRC). Accessed August 21, 2008. (Transcripts of interviews with Susan Engel, James Severns, Auriol Smith, and Henry Woolf.)
*Barrow, Andrew. "Quentin and Philip: A Memoir". London: Pan Macmillan, 2004. ISBN 9780330391856. (576 pp.)
*Billington, Michael. "Harold Pinter". 2nd rev. & enl. ed. 1996. London: Faber and Faber, 2007. ISBN 0571234763 (10). ISBN 9780571234769 (13). ("New and updated edition" of work previously entitled "The Life and Work of Harold Pinter".)
*Merritt, Susan Hollis. "Pinter in Play: Critical Strategies and the Plays of Harold Pinter". 1990. Durham and London: Duke University Press, 1995. ISBN 0822316749 (10). ISBN 9780822316749 (13).
*Woolf, Henry. [http://www.guardian.co.uk/stage/2007/jul/12/theatre.haroldpinter "My 60 Years in Harold's Gang"] . "The Guardian", July 12, 2007, Stage. Accessed August 21, 2008.

External links

*" [http://www.haroldpinter.org/home/index.shtml HaroldPinter.org] " – Official Website of Harold Pinter.
*" [http://www.haroldpinter.org/plays/title_room.shtml The Room] " – Official Webpage at "HaroldPinter.org".


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